As a film critic who’s seen his fair share of horror movies, I can confidently say that Stanley Kubrick’s “The Shining” stands alone at the top of the genre, and it’s not just because of the iconic Jack Nicholson’s performance or the chilling Wendy Carlos score. No, it’s the way Kubrick crafted an experience that feels like a ghostly presence lurking in the corners of your mind long after the credits have rolled.
Among all movies I’ve ever seen, Stanley Kubrick’s “The Shining” stands out as not just my preferred horror movie, but it might even be my ultimate favorite film.
Movie buffs and intellectuals have delved deep into the analysis of “The Shining,” exploring every angle until there’s little left, yet this only underscores the timeless impact and emotional resonance of Kubrick’s masterwork. From its chilling, frostbitten, bitter atmosphere to the memorable portrayals by Jack Nicholson and Shelley Duvall, and the meticulously designed sets and unsettling cinematography meant to leave a lasting impression on viewers — “The Shining” remains an indelible encounter that stands in a league of its own.
Upon hearing the initial melody of Wendy Carlos’ score, it’s almost instinctive to visualize a tiny speck of a yellow Volkswagen meandering along a mountain road, seemingly suspended in mid-air. Similarly, who would have thought that remembering the design of a carpet from a 45-year-old movie could be possible – yet the vivid memory of the red, orange, and brown hexagonal patterns lining the corridors of the Overlook Hotel persists, forever etched onto one’s memory.
The movie seems like it was intentionally crafted by Kubrick to be a chilling, self-haunting house film. It’s a cunningly designed cinematic encounter meant to grip the audience tightly and refuse to release them, forever.
Parker Finn, who created and directed the horror movie “Smile,” is set to release his next project, “Smile 2.” In this sequel, Naomi Scott plays a musician who finds herself cursed. The highly anticipated film will hit theaters on October 18, distributed by Paramount Pictures.
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2024-10-10 00:16