Entertainment

Spoilers to follow.

Typically, these sequels introduce fresh characters (like Thor), novel settings (such as Wakanda), or innovative ideas (for example, Multiversal incursions). At least they serve as humor. However, the one at the end of Brave New World deviates from all of that. Instead, it centers around the film’s cunning antagonist, The Leader alias Samuel Sterns (Tim Blake Nelson, reprising his role from the Edward Norton-starring The Incredible Hulk). After he is subdued by the gamma radiation-enhanced genius, he is confined in a prison complex located in the middle of the ocean, called the Raft. This facility makes its reappearance for the first time since it was initially introduced in Captain America: Civil War. The new Captain America, Sam Wilson (Anthony Mackie), pays him an unexpected visit, but Sterns then hints at — cue the drumroll — the multiverse.

This summer saw a significant surge in popularity for the novel “All Fours,” causing quite a stir in book clubs and mother-daughter discussions for the past six months. The National Book Award finalist chronicles the life of a perimenopausal artist, whose affair with a younger man disrupts her life, marriage, and self-perception concerning her sexuality. In essence, it’s time to start brainstorming potential actors for the upcoming adaptation. While July, the lead character, seems an ideal choice, that doesn’t exclude the possibility that this role might be right up Kathryn Hahn’s alley. As for Davey, the attractive young dancer the protagonist falls for, are there any Gen-Z actors who can dance? Mike Faist is the name that immediately pops into mind; however, it’s likely that the executives at STARZ, a network catering to women, and July herself are already considering other options.

During the Kreese scenes this week, I pondered over his character development. While he hasn’t always been consistent throughout the six seasons, some of his parts and narratives seem overly dramatic, particularly in the numerous melancholic flashbacks to his younger days. However, it’s clear that Kreese has evolved into a more complex character than the one-dimensional ’80s antagonist he once was. Now, he’s genuinely trying to make amends with the students he let down: first Tory, whom he treated like a pawn in his own conflict, and then Johnny, who bore the brunt of his trauma and resentment for three and a half decades.

This topic is quite grim with significant future ramifications. (Consider the predicament when an entire generation, who for all practical purposes struggle to read, are assigned roles as our future healthcare providers, government officials, and educators.) However, as expected, Abbott approaches it sensitively, prompting viewers to ponder essential questions. Primarily, Abbott highlights the teacher’s perspective, underscoring their remarkable accomplishments despite minimal resources. Though their actions are heartwarming, pure kindness and hopeful optimism may not alter actual conditions – a reality that the show acknowledges keenly.

When delving into the funding issue from the district, Abbott manages to preserve its celebrated uplifting tone while guiding spectators to ask poignant questions such as: “Why are our teachers using their own money for supplies?” and “Why are our children sharing textbooks in a nation known for its wealth?” The show answers these questions subtly by emphasizing the absence of financial support from political figures.

In the ’90s, an electrifying subgenre captivated me, a sublime blend of sex and transgression, a melting pot that united the sophisticated tastes of film connoisseurs with the casual moviegoer. This genre was like the old Times Square cinema where everyone could lose themselves in something provocative and thrilling. As an individual on the asexual spectrum, I found myself drawn to this steamy section at the video store. Despite the concept of “guilty pleasures” being a misnomer – love what you love without apology – if there’s one category of films that often gets tucked away in a discreet corner, it’s this intoxicating subgenre of erotic thrillers.

In my opinion, you’d find it hard to believe that Severance could become even more twisted with its Outdoor Retreat Team Building Incident, but Irv (John Turturro) managed to add a touch of water torture as the grand finale. This is how “Woe’s Hollow” ended, supporting a theory that has been circulating since the show’s debut: Lumon heiress Helena Eagan (Britt Lower) was indeed impersonating her Innie, Helly, all along, spying on her coworkers in the process. Irv had his suspicions about his colleague and friend not being who she claimed to be. And, much like a Traitor, Helena revealed her true identity at the evening’s campfire, essentially sealing Irv’s fate.

The show, titled “The Pitt“, strives for realism in its portrayal. The set is an accurate reproduction of Pittsburgh’s Allegheny Hospital, even featuring an unusual blend of Egyptian, Corinthian, and Celtic columns in the waiting room. The scale is immense, with numerous bays open to accommodate the series’ gritty medical storylines affecting its unfortunate characters. For Isa Briones, moving from “Hadestown” to her role as Dr. Trinity Santos was made smoother due to the show’s similarity to theater. She noted, “Many of us have theater backgrounds; it seems like the ideal TV show for someone transitioning from that.” Unlike most television productions, “The Pitt” films scenes sequentially. This linear approach is beneficial as there is an abundance of blood spatter on the floor that would be challenging to maintain continuity. In fact, there’s a significant amount of blood involved in the filming process.

Holmes might want to brace herself for more scrutiny, as the events in her life have provided ample material for television shows with intricate details. For instance, she admits that she’s still developing patents for innovative creations, expressing her unwavering dedication to realizing her dream of offering affordable healthcare solutions to all. (It should be noted that Holmes had been imprisoned for 11 years due to a prior tech venture involving fraud.)

To begin with, we find that in this episode, Johnny and Carmen get married and have a child. Admittedly, it feels a bit hurried, but considering these events were on the list for the final season, it’s understandable they’re being addressed now. Rosa’s eagerness is what sets off Johnny’s frenzied wedding planning, as she fears Carmen’s baby might be born into an “immoral household” if they’re not married first. However, this episode isn’t so much about religious beliefs as it is Johnny’s obsession with making the big moment flawless.