Previously this month, just before season seven kicked off, Megan was spotted conversing with stars from Love Island USA’s sixth season at the Swim Week fashion show. Given that she’s engaging past Islanders in conversation, it seems likely that she’s kept abreast of all the drama. Now, let’s wait and see what unfolds when summer arrives in the villa!
I’m thrilled to share that this year brings back familiar talents like Nicole Byer and Kumail Nanjiani. Joining them are fresh faces such as Alan Cumming from the show Traitors, Diego Luna, and the beloved Jelly Roll who often graces our in memoriam segments. Starting on June 23, Diego Luna of Andor will commence the festivities, welcoming Patton Oswalt, David Cornswet, and the powerful NEZZA, who will perform the national anthem. For the complete list of guest hosts, kindly refer to Deadline’s announcement below.
It’s clear that Sheriff Clyde Proctor shows no signs of being anything but arrogant and overbearing. Harlan confronts him at the police station regarding the incident where his daughter-in-law was almost harmed, and instead of showing remorse, Clyde subtly tries to shift blame by suggesting Harlan should reconsider his stance on the issue involving Grady. This drug partnership that Clyde is so determined to control leads him to boldly approach Belle at the Buckley’s restaurant for a private meeting. Once again, his intentions are clear: if Harlan continues to resist, members of Belle’s family will face harm.
They retaliated by saying something along the lines of: “We created an advertisement where we selectively used a review, taking it out of context, and simply declared, ‘Kids can’t get enough!’
The residents must decide whether to retain either recent arrival, Jalen, or popular figure, Huda. However, the outcome might amaze you. Apart from Jeremiah, Pepe, Nic, and Austin, everyone seems to favor Huda. These four individuals can expect a conversation with her by Thursday evening. Until then, farewell, cowboy.
It’s common knowledge that Sheriff Clyde Porter, or Owen as he’s also called, currently holds a significant amount of power over Harlan Buckley due to his suspected role in drug smuggling. If Harlan and Cane don’t comply with Clyde’s directives regarding their emerging drug business, he could make their lives difficult by reporting their use of boats for illegal drug transactions to the DEA, or even resorting to violent measures like shooting them. There seems to be a longstanding grudge between Clyde and Harlan that stems from the Buckleys’ wealth and perceived superiority, which angers Clyde. In simpler terms, it appears that Clyde would prefer to establish his dominance through an illicit drug smuggling operation rather than seek therapy, as humorously depicted in a popular meme.
In the room, that declaration definitely gave everyone a shiver, but it sets up an intriguing tension for the series to delve into. As Brooks is compelled to handle disputes with his fellow cast members, such as reprimanding Charlie Zakkour for disrespectful remarks following a date with Brooks’s sister, we observe him finding his footing. He’s like Eliza Doolittle, except instead of learning manners, he’s learning how to create compelling television – with guidance from some of the best in the industry. Former Bravo stars like Riley and Gia, who have been part of this world for a longer time, aid him in navigating the confrontations as they unfold. He also turns to his mother, an expert at knowing when to intervene or step back, and even his father, Seth, isn’t shy about getting involved. In fact, in the latest episode, Seth decides to have a private talk with Charlie – much to Brooks’s dismay. All in all, they are helping Brooks adapt as he moves from occasional RHOSLC appearance to being the main focus of the show.
As I watched the grand premiere of “The Waterfront”, it became glaringly obvious that the Buckleys are in deep trouble – trouble that seems to be as intricate as their family dynasty in the quaint coastal town of Havenport. The Buckleys, who own a thriving fishery, marina, and high-end restaurant, find themselves entangled in a web of impending troubles that demand immediate attention.
It turns out that when Harlan, the patriarch, mysteriously vanished after a heart attack, he left his wife Belle and son Cane with a business that was not as prosperous as it appeared. As their financial situation worsened, Cane made a desperate move to collaborate with local drug runner Hoyt Piper. Using the Buckleys’ vessels and labor, they planned a series of drug runs to generate enough cash to alleviate their debts. This was supposed to be a temporary fix, a means to escape the financial abyss. However, if they don’t succeed, they stand to lose everything. Unfortunately for them, things did not unfold as smoothly as they had hoped.
In a fitting manner, The Waterfront, releasing all eight episodes today on Netflix, aligns seamlessly with the hot and humid narrative style typically found in series debuting during summer seasons like Snowfall, Claws, and Animal Kingdom. The creator, influenced by his upbringing in North Carolina with a fisherman father who resorted to illegal means to survive, masterfully adjusts each genre element within the series to an impressive degree. The Buckley family, teetering on the edge of collapse and resorting to one final job as a last-ditch effort, finds camaraderie and kinship through acts of murder and blackmail – a storyline you’re likely familiar with. While it might not be groundbreaking in terms of narrative, it would be misleading to call The Waterfront original. Just like a delightful cheeseburger made with standard American cheese or a perfect-fitting pair of classic blue jeans, it follows a traditional formula. However, its storytelling and character development is reminiscent of prime-time soaps from the late 20th century rather than the grim, dark family sagas prevalent in today’s prestige TV.
Before encountering the murderess, we’re introduced to Anne (Lauren Tom), a retired poetry professor living with her granddaughter Maddy (Awkwafina) in a rent-controlled apartment that costs $640 per month since 1972. They share this three-bedroom, four-bath, two-fireplace home. Anne is planning to legally adopt Maddy to secure the low rent, but her plan is disrupted when Kate (Alia Shawkat) enters the picture. They meet over a plum at a fruit stand, and Kate admits to taking the plum that Anne was eyeing for breakfast. Anne forgives her, finding the plum “so sweet and so cold.” This reference to William Carlos Williams is significant for a poetry professor, so it’s not surprising when they start a relationship despite their 30-year age difference.