Over six decades, Spider-Man has consistently demonstrated remarkable strength and heroism as a part of the Marvel Universe. Though some Avengers possess more cosmic powers, Spider-Man has repeatedly proven he’s their equal through iconic moments in both the comics and films.
In November 2025, rumor-monger Daniel Richtman reported that Tony Revolori will likely return as Eugene “Flash” Thompson in the upcoming Spider-Man: Brand New Day movie. This would be Revolori’s fourth time playing the character in Marvel Cinematic Universe films, having previously appeared as Peter Parker’s high school rival in the first three Spider-Man movies.
Longshots, created by Gerry Duggan and Jonathan Hickman with art by Alan Robinson, is a funny and critical take on modern culture. The story revolves around Mojo, a powerful being from another dimension who captures superheroes and forces them to perform in violent shows for his entertainment. Mojo has been used to poke fun at things like reality television, video games, social media, and the world of online influencers. He also serves as a way for Marvel to playfully comment on itself as a business.
Glen Powell gained significant recognition after appearing with Tom Cruise in Top Gun: Maverick, and he seems to have taken a lesson from Cruise about performing his own stunts. In a recent interview with SFX Magazine on TopMob, Powell shared that he really enjoyed making The Running Man, particularly the action scenes, because they were filmed practically and he did most of the stunts himself. Powell went on to explain…
As a longtime MCU fan, I’ve seen a lot of trilogies come and go, and while most have been pretty good, some definitely stand out. There are two in particular that I think really nailed it, and honestly, it feels like they overcame some huge hurdles to do so. It’s impressive how well they managed to stick the landing, considering the challenges involved.
While many doubt Cynthia Erivo will win the Best Actress Oscar, facing strong competition from Jessie Buckley (for Hamnet) and Renate Reinsve (Sentimental Value), she was considered a strong contender for Best Original Song. Reports indicated she co-wrote a new song for Wicked 2 with Stephen Schwartz, boosting her chances in that category.
Though the original Alien film remained popular, the franchise struggled in the 2000s, relying on crossovers with Predator for action. The 2010s saw a shift with Ridley Scott’s Prometheus, but those prequel films proved controversial and failed to revitalize the series. Plans for Alien 5, a film directed by Neill Blomkamp, were unfortunately cancelled, and the franchise continued to face difficulties.
It’s clear they’re connected to the Ministry of Defence, and seem to be responsible for covering up murders. When Axel dies, his brother Amos is sent to make it look like an accident, but he doesn’t realize the bathroom doorknob was broken before Sarah desperately tried to hold onto it. Zoë realizes someone has been inside Sarah’s house after noticing the doorknob has been fixed, and she was searching for Sarah because she’d discovered Axel was Joe’s killer. While buying cigarettes, Zoë noticed the store had security cameras, and the owner, Mal, happily reviewed the footage with her, revealing Axel leaving Joe’s office and entering the store. Sarah already knew Axel killed Joe, but she didn’t get a chance to share this information with Zoë.
As a huge film buff, I’ve been wondering what musician’s life story deserves to be told on the big screen next – maybe focusing on a really pivotal month or year. So, I reached out to eight biographers who’ve written about some incredible, yet surprisingly overlooked, musical legends. I asked them to pitch the most dramatic and interesting period of their subject’s life, the one that would make for a truly compelling movie. It’s surprising how many famous artists haven’t had their story told in a major film yet! And hey, if any of these pitches actually get made, I’m definitely hoping for a producer credit!
Even after all these years, the events depicted in the show remain unsettling and fascinating, demonstrating that real life can be more bizarre and frightening than anything made up. What makes this Netflix true-crime series particularly good is its concise length – just four episodes – and its similarity in style to David Fincher’s film, Zodiac.