Busan Competition Film ‘MA – Cry of Silence’ Picked up by Alpha Violet

As a film buff with a penchant for stories that resonate deeply, I find myself captivated by the upcoming drama “MA – Cry of Silence.” Having delved into the rich tapestry of global cinema, I must say that this Myanmar production stands out as a beacon of hope and resilience.


The topical Burmese drama film titled “MA – Cry of Silence” is set to premiere in the New Currents main competition at the Busan festival, and it has recently been acquired by the Franco-Japanese sales company, Alpha Violet.

In its third year, Myanmar’s civil war serves as the backdrop for a film focusing on Mi-Thet, a young Burmese woman working in a garment factory in Yangon. For the past two months, her employers have failed to pay wages, prompting a group of female workers, led by Nyein-Nyein, to organize and demand payment. Initially hesitant due to her family’s history during previous uprisings, Mi-Thet ultimately decides to participate in the strike when an urgent situation arises.

This film marks the second full-length project directed by Maw Naing, who first made his directorial debut with “The Monk” in 2014. Maw Naing honed his skills in filmmaking at both the Yangon Film School (in 2005) and FAMU Prague (in 2008). Based in Myanmar, Maw Naing is not only a talented director but also a renowned poet and artist.

As a movie enthusiast, I had the pleasure of watching this captivating production that brings together the cinematic talents of Myanmar, Singapore, France, Norway, South Korea, and Qatar. This remarkable film is the brainchild of Maw Naing (One Point Zero) as producer, and Oh Young Jeong (Plus Point One) as screenwriter. The co-production also boasts the contributions of Jeremy Chua from Singapore’s Potocol, Charlotte Guénin from Massala, Marie Fuglestein Lægreid, Ingrid Lill Høgtun, and Linda Bolstad Strønen from DUO film, and Jean-Baptiste Bailly-Maitre from Alpha Violet Production. Each of these talented individuals has played a crucial role in crafting this unique and compelling cinematic experience.

The credits also go to the cinematographer Tin Win Maing, the line producer Aung Min Soe, as well as Mathieu Farnarier who served as the chief sound editor and sound designer.

Earlier this week, the Busan International Film Festival announced its chosen films for the New Currents and Jiseok competitions. On Tuesday, they’ll reveal their complete selection. The festival takes place from October 2nd to the 11th.

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2024-08-28 10:16