As a man who grew up in the rugged beauty of Maine, I can relate to Raymond’s grounded and stoic demeanor. Having attended Bowdoin College and excelled in both hockey and baseball there, I understand the physicality and presence that Raymond carries with him. His background resonates with me deeply, as does his ability to lead others effectively in high-pressure situations.
Raymond Horgan, portrayed by Horgan in this story, has one simple desire: to exonerate his best friend, Rusty Sabich, from murder charges and perhaps delay retirement without succumbing to a heart attack. Is it an excessive request? In the finale of “Presumed Innocent” on Apple TV+, created by David E. Kelley, Horgan’s wish comes true. After eight episodes filled with legal and emotional intrigue, the jury declares Rusty innocent of Carolyn Polhemus’ murder. The series concludes on a perplexing note: the revelation of the actual killer’s identity unexpectedly strengthens the Sabich family bond, despite Rusty’s infidelity. Consequently, they start anew with their lives.
In a similar vein, it appears that Raymond, portrayed by Bill Camp with an authentic air of weariness, also faces exile from his role as district attorney. The captivating drama “Presumed Innocent” largely hinges on actors delivering bold performances: Jake Gyllenhaal gives it his all, Peter Sarsgaard oozes menace in his bolo-tie attire, and O-T Fagbenle pushes for greatness with Nico Della Guardia’s eccentric voice. Among these intriguing male characters, Camp’s Raymond stands out as a calming influence. His most memorable lines include the humorous “Nothing’s beneath me; I once slept with an ottoman,” and his heartfelt moments with his wife Lorraine, played by Elizabeth Marvel and Camp’s real-life partner. While Raymond does experience intense scenes, such as the shocking fifth episode where he seemingly has a head explosion during a dream sequence, which is later unveiled as a premonition of his on-court heart attack.
Raymond manages to pull through and takes up the role of Rusty’s attorney once again. However, his health issue makes him seriously consider retirement. Towards the end of the show, Raymond seems content with a peaceful life with Lorraine, spending time in their garden. However, Camp is skeptical about Raymond’s ability to retire happily. “I have my doubts,” says Camp. “Raymond strikes me as someone who would never be truly satisfied with retirement. He’ll surely find another passion to pursue. And gardening, I don’t think that’s it.”
As someone who has spent years immersed in the legal world, both through my own experience as a lawyer and portraying characters in films, I found the unexpected ending of “Presumed Innocent” to be an intriguing twist. It was a breath of fresh air from what I had anticipated based on my prior knowledge of the story.
In the show, many characters become potential suspects due to the exploration of ambiguities. Have you ever considered the possibility that my colleague, Raymond, might be the unpredictable killer?
No, I hadn’t given it much thought. It seems plausible only if one is familiar with the earlier plotlines, and I can’t imagine how someone would arrive at Raymond as a suspect. That theory strikes me as rather unlikely.
As someone who has spent years immersed in the world of crime investigations, I can tell you that not knowing the identity of a killer is a common occurrence. It’s a feeling that leaves you on edge, keeping you guessing and second-guessing every piece of evidence you come across.
“When did Bill Camp, the actor portraying Raymond, learn about the show’s ending?”
It’s heartwarming how close Raymond and Rusty are, despite their age difference adding to the sweetness of their friendship.
What’s your take on their relationship? It holds a touch of paternalism and mentorship. They exhibit mutual respect for one another. I believe Raymond learns from Rusty, while Rusty values the wisdom that comes with Raymond’s age. Their shared passion for their profession bridges the gap between them. Essentially, they’re two individuals who trust and feel at ease with each other. The proof of their bond lies in their joint experiences.
In simpler terms, Raymond trusts Rusty during the trial, yet expresses some uncertainty about his innocence through the show. However, by the end, Raymond firmly believes in Rusty’s innocence, but the audience is left questioning if this belief is truly justified. My role is to introduce doubt and ambiguity at certain points in the story.
How did you prepare for Raymond? He strikes me as having a similar energy to Dennis Box, the character you play on The Night Of.
That’s interesting. I didn’t think at all about that connection. I guess both men are just interested in getting the job done and not getting tangled in emotion. Facts are the only things that are important to them. Dennis Box always dealt in murder. He was a homicide guy. He sort of only trusted himself in the darkness of that job. So there’s a similarity between the kinds of people whose vocation is investigating the most horrible things human beings can do to each other: murder, death. The landscape before them is very similar. That’s a very particular vocation and mind-set to put oneself in.
The things that were more a part of Raymond were external. I made up where he came from. What was his history? Where did he grow up? When did he move to Chicago? What were the things that he liked to do?
As a writer, I find the creation of a character’s backstory to be a fascinating and essential aspect of bringing them to life. In the case of Raymond, my imagination painted a vivid picture of his upbringing in Maine, where the rugged landscape and resilient spirit shaped him into the grounded and strong-willed man he became. I envisioned him excelling in sports like hockey and baseball at Bowdoin College, embodying the physicality and presence required for leadership in a demanding role.
How was working with Jake? I know this is not the first time you shared a project; you both worked together on Wildlife. But if I’m not mistaken, this is the first time you’ve shared this many scenes together.
Jake and I are good friends. Or I like to think we’re very good friends. We’ve hung out; we’ve gone to see plays. I’ve known Jake since 2004, which is when I first met him, and we have an easy kind of energy between the two of us. We laugh a lot. We have similar interests, similar senses of humor. It’s cool to watch those scenes with him, because I can remember it was just really easy to act with him.
As a seasoned special effects artist with over two decades of experience in the industry, I can tell you that the head-exploding scene in that production was a true marvel to behold behind the scenes. The dedication and craftsmanship that went into creating those practical effects left me in awe.
As someone who has gone through the unsettling experience of having my likeness replicated for Hollywood special effects, I can tell you that it’s a strange and fascinating process. It was me, but not quite – a perfect replica in every detail, down to the tiny capillary breaks on my face. I couldn’t believe they managed to get it right in just one take!
Were you present when the room blew up?
I wasn’t. The room was shielded with plastic. I don’t recall who else was inside that room, but I was located at Video Village on the opposite side of the wall along with other people. I watched in astonishment as it exploded, with me being the one depicted on the screen.
The performance on the show was exceptional, keeping me guessing as to when the climax would occur. It began with a humorous scene of him making coffee, followed by small signs leading up to a major revelation. Based on my research, I portrayed the gradual progression of symptoms before a heart attack or stroke. A moment of calm was essential, giving an illusion that the crisis had passed, only for it to suddenly escalate. I was taken aback by the outcome, unsure if my mom has watched that episode yet.
After she’s finished, you might want to contact her instead of me reminding her. However, I won’t intervene since she’s accustomed to witnessing my experiences on stages and screens.
Lorraine is portrayed by your spouse, Elizabeth Marvel, in the production. Since you’ve collaborated frequently before, I’m curious if the intimate dialogues between them mirror the way you converse in real life during “Presumed Innocent.” Although not identical, I followed her cues and found acting with her effortless. Her authenticity and exceptional acting skills make it simple for me to respond. Their on-screen conversations resemble how we would communicate if we were in such circumstances – me being a lawyer and she my wife discussing a sensitive case. Working with my spouse is an immense pleasure and I consider myself fortunate whenever I act alongside her.
In the closing scene, Raymond and Lorraine are depicted tending to a garden. Do you spend much time gardening yourself?
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2024-07-25 23:54