‘Rocky Horror Picture Show’ Creator on SXSW Documentary About the Musical’s Legacy and Political Relevance: ‘I Weep For America’

Richard O’Brien, the author and songwriter of the unexpected success, acknowledges that no one anticipated its popularity. As an unemployed actor, he merged his passion for science-fiction, B-movies, and glam rock into a timeless musical sensation. (He portrayed Riff Raff in the movie too.) “No one was aiming for stardom,” he admits. “We were there for amusement. It’s essentially a frivolous piece of nonsense – deliberately so. It’s a reflection of our youth and immaturity.

France Hosts Inaugural ‘Vision Nordiques’ Festival With a 17-Title Selection

The festival is happening from March 5th to the 9th in various spots around Paris, such as the Grand Action theater. Additionally, it features an industry program and co-production workshop at CNC and the Institut Suedois. Tributes were paid to Lars von Trier and Aki Kaurismäki through screenings of “Breaking the Waves” and “Le Havre.” The movie selection included “Love,” which debuted at Venice (and was followed by the Berlinale Golden Bear winner “Dreams [Sex Love]”); Baltasar Kormákur’s “Touch,” Eirik Svensson’s “Safe House,” Lilja Ingolfsdottir’s “Loveable,” and Frida Kempff’s “The Swedish Topedo,” among other films.

Ray Fisher, Mark Kassen and Christopher Woodley Join Ben Affleck’s ‘Animals’

Filmmaker, playwright, and actor Mark Kassen, who has been nominated for both Golden Globe and Emmy awards, is the head of Like Minded Entertainment and a co-founder of the civic engagement platform A Starting Point. Among his notable works as a film director and producer are “Puncture” featuring Chris Evans, “Bernard and Doris” starring Ralph Fiennes and Susan Sarandon for HBO, and the movie “Before We Go,” which stars Chris Evans.

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Mark Kassen, a multiple award-nominated filmmaker, playwright, and actor, is the founder of Like Minded Entertainment and co-founder of civic engagement platform A Starting Point. His feature films as a director and producer include “Puncture” starring Chris Evans, “Bernard and Doris” for HBO with Ralph Fiennes and Susan Sarandon, and “Before We Go,” featuring Chris Evans again.

‘The Apprentice’ Director Ali Abbasi Signs With UTA

In 2024, Abbasi’s fourth film, titled “The Apprentice,” had its premiere in the Competition section at the Cannes Film Festival, making it his third film selected for this prestigious event. Starring Sebastian Stan, Jeremy Strong, and Maria Bakalova, the movie chronicles Donald Trump’s journey through the real estate world during the ’80s under the tutelage of lawyer Roy Cohn. Despite facing difficulties in securing mainstream distributors, it garnered noticeable attention throughout this awards season. Notably, it was nominated for two Oscars, two Golden Globes, three BAFTAs, and three Independent Spirit Awards, with Abbasi himself receiving a nomination for Best Director.

Mickey 17: Bong Joon-Ho’s Wild Sci-Fi Mess Fails to Live Up to Hype

The movie ‘Mickey 17’ is as unruly and complicated as it is grand. Just like other films by Bong Joon-Ho, it brims with intricate concepts. It occasionally provides some good chuckles, but falls short of the humor it aims for. The lavish world Bong constructs doesn’t quite meet its potential. Regrettably, the storyline is overly prolonged and suffers from inconsistent pacing, ranging from hasty to sluggish. In essence, ‘Mickey 17’ is a grand chaos.

‘The Electric State’ Review: The Russo Brothers Turn Postapocalyptic Picture Book Into a Bland Millie Bobby Brown Vehicle

The Russo Brothers, in collaboration with writers Christopher Markus and Stephen McFeely, seem to underestimate the blueprint provided by their source material when it comes to character development and creating an immersive world. Given their past successful adaptations of Marvel’s comic-book properties in films like Captain America and Avengers, it’s surprising that this particular material didn’t suit them better. They present shallow portrayals of sibling relationships, as well as themes related to tech fear and corporate misconduct, and their additional ideas seem devoid of depth or emotional impact.