Entertainment

When Margaret Atwood published her sequel to “The Handmaid’s Tale” in 2019, many believed that the TV show would serve as a gradual introduction to the new novel. The series wouldn’t be confined to the sequel’s events, but rather, it would set the stage for its plotlines – a term used by “The Handmaid’s” executive producer Warren Littlefield when discussing this topic in 2021. In my opinion, the expectation of these stories overlapping significantly impacts how I perceive the events portrayed in the Hulu series, an influence likely shared by most viewers who are familiar with Atwood’s books.

Despite Cooper’s suggestion of potential complications in her statement, it remains unclear if Sofia Franklyn, former co-host of CHD, will feature or be addressed in this upcoming series. The series, titled “Unwell” and produced by Cooper’s network, is set to debut at the Tribeca Festival on June 8, with its Hulu premiere following on June 10. See you later, Daddy Gang!

In an upcoming biopic titled “The Smashing Machine“, Dwayne Johnson transforms beyond recognition into UFC fighter Mark Kerr, written and directed by Benny Safdie, one of the siblings behind “Uncut Gems“. The trailer opens with a battered Kerr, saying “You’re probably looking at my eyes,” to an older woman who appears as puzzled as we … Read more

What if the roles were reversed?

Hey Minecraft Enthusiast! Here’s some fantastic news straight from the Warner Brothers camp – the Minecraft Movie is back for a special screening event! On May 2nd, you can let loose and sing your heart out at the “Block Party Edition” screenings. But remember, this ticket comes with a price tag. Theaters are giving fans … Read more

Originally from “Vanderpump Rules”, Stassi Schroeder was eventually let go in 2020 due to racially insensitive actions toward Faith Stowers, a former cast member. She acknowledged her role in the situation, stating, “I am the reason for being in this predicament.” Instead of focusing on cancel culture or labeling herself as a victim, she emphasized that it doesn’t align with how she feels.

During her absence from our TV screens, Schroeder dedicated time to learning about race in America, got married to Beau Clark, started a family with two children, and wrote two books. The new Stassi who appears at Lisa Vanderpump’s Castello Rosato is more thoughtful and considerate. However, her old habits persist, as evidenced by her outbursts, such as her birthday tantrum, which has been a contributing factor to the popularity of this spinoff series, “Vanderpump Villa”.

In case you’re curious, here’s a guide to some memorable moments of Stassi on “Vanderpump Villa”.

Affleck often references and draws inspiration from several classic American films, excluding “The Rules of the Game” by Jean Renoir and “Trainspotting” by Danny Boyle. His collection includes works like Terrence Malick’s “Badlands”, Jonathan Demme’s “The Silence of the Lambs”, Spike Lee’s “Malcolm X”, and Richard Linklater’s “Dazed and Confused”. He proudly reveals one of these films he’s featured in, flashing a grin. Affleck acknowledges that many of these movies have deeply influenced him not just as an artist but also personally. He specifically mentions Richard Linklater’s method of improvisation and collaboration, as well as Robert Townsend’s ownership of his life and art in “Hollywood Shuffle”. Interestingly, it appears Affleck is capable of impersonations, as he demonstrates with a Sean Penn impression from “Fast Times at Ridgemont High”. It seems we now have a better understanding of Affleck’s love for movies and his acting skills.

This year, Juliette Binoche is serving as the jury president. She’ll be accompanied by a variety of distinguished figures from the cinematic community, such as American actors Strong and Halle Berry, Indian director Payal Kapadia (known for “All We Imagine As Light”), Italian actress Alba Rohrwacher (famous for “I Am Love”), French-Moroccan author Leïla Slimani (writer of “Adèle”), Congolese documentarian Dieudo Hamadi (“Downstream to Kinshasa”), South Korean filmmaker Hong Sang-soo (“Walk Up”), and Mexican filmmaker Carlos Reygadas (“Silent Light”).

In the third season, the series “Dark Winds” expanded in scope, both storywise and geographically. Unlike the initial two seasons which primarily focused on the Navajo reservation and the investigations of crimes and mysteries led by Bernadette Manuelito (Jessica Matten), Navajo Police lieutenant Joe Leaphorn (Zahn McClarnon), her mentor, and Jim Chee (Kiowa Gordon), her colleague and romantic interest, this season broadened its horizons. Issues of human and drug trafficking at the Mexican border became a significant aspect of the narrative; characters disregarded boundaries and ventured to Mexico for investigations; an episode delved into Leaphorn’s past. These elements all contributed to one of “Dark Winds” recurring themes since its debut: the exploration of what constitutes “justice,” and how Native individuals can seek it in a world where they so often face limitations.

Instead of consistently startling neighbors with shocking antics, it’s worth noting that David Cronenberg, a groundbreaking and contentious filmmaker from Canada, typically avoids resting on his laurels or his controversial image. True to form for a director who is fascinated by transformation, he has continually evolved throughout his career. His body of work tells a story of violence, but it’s divided into distinct phases: From the raw titillation of “Shivers” to the respected Hollywood horror of “The Fly,” the provocative art-house controversy of “Crash,” and the unexpected prestige recognition during his Viggo period. Despite their differences, all his films share an intense intellectual curiosity that matches the intensity of the violence they depict. Initially dismissed (and much to John Carpenter’s dismay), Cronenberg has always been the choice for intellectuals who appreciate a bit of sleaze and slither in their cinema.