When the PlayStation 1 first came out, it had twelve games available. Ten of those games were especially important in establishing the console’s popularity. From easy-to-pick-up sports titles like NBA Jam Tournament Edition to complex flight simulators like Total Eclipse Turbo, these games really showcased what the PS1 was capable of.
Netflix is releasing a new 6-episode mystery series this weekend, March 13-15, and it’s expected to be a major hit. Early reviews are very positive, suggesting both critics and viewers will love it, potentially making it one of the best new shows to watch all at once this year.
A new horror film has taken the number one spot on Apple TV, bumping aside The Housemaid. Director Luc Besson, famous for movies like Leon: The Professional and The Fifth Element, recently adapted a well-known fantasy novel. Besson joins many other filmmakers who have tackled the story of Dracula, but his version is particularly unusual.
Episode six focuses heavily on Whitney, and we see her mostly alone, either excited about a new job or overwhelmed with everything she’s trying to manage. There’s a lighthearted moment where she’s practicing a samba in the kitchen, seemingly carefree, before getting fantastic news: she landed the lead role in a Hallmark Christmas movie – and she’ll also be an executive producer! Her agent playfully points out how well Los Angeles suits her. Whitney frames this as another dream come true, and it’s easy to imagine her announcing even bigger achievements soon. While she credits MomTok for opening doors, it raises the question of how she’ll balance these new opportunities with her commitments to her online community.
In addition to everything else, the game will also include elements from Super Mario Sunshine. Marketing materials have revealed that Mario will be using the Magic Paintbrush – the very same one he used in Super Mario Sunshine – as a weapon.
Everyone reacted with frustration and disappointment as Taylor and Dakota once again faced criticism for their actions – advice they’d apparently ignored many times before. Perhaps this time the message would finally sink in. Still groggy, the couple tried to explain themselves to Mayci and Layla, who stood with arms crossed, clearly unimpressed. Things went from bad to worse when Miranda pointed out that a pregnancy would be a disaster for the show. Whitney expressed her dismay with a simple, pointed “Taylor!” Then, Dr. Jessi offered a deeper analysis, suggesting Taylor’s behavior stemmed from feeling unlovable due to abandonment by her father, a feeling Dakota had also reinforced. It felt like the universe was sending a message, as the group coincidentally ran into the host of The Bachelorette, Jesse Palmer, while at brunch.
Mikayla confided in only one cast member, Mayci Neeley, about her decision to separate from her husband. She described feeling overwhelmed with the situation while attending Mayci’s party with Jace, admitting she wasn’t sure what to do next. In episode nine, Mikayla then moved out of the house they shared, hoping they could eventually get back together once she’s dealt with past trauma and ongoing health issues. Married since 2018 and parents to four children, Mikayla confirmed during season four that she and Jace are still separated, adding that it will likely take a considerable amount of time to resolve things and that she didn’t have much more to say about it at that point.
Even though Starfleet Academy takes place far in the future, making connections to other Star Trek series a bit challenging, it’s definitely not out of the question. We’ve already seen nods to past shows – Robert Picardo reprising his role as the Doctor reminds us of Voyager, and a recent episode paid tribute to the classic Deep Space Nine. Mary Wiseman’s appearance as Lt. Tilly was a fun way to acknowledge Discovery, especially since it’s the only other Star Trek show set in the 32nd century. While Tilly’s return hinted at a possible comeback for other Discovery characters in the finale, that didn’t end up happening.
Koshi Nakanishi, the director of Resident Evil Requiem, recently shared a thank you message to fans via the official Resident Evil Games social media. He expressed the development team’s gratitude for the support that has helped the game sell over five million copies since its February 27th release.
When you think back on the last few years of the Oscars broadcasts, what’s your overall impression? Do they effectively highlight the best of the film industry and filmmaking? Or have they felt lacking? Would you say the show is improving, declining, or staying about the same?