As a seasoned cinephile who has traversed the labyrinth of global cinema and witnessed the evolution of storytelling, I must say that Andrea Arnold’s latest offering, “Bird,” is a captivating yet enigmatic journey that leaves one pondering long after the credits roll. The film’s unique blend of grit and magic, its kitchen-sink drama interwoven with fairy tale elements, is reminiscent of a dream that only partially translates to reality on the silver screen.
In the movie ‘Bird’, there are two characters who significantly impact the life of Bailey (Nykiya Adams), the 12-year-old protagonist. The first is Bug, portrayed by Barry Keoghan with tattoos, who was almost as young as Bailey when they first met and governs their shared squat more like an eldest roommate than a parent. The second character is Bird, played by Franz Rogowski, a free-spirited wanderer wearing a skirt and carrying a backpack, whom Bailey encounters in a field one day. After some initial resistance from Bailey, Bird assists him on his quest to find the parents he claims once lived nearby. Both characters embody raw, unrefined energies – Bug in an impulsive manner and Bird in a more literal sense that suggests a mysterious aspect to his being. As we delve deeper into the rural Kent surroundings where Bailey resides, the childlike qualities of these two characters, despite their flaws, seem more appealing compared to the model of adulthood they encounter. For instance, Bailey’s mother (Jasmine Jobson) lives in a dilapidated house with her three younger siblings and a boyfriend she fears, a situation that is all too common for Hunter and his friends, leading them to form a vigilante group to confront abusers.
As a cinephile, I must say that “Bird,” the latest creation from Andrea Arnold, is a fascinating blend of raw reality and ethereal enchantment, marking her return to scripted films since the 2016 journey across America titled “American Honey.” This film presents an engaging yet awkward amalgamation of kitchen-sink drama and fairy tale, making it a unique coming-of-age story for the character named Bailey.
In my opinion, one of the most intriguing aspects of this production is the character Bird, played by Rogowski. Last year, he delivered an incredibly captivating performance as a less-than-ideal boyfriend in “Passages,” but his portrayal in “Bird” takes things to a disquieting level that sometimes seems unintentional. With no phone and seemingly appearing from nowhere in Southeast England, Bird’s character exudes an alien-like presence with a delicate demeanor that Rogowski conveys powerfully through every pore of his expressive face. It feels as though he could transcend the quirks inherent to the role.
Keoghan thrives in his chaotic character, the Bug, who dances bare-chested in solitude, sings Blur at a hasty wedding with a woman he’s known for only three months, acquires a psychedelic toad as part of a profit-making venture, and manages to be both endearing and unsettling. However, the film’s titular character, Bird, belongs to Bailey, and also to Adams, a novice actor who skillfully portrays unpredictability. Despite the film potentially benefiting from a deeper exploration of one relationship in Bailey’s life, it instead delves into various aspects of her existence.
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2024-11-08 20:53