Entertainment

Intriguing, isn’t it? Throughout the initial season of Paradise, the mystery surrounding who assassinated President Bradford was central. Yet, the concluding moments of the premiere presented one of the most surprising twists in recent times. The seemingly idyllic, affluent, quintessentially American town where Bradford, Collins, and others reside, is in reality a technologically advanced settlement nestled within a Colorado mountain, engineered by billionaire tech mogul Samantha “Sinatra” Redmond (Julianne Nicholson). The inhabitants of this community are all survivors from some form of catastrophic event.

The third season of the satirical series “The White Lotus,” penned by writer-director Mike White, unfolds at a hotel on the Thai island of Koh Samui. Previous seasons have been shot at Four Seasons, a luxurious hotel chain renowned for pampering guests like royalty. Indeed, this high-end brand seems fitting for the show, which portrays affluent tourists displaying appalling, entitled behavior towards hotel staff and fellow travelers.

The movie “Constantine” is incredibly enjoyable, and it’s easier to acknowledge this now that it has distanced itself from the initial reception it received when it was first released 20 years ago. Back in 2005, “Constantine” was often criticized as a copycat of “The Matrix” and a disappointing adaptation of a DC Comics character. Fans of “The Matrix” found Keanu Reeves’s portrayal of another gifted character capable of seeing the true nature of reality to be too familiar, while fans of the comic book character were frustrated by the transformation of the blond Liverpudlian into a brunet Angeleno. (As is his custom, “Constantine” co-creator Alan Moore disavowed the film.) It was a point of contention for many viewers at the time that Keanu Reeves was not well-received. He was often used as a standalone punchline for wooden acting, to the extent that a satirical stage version of “Point Break” that premiered two years earlier featured an audience member reading cue cards to play Reeves’s part.

This year, I found myself among the many who defied expectations when it comes to watching the Oscars. Despite a slight dip in viewership overall, the show managed to draw in 3% more viewers, reaching a 3.92 rating among adults aged 18-49 – the highest it’s been for this group in two years. It also … Read more

This week, focus shifts to Stacey Rusch as Eddie Osefo discloses to his wife and later the entire cast that TJ alleged on camera that he was paid to be part of Housewives, with Stacey allegedly behind in payments. The ensuing drama is captivating, with Andy Cohen’s expression fluctuating from amusement to bewilderment to worry as Stacey persists in denying both the claim that she paid him and TJ’s assertion. Ashley, eager to join the gossip, presses for a look at the phone footage. Stacey’s polished broadcast accent stumbles repeatedly as she struggles to find a suitable response, eventually pointing out (reasonably) that everyone doubted TJ all year, so it seems illogical to believe him now.

17th nomination for Warren would solidify her status as the most nominated person in Oscars history without a victory, surpassing sound mixer Greg P. Russell in a complex tie. (Russell’s 17th nomination was withdrawn due to allegations of rule-breaking in Academy campaigning, a predicament that might push someone to such actions.) However, it doesn’t guarantee a win the following year – especially if she competes against potential hit songs from the original Wicked.

As a film enthusiast, it’s hard to overlook the Academy Awards, regardless of one’s personal feelings towards them. They serve as a chronicle of cinematic history, albeit an imperfect one. Peering through the lens of Best Picture winners, you can trace the ebb and flow of trends, gaining a rough understanding of what was highly regarded in films for each year and observing the evolution of these trends over time. For example, the victory of Around the World in 80 Days appears to be a pendulum swing back from the gritty realism of earlier winners such as On the Waterfront and Marty.

In simpler terms, the “Severance” episode titled “Chikhai Bardo” is multifaceted. It’s a heartfelt tale of a couple struggling with time and distance. It breaks traditional storytelling conventions by not following a chronological sequence. It’s set during Christmas and shares many similarities with an outstanding television production, “The Constant,” an episode from the fourth season of “Lost,” which is often praised as one of the best in that series known for its complex mythology. While the creator of “Severance,” Dan Erickson, did not confirm whether “The Constant” influenced “Chikhai Bardo,” the resemblances are striking enough to warrant a comparison and possibly provide insights into where “Severance” is headed next. Interestingly, “The Constant” first aired on ABC on February 28, 2008, and “Chikhai Bardo” was released on Apple TV+ on the same date, February 28, 2025.

All titles are listed by season premiere date, with the most recent releases up top.

Every year, from late August until around late February or early March, there’s intense competition in Hollywood to win an 8.5-pound gold trophy. Despite the abundance of awards ceremonies, the Oscars continue to be the most prestigious prize. Winning Best Picture secures filmmakers and actors a prominent place in cinema history. However, it also means that many people will criticize your movie as not being as remarkable as they believe it should have lost to another movie they felt was more deserving.