Entertainment

In simpler terms, along with celebrating their recent success, CBS took the opportunity to share an update on their current status using figures from Nielsen’s combined ratings for both broadcast and streaming programs. These ratings provide an average number of viewers per episode for network shows, whether they air on TV or stream online. Interestingly, CBS performed well in this area as well, with six of their top 20 shows aired between September 15, 2024, and March 15 of the current year, according to these ratings.

Credit for this achievement belongs to Victoria Thomas, the film’s casting director, whose experience dates back to “Repo Man.” Thomas is a seasoned Hollywood professional, having won the Casting Society’s Artios Awards six times for diverse projects such as “The Last of Us,” “A Black Lady Sketch Show,” and “Hidden Figures.” However, her collaboration with Tarantino, starting from “Django Unchained,” is what she is most recognized for. As Thomas stated in 2016, “We always say to each other, ‘We grew up in the same house, miles apart.’” More recently, she downplayed suggestions that she and Tarantino intentionally cultivated a new generation of stars. “There wasn’t any agenda,” she says. “We just happened upon these actors who became popular after being in the movie.

However, it turns out to be quite fascinating! Carême continues with Gallic flair, unashamedly elevating the show’s pastry to equal significance as its politics. The historical Carême prepared meals for the renowned French diplomat Talleyrand, a man who navigated the revolution, Napoleon’s reign, and the restoration of the monarchy effortlessly. The series utilizes this as a starting point to envision Talleyrand (portrayed by Jeremie Renier, not related to Hawkeye) enlisting Carême (Benjamin Voisin) to aid in his plots, offering the promise of reuniting him with his adoptive father. The complexity of the plot becomes muddled quickly as other adversaries of Talleyrand attempt to win Carême over and there are numerous older aristocratic women expressing interest in him. Nevertheless, what stands out is that early in the series, Carême is tasked with charming Napoleon’s wife, Josephine, so he can obtain secrets hidden within their marital chambers. Of course, he succeeds! How could he not? He has an earring!

In the realm of matchmaking, it’s acknowledged that no one excels like Lucy, yet love isn’t part of her calculations. The recent trailer and character profiles from A24, which label Evans’ John as a Bernie supporter and Pascal’s Harry as an old-money type, hint at a more humorous tone compared to Song’s previous work. Although the trailer itself isn’t laugh-out-loud funny, the promotional strategy indicates a more casual, perhaps self-aware, take on the subject matter. Johnson and Evans, with their past in lighthearted romantic comedies like “How to Be Single” and “What’s Your Number?”, seem especially suited for this approach. The intrigue lies less in who Lucy will ultimately pick and more in understanding what kind of movie “Materialists” aspires to be. Nevertheless, we’re eager to find out.

In the continuation of the previous events depicted in “Last Looks”, we find Charlie being held at gunpoint by Beatrix Hasp. Beatrix informs Charlie that the current state of affairs with the five mob families is precarious, stating bluntly that they’re facing a war – an expensive and frustrating predicament. Due to Charlie’s involvement, the Hasps are now on the run from both the Southwest Syndicate and the FBI. Before they can flee the country, Beatrix must ensure no one in her crew is a traitor or an informant. When Charlie requests clarification between a rat and a mole, Beatrix explains that she’s referring to the latter – someone who might be secretly working against them from within their group.

Charlie is forced by Beatrix to drive her to a safe house where a human lie detector will use her unique abilities to detect any signs of dishonesty among the crew members, effectively rooting out the mole. Rhea Perlman skillfully imbues her character with both menace and humor, while Natasha Lyonne convincingly portrays a weary individual who’s had enough of running (and who narrowly avoided a fiery demise).

Netflix’s series “Forever,” penned by Mara Brock Akil, who is known for her work on “Girlfriends” and “Being Mary Jane,” provides numerous insightful responses to complex issues. It doesn’t provide a straightforward yes or no answer. Instead, it portrays social pressures that are familiar but play out in environments the characters in Blume’s stories could not have imagined. The feelings of awkwardness, compulsion, and excitement associated with early sexual experiences remain consistent, yet they unfold within a backdrop of expectations and high stakes that were absent for Blume’s teenagers. In essence, the power of “Forever” lies in Akil’s ability to depict teenagers accurately at any given point in history. These teens are fresh and unique, a generation unlike any before, yet they share the same universal characteristics as every teenager throughout history.

The story begins in a 1970s-inspired setting at a funeral home, where it appears a man brutally kills his wife with a fireplace poker – but this isn’t a real crime; it’s a scene being filmed for a movie. This production is set in 1973, and the director intentionally chooses this era to establish the atmosphere. It’s important to watch characters like Fred (portrayed by Giancarlo Esposito), who reluctantly allows his real-life funeral home to be used for filming, and Fred’s wife Greta (played by Katie Holmes), who is growing weary of the mortuary business and finds excitement in movie production. Fred is stern and emphasizes their true purpose: helping people deal with genuine grief and loss. In contrast, Greta seems eager to leave her current life, as indicated by her forgetting to inform the Hoppenstammers, a vibrant biker family, about the rescheduled funeral due to the movie shooting.

Absolutely, “Poker Face” isn’t just about Charlie; there are many reasons to love this series. The writing and direction, as seen in the premiere written by Laura Deeley and directed by Johnson, live up to the high standards we’ve come to expect from Peacock’s surprising hit. Moreover, the guest stars play a significant role in the show’s success, given their extensive screen time before Charlie appears. The episode “The Game Is a Foot” boasts well-known figures such as Jasmine Guy and Jin Ha, but it’s Cynthia Erivo who truly steals the spotlight. Her remarkable performance spans five distinct roles, plus an additional two when one character impersonates another, demonstrating her versatility and ability to make each role uniquely hers.

Let me share some fun news first: My fictional spouse, Kyle Cooke, is incredibly fertile! He could potentially father ten times as many kids as Elon Musk, and each one would be ten times more good-looking. Now, you might wonder about the state of his swimmers – well, doctors usually look for a minimum of 20 million. In my dating life, I have a similar standard: any potential partner should have a net worth of at least $20 million. Fortunately, Kyle has 159 million sperm, which is great news for both him and Amanda when they eventually decide to start a family together.

Mary perfectly conveyed the issue with this season’s gameplay: “We’re not playing with simpletons. People expect you to show that you’ve outsmarted, outmaneuvered, rather than just being loyal,” she explained to Shauhin, trying to persuade him to turn against Joe and Eva. Shauhin replied, “There’s no such thing as ‘out-loyal.'” Essentially, he’s attempting to be overly loyal instead!