Robbie Amell is the first actor announced for the upcoming reboot, which is scheduled to premiere on Fox during the 2026-2027 season. The first season will consist of twelve episodes and filming is planned to begin in Los Angeles next spring.
In addition to the main series, there was a spinoff called FBI: International that followed a special FBI team solving crimes and fighting terrorism around the world. It first aired in 2021 and lasted for four seasons, but was canceled in May. Fortunately, CBS is developing a new show called CIA, which is set to premiere at the end of February.
This year, the period between nominations and the Oscars felt particularly slow. This might be because the ceremony is happening later than usual, or because the frontrunner for Best Picture, Oppenheimer, hasn’t changed much since September. However, with voters having extra time to consider their choices, it’s possible the race could still take unexpected turns. Many Oscar watchers are now wondering if Black Panther: Wakanda Forever‘s impressive number of nominations could signal a late surge for Ryan Coogler’s film. While a high nomination count doesn’t guarantee a win—as we saw with La La Land—it’s hard to ignore a film nominated in every possible category. It suggests it has a real chance of success.
Okay, so Sony’s got a new movie in the works, but honestly, who’s actually making it is still a bit of a mystery. There’s a chance it’s Drew Barrymore’s production company, Flower Films – you might remember they did the Charlie’s Angels movies back in the early 2000s. Drew was, of course, in those films – the first Charlie’s Angels came out in 2000, and then Charlie’s Angels: Full Throttle in 2003 – alongside Cameron Diaz and Lucy Liu. Good times!
She explained that her self-worth doesn’t depend on awards or nominations. She sees the whole process as artificial, not a genuine competition. She compared it to creating something months ago and then having someone randomly pick a winner. She found the term ‘snub’ – often used to describe being overlooked – particularly absurd, calling the whole concept ‘insane’ and pointing out it’s a relatively new way of talking about things, even for those actively campaigning for recognition, like Timothée Chalamet and Bradley Cooper.
Disney reported a significant increase in Muppet viewership on Disney+. Over just eight days, viewers spent a total of 125 million hours watching Muppet content – that’s a lot of people revisiting classics like The Great Muppet Caper! It makes you wonder how much more popular the Muppets could be if Disney+ added shows like The Fantastic Miss Piggy Show from 1982, or even just a single episode of Muppets Tonight. And releasing the chicken-themed version of the song “Manchild” on Spotify would likely be a big hit.
Premiering to enthusiastic reactions at the Fantastic Fest in Austin this September, Good Luck impressed critics and captivated audiences with its unique blend of genres and carefree energy. Director Gore Verbinski, known for blockbuster hits like the Pirates of the Caribbean franchise, the 2012 remake of The Ring, and the animated film Rango (which earned him an Academy Award in 2012), hasn’t released a film since 2017’s A Cure for Wellness, a movie that wasn’t well-received. Some believe he’s been sidelined by Hollywood, while others suggest he simply chose to pursue more personally fulfilling projects after stepping away from the demands of big-budget filmmaking.
Shows like Stranger Things and The Queen’s Gambit have become global hits because they go beyond typical genre expectations and explore themes that appeal to a wide range of viewers. Another Netflix original that absolutely deserves to be on everyone’s ‘must-watch’ list is the incredibly popular Squid Game.
Fans are most curious about where Kong comes from and how he can fight such a strong enemy, but a lot of interesting discussion centers on what SpaceGodzilla’s purpose will be in the larger Monsterverse story. Although unconfirmed plot details have led to many imaginative ideas, one theory seems particularly likely and could significantly change the direction of the entire Monsterverse narrative.
The sixth episode of Star Trek: Starfleet Academy introduces a new type of warp drive, further complicating warp travel in the 32nd century. Written by Kenneth Lin and Kiley Rossetter, and directed by Larry Teng, the episode significantly raises the stakes as Nus Braka (Paul Giamatti) delivers a devastating loss to Captain Nahla Ake (Holly Hunter) and the Academy.