Are Webcomics Hollywood’s Next Adaptation Craze? Comic-Con Experts Unpack Online Comics Poised to Become a Viral Sensation

As a seasoned movie buff with a deep appreciation for the art of storytelling and a keen eye for emerging trends, I couldn’t help but be intrigued by the recent surge of webcomics making their way into Hollywood adaptations. Having attended numerous industry events, including this year’s Comic-Con panel on the subject, I was captivated by the insights shared by industry experts.


Move over, novels: webcomics are here as the hottest new fodder for Hollywood adaptations.

During a panel at San Diego Comic-Con, presidents Aron Levitz of Wattpad Webtoon Studios, Snailords of Webtoon Originals, Glenn Geller of Skybound’s TV division, Halle Stanford of The Jim Henson Company’s TV sector, and pop culture journalist Kayti Burt discussed their insights on the topic. EbMaster moderated the engaging conversation.

I’m thrilled to be part of a studio with an incredible collection of 55 million stories at our disposal. Our secret to success lies in our innovative storytelling and the unwavering passion of our dedicated fanbase. We’re attuned to what resonates with readers, understanding their preferences because they engage with us through insightful comments. Wattpad Webtoon Studios is brimming with exciting projects, such as a film adaptation of “Death of a Pop Star,” produced by Diablo Cody, and an animated series titled “Apocalyptic Horseplay.”

Burt, an experienced reporter on the growing influence of Korean content, explained why investing in webcomics is a wise choice. “Many popular K-dramas are based on Webtoons,” she highlighted. “These dramas originate from stories that have already gained a following and received critical acclaim, resulting in high-quality productions. In today’s fast-paced storytelling landscape, webcomics and pre-existing intellectual properties can offer a competitive edge.”

As “Freaking Romance” by Snailords (also known as Aidyn Arroyal) is being developed into a film by Skybound, he now focuses on updating his webcomic “Death: Rescheduled” weekly. The comic is released every Friday and on Mondays, a new page is drawn. By Friday, the latest installment becomes available for readers, providing instant feedback. This way, Snailords can understand audience preferences and dislikes, adjusting future pages accordingly, unlike in the past when an entire book would need to be completed first.

Geller emphasized the importance of preserving fan loyalty when converting a webcomic into a movie. At Skybound, we prioritize bridging the gap between creators and their fans, ensuring an authentic connection based on trust. By doing so, we can assure fans that if they enjoy the original, they will likewise appreciate the adaptation. This is why fan involvement is crucial.

At the Jim Henson Company, Stanford is excitedly involved in the highly anticipated project to adapt Rachel Smythe’s “Lore Olympus.” He spoke highly of collaborating with Smythe, expressing her creativity and involvement as invaluable. “She’s amazing,” he shared, “She’s been present throughout every significant creative development. She assists us in adding intricate details, such as incorporating ‘easter eggs’ and shaping the characters. Moreover, she informs us of which flowers bloom in Persephone’s hair depending on her emotions.”

In my perspective as a movie critic, I believe that webcomics are poised to make a significant impact on Hollywood in the near future. The reason being, it’s more than just fanbase or niche storytelling – it’s about harnessing the power of both. It may seem straightforward, but trust me, it’s an exciting shift in the world of entertainment.

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2024-07-26 02:16