‘Guo Ran’ Review: An Exquisite Chinese Close-Up of a Woman Increasingly Alone in Her Pregnancy

Guo Ran” mirrors Li’s emotionally perceptive yet unsentimental debut film “Mama,” premiered in Venice in 2020, as they both tackle domestic tragedy. Both films are deeply connected to the director’s personal life experiences. “Guo Ran” is a more focused and minimalistic piece: it maintains a tense, claustrophobic atmosphere for much of its duration, only to later reduce its cast to just two characters, and eventually require additional support systems. The film’s simplicity serves as a poignant reflection — even a compassionate critique — of modern urban society, where small, isolated, and ultimately fragile family units have replaced a stronger community structure. It often takes a whole village to raise a child, let alone bring one into the world.

Shruti Haasan’s ‘The Eye’ to Open India’s Wench Horror Fest – Global Bulletin

Festival founder Sapna Bhavnani is expanding the event’s footprint with a Kolkata edition while also launching Terror Talkies, billed as India’s first horror portal. The lineup boasts partnerships with genre heavyweights Fantasia and Imagine Fantastic Film Festival, including Oscar-nominated short “I’m Not a Robot” as part of the Fantasia collaboration.

Laverne Cox’s Norman Lear-Produced ‘Clean Slate’ Has Beautiful Trans Representation but Muted Comedy: TV Review

In a charming Mobile, Alabama neighborhood, ‘Clean Slate’ begins. Harry sets off on his day in his classic blue Chevy Burrata convertible, playing Stevie Wonder’s “For Once in My Life” as he warmly greets everyone he encounters. His destination is the Slate Family Car Wash, a business he has run and managed for many years. Although his store manager Mack (Jay Wilkison) frequently advises him to install Wi-Fi, Harry remains steadfastly traditional. Today, however, his spirits are high because he’s just heard that his son is coming home after an absence of 23 years.

Netflix Scammer Series ‘Apple Cider Vinegar’ Loses Valid Points in a Muddled Structure: TV Review

The mini-series chronicles the story of Belle Gibson, a well-known Australian influencer who fabricated various health issues such as heart troubles, seizures, and Stage 4 brain cancer to sell a diet app. If Gibson could supposedly heal her non-existent illnesses by avoiding sugar, gluten, red meat, and other “toxins,” then so could her followers, according to her pitch. Kaitlyn Dever, the only American in the cast, delivers a remarkably authentic (at least to this American) portrayal of Gibson, complete with an apt accent and the exaggerated hysteria reminiscent of a Chloe Fineman character on “Saturday Night Live.” Following her impressive performances in “Unbelievable” and “Dopesick,” which garnered her an Emmy nomination, Dever has the opportunity to explore comedic aspects here. Although Gibson’s actions were indeed serious, involving fraudulent activities and causing immense distress to her family and supporters, the way her lies unfold can be amusingly absurd, such as asserting she had left medical records that would confirm her diagnosis at her estranged mother’s house. In a humorous twist, it seems even her emotionally distant dog ate her homework!