Andor’s Secret Rogue One Link Is Too Smart For Words!

by

In the lead-up to the prequel series Andor, there are numerous connections to the 2016 movie Rogue One, but one link in particular stands out as particularly clever. Following the conclusion of Andor‘s second season, viewers have been revisiting Rogue One more frequently. While Rogue One is generally regarded as one of the less contentious Disney additions to the Star Wars series and ranks highly among the films, fans are now discovering that the captivating plot of Andor has enhanced their viewing experience of Rogue One.

In essence, the storyline of Andor season 2 leads directly into Rogue One, with the climax of the second season occurring just hours before Cassian’s appearance in the 2016 film. The events that transpire prior to this make his ultimate journey in Rogue One even more impactful. There are numerous connections between Andor and Rogue One, but I’ve discovered one that is less apparent. This connection not only serves as a seamless bridge between the two productions, but it also underscores something significant about Andor, Star Wars, and their shared universe.

Andor Season 2, Episode 12’s Credits Include John Williams’ Original Star Wars Music

For The First Time In The Show’s Entire Run

Instead of appearing within the running time of Andor season 2, episode 12 itself, this link shows up during the closing credits. Following the presentation of Andor season 2’s final scene, a melancholic tune from the show’s soundtrack is played. For several more minutes, the Andor music continues to play over the credits until it shifts into a recognizable area.

Gradually, the iconic tune that typically accompanies Star Wars films, crafted by John Williams, starts playing loudly. While it differs slightly from the traditional fanfare, it still makes for an engaging listen as the finale of a series like Andor. The music serves as a tribute to Williams and the typical sound of Star Wars credits, fitting perfectly in this context.

John Williams’ Star Wars Music Is A Perfect Link Between Andor & Rogue One

The End Of One, Unique Story & The Beginning Of Another, Familiar One

Discussing why John Williams’ music fits so well in the credits of Andor, it beautifully connects to Rogue One. Although the series already ties together through its narrative elements (as previously mentioned, as well as other unmentioned aspects that bridge the gap between the two productions), there’s no doubt that Andor stands apart from most other Star Wars projects, even Rogue One. The latter heavily draws upon the original Star Wars trilogy’s imagery, be it the film’s aesthetic, cameos (such as Vader, Tarkin, and Leia), or Michael Giacchino’s musical score.

Andor shares some similarities, yet it’s also distinct, a view many would concur on. The series breaks free from, and often surpasses, the confines of just being a Star Wars spin-off. Its writing, quality, mature themes, political intrigue, and narrative structure are remarkably unique compared to traditional Star Wars standards. This uniqueness is echoed in its external aspects, such as the musical score.

In the credits of Andor season 2, episode 12, the seamless transition between Britell/Roberts’ music and Williams’ music is particularly effective. This isn’t just a tribute to Williams, as stated earlier, but also underscores the shift from the unfamiliar Star Wars property, Andor, to the more recognizable Rogue One. The sudden change in musical tone in the credits mirrors this transition, with the somber, mature spy music giving way to the optimistic, well-known Star Wars theme.

Star Wars Is A Franchise Where Multiple Stories Can Coexist Together

As Andor Proves

The fact that the iconic Star Wars theme shows up in Andor demonstrates that the franchise has a wealth of diverse narratives capable of thriving simultaneously. Despite Andor’s unique and distinct character, it doesn’t feel misplaced when juxtaposed with films like Rogue One or A New Hope. Some might contend that Star Wars should adhere strictly to its established style and boundaries, which could account for the heated debates surrounding certain Disney-owned properties in recent years.

In a different yet controversial move, Star Wars: The Last Jedi stirred up a lot of negativity. Following this, Star Wars: The Rise of Skywalker aimed for familiarity and faced a similar level of controversy. My point is that regardless of personal opinions towards individual projects, the Star Wars franchise has the ability to cater to various tastes. For instance, it can delve into a serious political drama like Andor, while still maintaining a connection with a more kid-friendly, animated series such as Rebels. The music in the end credits of Andor perfectly showcases this, as John Williams’ classic themes never felt out of sync.

Read More

2025-05-17 16:59