Movies

As a big fan of darker shows, I’ve been enjoying a lot of what Paramount+ has been putting out – things like the return of Dexter, that gritty MobLand series with Tom Hardy, Mayor of Kingstown, and Tulsa King. But one of their really intense shows just came back after a year-long break with a fresh batch of episodes, and it’s already a hit! Seriously, it only launched yesterday and it’s shooting up the charts – it’s a supernatural thriller that runs for three seasons, and I’m hooked!

Bloober Team shared a puzzling link on Twitter/X that leads to a countdown website. The site is filled with intriguing and unsettling hints about a new game they’re hinting at.

A sudden storm is the reason these two found themselves in trouble! Sophie had predicted rain, accurately gauging their distance from London by the stars, but Benedict was caught off guard. With the storm upon them, they had no choice but to seek shelter in Benedict’s cottage. After some reluctance from Benedict and gentle urging from Sophie, it’s revealed that a previous fight with Cavender left him more seriously hurt than he admitted.

As a huge fan, I can honestly say Warrior is the best martial arts show I’ve seen in years! It perfectly mixes incredible fight scenes with a really believable look at the Old West. The show actually started as an idea Bruce Lee had – a Kung Fu master in the American frontier – and it’s now a thrilling story about the dangerous gang wars happening in San Francisco’s Chinatown during the 1970s.

As a movie buff with a bit of a dark side, I stumbled upon Faces of Death back in ’78, and it’s… something else. It’s directed by John Alan Schwartz, and features Michael Carr playing a pathologist named Francis B. Gröss. Basically, he guides you through a really unsettling exploration of how fragile life is, using what was presented as actual footage of deaths. It’s all framed as him trying to understand death itself from a philosophical angle, which makes it even more disturbing, honestly.

The scene begins with Benedict intensely sketching the Lady in Silver, remembering her from the previous night. We then quickly switch to the lady’s perspective, seeing Sophie Baek remove her beautiful mask. Ha’s acting is captivating – her subtle, melancholic smile as she looks in the mirror immediately draws you to her character. Sophie is making her second mask for the ball, and with all the other preparations for Lady Penwood and her daughters, she’s completely exhausted. She’s so rushed she doesn’t even have time for scissors, so she uses a cleaver to cut the fabric. When the bell rings, summoning her, she jokingly pleads with her friends, Irma and Alfie, to pray she doesn’t lose her temper. They’re understandably concerned that she’s still clutching the cleaver, but I, as a viewer, am completely invested in the story!

The new season immediately feels different. We spend a significant amount of time with the Bridgerton household staff before we even see the Bridgerton family themselves. We’re introduced to the kitchens, watch the maids and footmen at work, and it seems the show might be exploring themes of class – perhaps even with a nod to shows like Upstairs Downstairs. We see Lady Bridgerton request warmer biscuits, then follow Mrs. Wilson as she gratefully receives a plate from a younger maid. When a room bell rings, John playfully announces that Princess Hyacinth is awake. While I find the portrayal of servants as constantly stressed a bit cliché, I also recognize that the people they worked for held significant power and influence, especially within the rigid English class system – something that might be lost on American viewers. Ultimately, despite the somewhat unrealistic depiction of labor, working for the Bridgerton family seems like a pretty good gig – it’s hard work, but rewarding. After all, this is a romance show, and I’m happy to go with it!

The American West was a period defined by conflict, adventure, and people forging new lives as the nation expanded. It continues to captivate us as a significant chapter in history, and Hollywood played a big role in keeping its stories well-known. While fictional Westerns are enjoyable, real-life accounts – even those with a bit of dramatic flair – are often the most compelling.

Starting February 2nd, Hulu will begin streaming Kingdom of the Planet of the Apes. This 2024 sci-fi film is a new story within the Planet of the Apes series from 20th Century Studios. The film takes place many years after the events of 2017’s War for the Planet of the Apes.

Henry Cavill has given fans their first glimpse of his character in the upcoming reboot of “Highlander,” directed by Chad Stahelski. He shared two photos on Instagram showing him with a sword, seemingly in Hong Kong and New York City. Cavill expressed his excitement about the project, saying it’s been a long journey and he’ll share more details later. He hopes fans enjoy the first look.