The Real Housewives of Salt Lake City Reunion Recap: Roll Footage!

Fortunately, we managed to resolve our disagreement with Todd before John could face allegations of elder abuse, and instead shifted focus to the ongoing dispute between Meredith and Angie. You might remember that this conflict started last year due to rumors about Shawn’s sexuality, which Shawn addressed on a podcast this season. The host asked if Meredith was exploiting her son, renowned fashion designer Brooks Marks, as a sort of protective barrier against criticism for spreading the gay rumors. “Shawn was questioned by a so-called ‘gay podcaster’,” Angie starts to explain, using air quotes around ‘gay podcaster’. However, luckily for her, they had the clip ready. Play the footage! “That’s what this argument was about?” Andy ponders after hearing what he considers a biased question that cornered Shawn. Nevertheless, Meredith is infuriated by any suggestion that she used Brooks’s sexuality to her advantage, and in her defense, she doesn’t need a gay son to be a symbol of the LGBTQ+ community. She would still be invited to GLAAD Awards with or without Brooks by her side.

Abbott Elementary Recap: Charity Case

As a movie aficionado, I found myself chuckling throughout the heartfelt comedy “Abbott Elementary.” The show masterfully satirizes institutions that boast diversity as a selling point, as exemplified during the school’s visit to Girard Creek, the long-awaited golf course. The invitation to their “sneak peek” of the “pre-grand-opening preview” raised eyebrows among the staff, who suspected it might be a clever ploy for free labor. However, the tantalizing promise of a lavish feast—with delicacies like ceviche, ahi tuna, and white truffles from Alba, Italy—proved too tempting to resist. For an extraordinarily finicky eater like Gregory, this gourmet smorgasbord was a veritable nightmare. Seizing the opportunity for growth, Barbara used the occasion as a chance to help Gregory conquer his fears and prepare him for a dinner date with Janine at a French restaurant.

That Friend Who’s Getting a TV Show

Initially, the character appeared frequently on Brier’s TikTok account. Subsequently, it evolved into an audiobook featuring stars such as Danielle Brooks, Nicola Coughlan, Lukas Gage, and Rachel Dratch and Zegler. The upcoming series centers around a young New Yorker who aims to launch a podcast while maintaining close relationships with her three best friends. If the plot of ‘And Just Like That’ were established during the time of ‘The Carrie Diaries’, it remains uncertain where the show will ultimately be distributed. However, Awesomeness TV has collaborated with Netflix, Hulu, and Nickelodeon, as well as producing their own YouTube series.

It’s No Fun Promoting Captain America: Brave New World

The comments mirror the sentiments expressed by Chris Evans in 2011 during his promotion for Captain America: The First Avenger. In an interview with CBM, he stated, “I’m not overly focused on the American aspect.” He has previously mentioned that Captain America might as well be called Captain Good. This character was created at a time when there was an overwhelming evil, and this man was essentially designed to combat it. It can be agreed by all that Nazis were wicked.

Magazine Dreams Lives

Two years ago, the movie that debuted at the Sundance Film Festival generated a lot of buzz. Vanity Fair praised Major’s performance as “a powerful act of transformation.” However, Major was subsequently accused and convicted of assaulting and harassing his ex-girlfriend, Grace Jabbari. Searchlight Pictures then abandoned the film, but Briarcliff Entertainment took over. Notably, Briarcliff is currently distributing the contentious Trump biopic “The Apprentice,” which recently received dual Oscar nominations following difficulties in finding a distributor at Cannes. The film titled “Magazine Dreams” was penned and directed by Elijah Bynum and features Taylour Paige, Haley Bennett, and Mike O’Hearn. It is set to hit theaters on March 21, though Major’s dreams of joining the Marvel Cinematic Universe remain unfulfilled.

Netflix Hitches Its Wagon to a Little House on the Prairie Reboot

If you find a “vibrant” reinvention of the heartwarming “Little House” series intriguing and perhaps slightly surreal, you’ll be pleasantly surprised to discover that this project will be overseen by a gentleman named Trip Friendly (!!), son of Ed Friendly, who was the executive producer of the original “Little House on the Prairie” television show. This long-running series, which aired for over 200 episodes on NBC from 1974 to 1983, is what Trip is building upon. His production company is called “Friendly Family Productions,” so anticipate this fresh take to be less like “American Primeval” and more reminiscent of the “American Girl” series.

Vince Lawrence Is Proof That ‘Disco Demolition Night’ Didn’t Work

This documentary, a joint effort by HiddenLight Productions led by Hillary Clinton (some jokingly remarking, “Hillary Clinton’s into houses?“), follows the inception of house music in Chicago, springing forth from the debris of Disco Demolition Night. “Our world often seeks to divide us,” Bratton commented. “But what I admire about house music is its exchange of cultures.” As Lawrence, a person who isn’t even gay, put it, “House music is the ultimate unifier. It doesn’t recognize race, sexual orientation, social status, or religion. It’s simply all about the rhythm and the acceptance that you can just be yourself, and that’s okay. House music belongs to the underestimated, the overlooked, the outcasts.

The Legend of Ochi’s Director Was Never Going to Use AI Creatures

Saxon’s technique offered advantages not only for him but also for his performers. For Helena Zengel, it was beneficial to act with something tangible to focus on. She described Saxon as almost like a friend, feeling so realistic, and the puppeteers breathed life into him. Finn Wolfhard, who is set to direct his first feature film for Neon titled “Hell of a Summer,” found that he gained valuable insights about direction by observing Saxon’s hands-on approach. In reference to a documentary about visual effects company ILM, Wolfhard noted that the original plan for “Jurassic Park” was to use computer-generated graphics for the dinosaurs. However, Phil Tippett’s practical creations were still necessary to inform and shape the digital dinosaurs. Essentially, they needed each other to create these remarkable effects.