Entertainment

In simpler terms, the pilot episode could benefit from providing a bit more background information (something I wouldn’t have expected to write in a million years), but overall, plunging us into the chaos and expecting us to keep up because “lives are on the line” works well for The Pitt. The relentless pace as we move between patient rooms mirrors the experience of our characters during a shift at an overcrowded, underfunded city trauma center. It’s quite effective! The amount of multitasking Dr. Robby has to do is both mind-boggling and makes me want to cheer for him. Although there’s a lot to remember as we meet numerous doctors, nurses, and patients, it never feels overwhelming. With people like R. Scott Gemmill, John Wells, and Noah Wyle in charge, we’re in capable hands, having been tempered by the trials of ER. The two series will inevitably be compared – and there’s the Crichton Estate lawsuit to consider – but the “each episode is one hour in one 15-hour shift” structure gives The Pitt a unique feel.

Arvind kicks off the movie night, but instead of relaxing and socializing, he’s given tasks. It’s hard for me to believe that Kacey, Kimberly, and Whitney don’t even try to act like they’re enjoying themselves. Arvind arrives prepared for a fun evening, yet ends up peeling oranges, shaping them into dolphins, and removing pith – activities we’ve come to expect from him. Meanwhile, his roommates give him subtle thumbs-up gestures and barely speak, making the scene feel unenjoyable. To be honest, this situation doesn’t tell me anything new about these characters or bring any real entertainment value. I prefer lighthearted comedies like Cougar Town, but this scene seems too detached from reality to provide the same enjoyment. In fact, it makes me wonder if a Turing test could be administered here to determine if this is even a realistic interaction!

It’s unclear to me why she’s acting differently on the show, specifically, I don’t understand how she’s handling the hand that has been dealt to her. We witness her and her mother, Leslie, going out for soft shell crabs as a celebration of her 30th birthday, the first one since she lost her brother to a drug overdose. They share a touching and emotional conversation about how his death has impacted them both. When her mother asks what she desires most for this special day, she responds, “To be left alone.” This response is relatable and understandable, yet it’s puzzling why she suddenly cancels her birthday party at the last minute without explaining why to anyone. I assume that this party was a significant focus of the episode.

On the day following Bronwyn’s disclosure that Todd had been unfaithful and the heated dinner argument with Lisa, there were numerous paths the situation could have taken. What stands out most about these women and this series is their immediate action when addressing issues. We are fortunate that Lisa’s insistence on addressing Bronwyn’s betrayal towards Angie, Whitney, and Heather resulted in one of the most entertaining and humorous incidents in the entire production: Britani capturing the Sprinter-bus brawl on video.

Is that the noise you’re hearing? The far-off sound of cheers and exclamations, a symphony of jubilant voices celebrating? Could it possibly be? Indeed! It appears that every single hour of ER – approximately 250 hours in total – is now available for streaming on Hulu and Max.

As a connoisseur of countless servings of French fries, I can attest that an exceptionally delicious one truly stands out. It’s not merely another potato strip; it’s a French fry reminiscent of the enchanting ratatouille from the movie “Ratatouille.” This fry manages to embody the essence of timeless perfection, while also drawing upon a rich tapestry of learned preferences for what constitutes the ideal French fry. It’s a Proustian French fry, an exquisite moment that leaves you marveling, “But isn’t it just a French fry?

As a film aficionado, I’ve been following the story closely, and while Jacob claims Sara was killed during the massacre, I know differently due to my own encounter with her. This revelation piques Wolsey’s interest, as it means there might be another survivor of the attack out there. It seems this clean-up operation is far from over! Yet, Wolsey sees a potential opportunity in this fresh development. He offers Virgil $200 for bringing Jacob and Brother Cook on board to join the search. With that, we’re headed to Crooks Springs – a challenging journey if there ever was one. For Brother Cook, it could be even tougher: Wolsey has instructed him to eliminate Sara and her child if they are found.

American Primeval strives, albeit unevenly, to revive the gritty, realistic style of western television series like Deadwood, Hell on Wheels, and Godless. It avoids romanticizing history, instead portraying a darker side of the past. Unlike traditional westerns that feature resilient settlers embodying the cowboy spirit, or depicting modern-day family ranches and oil rigs as symbols of American ingenuity, this six-episode Netflix miniseries, set in the untamed Utah Territory of 1857, concentrates on the Mormon community led by Brigham Young (Kim Coates). The series explores their aggressive efforts to expel non-Mormons and Native tribes from what they considered their “Zion,” suggesting that this violent behavior left a lasting mark on both the land and American identity.

On a somewhat overcast Thursday afternoon in Manhattan’s East Village, you might spot Alan Cumming at none other than Club Cumming. This establishment serves not just as a bar, but also a performance venue and a hub for the LGBTQ+ community, making it a unique gem among the city’s many drinking establishments. On special occasions, the club hosts popular drag shows, nurtures emerging queer comedians, and even features performances by Cumming himself. However, during weekdays, it’s relatively subdued, with empty bentwood chairs surrounding him. As he finishes his green juice, a testament to his vegan lifestyle, and the remnants of an energy bar, showcasing his impressive physique at 59, Cumming invites me over to the prime spot – a table right next to the stage. He drapes his large, fluffy white coat on the bench beside him, creating a cozy nook for his long-time TV co-star and rescue dog, Lala, who sports a sleek black silky fur.

At Abbott Elementary, staff and students are accustomed to handling unexpected guests and their quirks, ranging from rival charter school teachers to substitute educators, musician Questlove, and the school’s first white parents. However, they were never ready for the chaos and arrogance that is the crew from It’s Always Sunny in Philadelphia. As Mr. Johnson (William Stanford Davis) puts it, they are “trash.” Ms. Schemmenti (Lisa Ann Walter) calls them “schlubs” and “low-lifes,” who own “the sleaziest bar I’ve ever been to.” And in the words of Frank Reynolds (Danny DeVito), a former sweatshop owner and confirmed madman from the Gang, they are criminals. Abbott could certainly use assistance, but perhaps should have set their boundaries at these five individuals.