Entertainment

To rephrase, in the story “Midnight,” an unnamed being took over a bus, causing fear among passengers through imitation, simultaneous speech, and making the Doctor repeat it. However, it was the passengers themselves who could be seen as the main adversaries of the narrative. Although the entity manipulated their feelings, it was the passengers who came close to pushing the Doctor off the bus. Faced with something they couldn’t understand, people often react with fear and mistrust, trying to eliminate or dominate what they perceive as a threat. Contrastingly, Doctor Who usually encourages its audience to support characters who respond to the unknown with a wish to communicate, learn, and assist.

By grouping these four shows together, I’ve noticed a striking similarity: they represent the wide spectrum of comedies that Emmy voters have recognized and appreciated over the past few decades. Shows like Cheers and The Office, with their optimistic portrayal of workplaces, seem to find a parallel in the hopeful struggles of Abbott Elementary. The behind-the-scenes perspective that 30 Rock offered is echoed in both Hacks and Only Murders in the Building, while Hacks shares a sharp, satirical edge with shows like Veep. Lastly, The Bear stands out as a unique blend of comedy and auteurist quasi-dramas, incorporating elements from diverse series such as the moodiness of Transparent, the formal experimentation of Atlanta, and the heartwarming idealism of Ted Lasso.

Initially, it appeared as if the Strong Five were on their way to triumph, but this week saw their winning streak come to an abrupt end. Kinne had been in a strong position at the start of the episode, but his decision to eliminate his tribemate Kamilla, coupled with his suspicions that Shauhin and Kyle were plotting against him, led to his downfall. His accusation that Joe had lost his honor added fuel to the fire, ultimately resulting in his elimination. In essence, his inflexibility and heightened paranoia at any sign of dissent from other players set the stage for his own ouster. Alternatively, one could argue that craftier players managed to manipulate Joe and Eva into voting for David, and Kinne lacked the social finesse to counter their moves.

It might be unexpected for those who have been consistently watching, but my reviews have generally been very positive or even glowing, mainly due to the strong writing and acting. However, I began to notice a slowdown in momentum last week. Perhaps this series would have benefited from being six episodes instead of eight. By episode six, Ray’s internal struggle seems to be resolved in his fever dream/vision quest, and Mina’s emotional battle to rejoin the living world is mostly concluded before episode seven. The remaining two episodes are mainly focused on the resolution of the investigation, which unfortunately stretches over these chapters, adding an extra ten minutes to each episode, which doesn’t help its case. A TV show struggles to perform optimally when it’s overly extended in time before its final moments.

It transpired that Nicholas didn’t pass away when he fell unconscious, and among all his health issues, the doctor considers this particular one relatively mild. However, Nicholas briefly wakes up to share contraband Smarties with Jack, but soon after, Nicholas’s condition deteriorates rapidly, causing Jack to contemplate who should take over as MBT’s artistic director in his stead. In a moment of indiscretion, Jack shares this predicament with Crispin, who suggests Cheyenne for the role, although it’s more about settling scores than genuine support. This suggestion sets off a chain reaction leading to Cheyenne being offered the job, getting excited about it, and ultimately losing it when Nicholas recovers and maintains his position at MBT.

If you haven’t experienced the 2015 survival horror game “Until Dawn”, the 2025 film adaptation could leave you puzzled. Even if you have played the game, the movie might still perplex you due to its unique narrative. David F. Sandberg’s “Until Dawn” draws inspiration from its well-known forerunner, but the script, penned by Gary Dauberman and Blair Butler, crafts an entirely new tale that may not be straightforward to grasp. Initially, it follows a typical slasher setup, but eventually, it transforms into something unexpected, with a barrage of concepts that risk overwhelming the movie. Despite this, by the end, “Until Dawn” manages to redeem itself through its humor, showcasing similarities with “Cabin in the Woods” rather than contemporary heavyweight horror titles. While it deluges the audience with backstory, the film satirizes the modern trend of serious, symbolic horror, suggesting that even in the face of real trauma, laughter is still an option.

In the closing scene, Joe finds himself fleeing with his partner beside him. She momentarily imagines herself pulling the trigger, but ultimately talks herself out of it: She yearns for explanations beforehand. She explains through a voice-over to emphasize her intentions, “How do I provide you with the ending you deserve?” This could be seen as a subtextual critique on the female-driven longing for “closure” at the end of an unhealthy relationship: the misconception that if questions are asked in a specific sequence, answers will magically appear. In reality, such closure is seldom, if ever, obtained, and insisting upon it or waiting for it may keep one bound to the relationship (mentally, if not physically). However, we’re led to hope for her success, even though she pursues her goal in an extremely ineffective manner. My apologies!

In a nutshell, the setting of Étoile is filled with individuals who are deeply engrossed in their performing arts careers, making it challenging for them to build genuine connections with others. For instance, Jack is so consumed by his work that he scarcely has friendships beyond those who require professional assistance from him. Cheyenne holds her art form in such high regard that she dismisses anyone who doesn’t meet her exceptionally high standards. Mishi, on the other hand, has been nurtured to concentrate solely on dance throughout her youth, missing out on crucial social interactions with peers her age. Tobias’s fixation on his choreography pushes people away, and those unable to assist him in realizing his vision as he desires are deemed irrelevant to him. These two episodes delve into the loneliness that characterizes these individuals and how it impacts the few significant relationships they maintain.

Despite earning worldwide acclaim for our film, I still felt like we had fallen short – we as a team had failed – in our mission to improve our local community, he explained further. Following the arrest of Ballal, the Academy of Motion Picture Arts and Sciences issued a somewhat vague statement that, at least, acknowledged the existence of differing viewpoints among its members. However, it did not directly mention Ballal. In response, several Academy members like Mark Ruffalo, Todd Haynes, and Penélope Cruz, among others, signed an open letter expressing their criticism. Subsequently, the Academy issued a revised statement that extended an apology to Ballal personally.

Here’s how Joe Goldberg’s story concludes: In a public trial, he receives a life sentence without the possibility of touch or women to fixate on. However, before this verdict, Bronte, his newest obsession, shoots him, leading to a graphic video of his arrest that goes viral. This form of justice aligns with the show You, which is known for romantic gestures and favorable endings for its antagonist-protagonist. In an interview with Deadline, Penn Badgley, who plays Joe, discussed this decision in relation to a broader cultural conversation about “bad men.” He questions, “What should we do with people like Joe?” If someone were to kill him (and it would be a woman), then she would bear the burden of murder. Torture or prison seem inadequate, so they settled on damaging his manhood.