‘Guo Ran’ Review: An Exquisite Chinese Close-Up of a Woman Increasingly Alone in Her Pregnancy
Guo Ran” mirrors Li’s emotionally perceptive yet unsentimental debut film “Mama,” premiered in Venice in 2020, as they both tackle domestic tragedy. Both films are deeply connected to the director’s personal life experiences. “Guo Ran” is a more focused and minimalistic piece: it maintains a tense, claustrophobic atmosphere for much of its duration, only to later reduce its cast to just two characters, and eventually require additional support systems. The film’s simplicity serves as a poignant reflection — even a compassionate critique — of modern urban society, where small, isolated, and ultimately fragile family units have replaced a stronger community structure. It often takes a whole village to raise a child, let alone bring one into the world.