
In its premiere at the Berlinale, “Yunan” marks the second installment of Fakher Eldin’s planned trilogy titled “Homeland,” focusing on the theme of displacement. The first film in this series was his successful debut, “The Stranger,” which represented Palestine in the international Oscars race in 2021. Though not as polished as its predecessor, “Yunan” showcases strong formal mastery and emotional depth. This second feature by Fakher Eldin is a fittingly global collaboration (between Palestine, Jordan, Canada, Germany, Italy, and France), driven by a poignant longing for home or sense of belonging, felt from distant lands.
In its debut at the Berlinale, “Yunan” represents the second part of Fakher Eldin’s planned trilogy called “Homeland,” exploring the topic of displacement. The first film in this series, his well-received debut “The Stranger,” was Palestine’s entry for international Oscars consideration in 2021. Although not as flawless as its initial release, “Yunan” demonstrates impressive control over form and emotion. This second movie by Fakher Eldin is a collaborative production between several countries (Palestine, Jordan, Canada, Germany, Italy, and France) that carries a deep yearning for home or belonging from distant places.