Entertainment

In the opening scene of an episode set in 1983, we discover that Joel has always been cautious about those dear to him. This time, it’s Tommy who needs protection following a brawl triggered by a marijuana deal gone awry with a cop. Tony Dalton plays a convincing Miller patriarch in this role. Both Joel and Tommy have experienced their father’s punishment before, and they are aware that physical punishment could be meted out again (symbolized by “the belt”). Therefore, Joel’s effort to safeguard Tommy is not trivial. Interestingly, Joel’s father seems to be moved by the gesture, and in a surprising turn of events, he shares his own past abuse at the hands of his own father. He tells Joel, “I’m managing better than my father did. I hope when it’s your turn, you can manage better than me.

It’s inspiring to witness any woman, especially a Black woman, build her own wealth without relying on a spouse or family, showcasing a desire in younger generations to live a life that was previously unattainable for many. This theme is a recurring element in the personal stories of Atlanta Housewives, and it’s intriguing as we enter an era where Black people may have greater wealth than ever before, yet the racial wealth disparity still grows. The Real Housewives of Atlanta offers a glimpse into the viewpoint of Black women dealing with class struggles due to their rapid financial advancement, with Kandi and Mama Joyce being early examples.

There hasn’t been any official confirmation about Saturday Night Live stars departing after their historic 50th season, but fans are closely analyzing the latest episode for potential hints. Fans have gone as far as measuring the duration of Bowen Yang’s hugs, indicating how invested they are in uncovering any changes. Michael Che has been known … Read more

Distributor: Mubi

On the final day of their Scottsdale getaway, the girls don matching leggings, line up, and dance to a rhythmic tune. Whitney wonders if she’ll be re-admitted to MomTok following this trip. An urgent meeting is held, and everyone except Taylor votes against her. Given our experience with ‘Succession’, this isn’t good for Frankie Paul. I suspect Demi is already planning a quick motion of no confidence once she has the necessary support. This situation also raises questions: Is Miranda part of MomTok? It seems like she’s managed to stay inconspicuous, and her presence might be more passive or automatic. If MomTok mirrors ‘Succession’, then Miranda is much like Connor Roy.

In simpler terms, Anderson maintains his preferred design elements in his expanding works, but I found “The Phoenician Scheme” to indicate broadening instead of growth in his artistic journey. This film, set in 1956, moves between the Palazzo Korda, its protagonist’s large mansion, and various regions of Modern Greater Independent Phoenicia – an ambiguous Middle Eastern nation portrayed as a mix of deserts, warring factions, and colonial outposts. The film’s rhythm is driven by a thriller plot as Korda attempts to secure more funding from his partners while avoiding assassination attempts (his repeated phrase, “I feel very safe,” seems more like a chant than a statement). However, the mid-century design and quick dialogues create an intricate layer of detail that feels like shiny lacquer concealing human figures. The movie invites you to pause frames to appreciate its beauty and humor, yet fails to entice you to rewatch it as a complete piece.

Scarlett Johansson is an actor I really admire, and she seems perfect for the finale. Apart from her well-known stardom and acting talents, she’s connected to Saturday Night Live (SNL) as she frequently appears in cameos or is mentioned in jokes about her husband Colin Jost. However, she hasn’t quite reached the level of Steve Martin or Alec Baldwin yet, but she has become the female host with the most appearances on SNL, surpassing Tina Fey and Drew Barrymore. It was heartwarming to see her sing along with the rest of the cast during a more serious monologue. The SNL-themed “Piano Man” parody offered an appropriate introduction to celebrate this memorable season.

The film “Nouvelle Vague” doesn’t quite reach the same level of greatness, but it excels at portraying how creating something revolutionary can blur with simply causing chaos. The character Jean-Luc, portrayed by Guillaume Marbeck in his first feature, isn’t very comforting, always donning sunglasses and quoting profoundly from the masters. The film, primarily in French, is a remarkable achievement in casting, boasting an ensemble rich with newcomers and unknowns. Aubry Dullin, who plays Belmondo, stands out as a remarkable discovery, embodying the eccentric charm of the screen legend. In contrast, Zoey Deutch, reflective of Seberg’s established career, is the film’s only recognized actor. As the professional in the room, her face often contorts in frustration during non-filming moments. Tension in “Nouvelle Vague” arises primarily from Jean-Luc’s conflicts with Jean, seeking a script or a plan, or any guarantee against humiliation, and with producer Georges de Beauregard (Bruno Dreyfürst), who desires the same things and also seeks assurance that he won’t lose his investment.

The reporter questioned the cast regarding how becoming parents had impacted their views on their careers and life’s true priorities, given that success in acting often involves a strong ego and prolonged time in the limelight. With a puzzled expression, Pattinson seemed to urge Lawrence to respond first, which she did after some laughter from her co-stars and Ramsay.

In the current week, we find ourselves at a station orbiting space, participating in the Interstellar Song Contest – the equivalent of Eurovision in 2925. Remarkably, television host Rylan Clark has survived through cryogenic preservation, and alongside the Doctor, Belinda takes a seat to watch the performance. From the audience, Mrs. Flood signals a device and notes that the vindicator is now “prepared and poised” as “the last step.” However, before we understand her meaning, our focus shifts towards another operation in progress.