Andor Series-Finale Recap: The Place You Helped Build

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In many prequels, knowing the ending beforehand can create a structural and emotional predictability that sometimes feels like a checklist. However, shows like Andor have developed their universe with such depth and richness that having Rogue One as a kind of “conclusion” doesn’t burden the final episode with typical series-ending baggage. Instead, it allows for a unique experience for dedicated fans who have followed the series closely.

As a film enthusiast, I must say, this series doesn’t shy away from dedicating around seven to eight minutes of its nearly 50-minute length to a tense standoff between ISB and some of our leading characters, including the witty K-2SO who happens to be quite adept at dishing out Empire justice while tossing off clever quips. This scene, however, might dilute the fearsome image of the K-X enforcer droids that we witnessed not long ago, as they were previously associated with raw power and brutality. Yet, who am I to complain about a droid brawl? It’s a fun twist, and after all, who doesn’t enjoy watching some well-deserved robot retaliation?

On the other hand, the finale of Andor could continue in a somber tone: subdued, filled with unspoken frustrations and sorrow mixed with the required optimism, as Cassian, Melshi, and Kleya arrive at a grim and rainy Yavin, where they’re met by displeased Rebel leaders. The main part of the episode consists mainly of dialogue, a progressive softening of resistance. Cassian visits Mon Mothma, Bail Organa, and other Rebel leaders (including Admiral Raddus!) to share the information about the Death Star. However, since this intelligence comes from Luthen, whom even Cassian hasn’t spoken with in a year, it is met with suspicion and disbelief. (He doesn’t know this, but discussing intel from outside the Rebel Alliance immediately after the leaders have probably received numerous annoying hologram calls from Saw Gerrara isn’t ideal timing.) Instead of the “hero’s welcome” he had hoped for, Cassian is scolded, not taken seriously, and ordered to stay in his quarters until further notice.

For the remainder of the episode, most conversations revolved around convincing Cassian to embark on a mission to gather additional details about this weapon, not only concerning the planets and people involved but also other aspects. Mon Mothma assigns Vel to speak with Cassian for further information and to express her opinion – essentially, to help her trust him. Vel openly discusses her assignment with Cassian, and they both take a somber drink in remembrance of those who have passed away.

This segment seems suitable for a short, animated prequel titled something like “Rogue Zero: A Prelude” that could be included on the Rogue One Blu-ray. The episode’s strength lies in how seemingly insignificant moments gradually build up and take on more importance, making them feel weightier than just loose ends. One particularly impactful scene occurs when Partagaz, previously shown as unwavering in his ISB work, listens to a recording of Nemik’s manifesto from the first season. He muses, “The Imperial need for control is so desperate because it’s so unnatural,” and then asks Lagret for privacy before reporting to his superiors. Lagret appears unfazed when a blaster shot is heard outside the room, preventing the stormtroopers from entering. It’s possible that he has shielded himself temporarily by only hearing parts of Nemik’s speech — or perhaps he is deceiving himself, fearing he may end up like Partagaz.

It’s implied that Cassian isn’t the only one having restless nights. After a dream of his past, Cassian receives new instructions from Bail Organa: He must go to the Ring of Kafrene, meet with Tivik, and gather more information about the Death Star. As we follow Cassian on his path that sets the stage for Rogue One, a typical series finale montage shows us the fates of surviving characters. Cassian exchanges a concerned look with the Force healer; she seems to sense where he’s going. Dedra cries alone in an Imperial prison, having given up more freedom for so little. Kleya wakes up and appears to recognize what she helped create, showing a hint of a smile or peace. The most poignant moment comes when the montage concludes with Cassian and K zooming off in their U-wing: Bix is safe back on Mina-Rau, living one of her alternate lives, holding a baby tenderly – presumably Cassian’s child, unbeknownst to him. Vel’s earlier advice to reconnect with Bix seems clearer now: “You should reconnect with Bix,” she says, hinting that he shouldn’t wait too long, knowing there might be a specific reason for regret if he waits for a more “safe” opportunity.

The picture of Bix and the child in the wheat field intensifies the anticipation and bittersweet sorrow associated with “Rogue One.” Throughout this saga, particularly in “Andor,” there’s a recurring theme of making sacrifices for the greater good, even when the rewards may not be realized in one’s lifetime. This concept is incredibly difficult to execute, as portrayed by Luthen Rael, despite his uncooperative nature, he found peace with this idea, giving him an edge over his Imperial adversaries.

Cassian Andor’s survival through his child provides a glimmer of hope that offsets the melancholy of his mission to secure the Death Star plans, which ultimately led to his demise. This child will grow up in a world improved by their father’s efforts, unaware of their existence. However, this realization is heart-wrenching, knowing that Bix is not the only one waiting for a reunion that can never occur.

The key point in this discussion is how Andor, often depicted as distinct from the broader Star Wars universe in terms of style and quality, has remarkably expanded and strengthened the series as a whole. This is true even for those who may not be avid Star Wars fans but appreciate Tony Gilroy’s artistic prowess. Furthermore, it is intriguing to note that the strategic choice to have subsequent Star Wars sequels revolve around re-enacting a battle similar to the original trilogy seems to align seamlessly with Gilroy’s vision of a world where hope remains essential, yet every triumph necessitates sacrifices we can hardly foresee.

Rebel Yells

• Point worth noting in terms of continuity: In the movie ‘Rogue One’, which takes place a few days after the events of ‘Andor’, there was an assumption that the Rebel Alliance needed Jyn Erso to meet Saw Gerrara, as they feared he would immediately attack any Rebel Alliance members. However, considering how recently they had communicated via a conference call (even if it ended with him calling them liars), it seems unusual to assume such hostility so soon. This adds to the idea that Saw didn’t quite fit into the narrative of ‘Andor’; his brief scenes this season, which lack significant payoff, primarily serve to weaken the sense of distance from the Rebellion he was supposed to have at the beginning of ‘Rogue One’.

Although it was necessary for the conclusion of ‘Andor’ to establish the Rebel Alliance as a unified force, it feels somewhat inconsistent that the leaders appear less skeptical at the end compared to their initial reluctance in ‘Rogue One’. This could be due to the writers wanting to develop internal conflicts within the Rebellion without introducing too many new characters. So, Cassian, who has a history with Luthen, is presented as having disagreements with the Senate-appointed leaders like Bail and Mon. To make this resolution satisfying for ‘Rogue One’, these conflicts are resolved in ‘Andor’. However, this resolution seems to be somewhat undone when senators who were absent from these scenes appear in ‘Rogue One’ and dismiss Bail, Mon, Cassian, etc. While this isn’t an error, it might feel a bit contradictory when watched back-to-back as Cassian earning their trust seems inconsequential in this context.

In a somewhat casual observation, I’d like to query the assumption that Mina-Rau can return safely to her previous residence given that those who knew about her past there are either supportive or deceased. Is there another factor I might have overlooked that makes it safe for her to go back? It’s quite intriguing, actually, that her farewell message to Cassian suggests a secret hideout, when she instead chooses one of the few places in the galaxy where they’ve already resided together.

Which one seems to miss Cassian more, B2EMO or Bix? It’s worth noting that B2EMO has found a new droid companion. Given his new farm lifestyle, it looks like this change will suit him well, and I can’t wait to see where his adventures lead in an upcoming TV series reminiscent of the classic show Lassie.

I find myself with conflicting emotions towards Bix’s portrayal in the show. On one hand, it was commendable how they broke her free from the recurring themes of pain and suffering, addiction, and isolation. However, it’s challenging to overlook how significantly her screen time seemed to contribute to Cassian’s narrative development rather than her own.

Her character makes a selfless choice to depart in order to enhance Cassian’s abilities as a Rebel soldier, leaving her to bear his child and nurture the future generation on her own while he is away. In isolation, this decision evokes strong emotions. However, when considering her role throughout the series, it feels somewhat disappointing for such a richly complex character like Bix.

• Frankly, Andor stands out as the superior live-action Star Wars series, although I don’t share the same level of criticism as some towards the others. The Acolyte ranks a close second for me, followed by shows that are entertaining and work well on TV (The Mandalorian, to an extent, Skeleton Crew), then shows that were clearly adapted from movies (Obi-Wan Kenobi and The Book of Boba Fett). Despite the common perception that Star Wars is struggling, the past year’s television offerings (The Acolyte, Skeleton Crew, and the second season of Andor) have been quite strong, catering to various age groups (kids, young adults, and adults) and offering less fan service than ever before. It may not be popular to express a positive opinion about Star Wars online, but that’s how it felt to me.

Wrapping up our reviews on Andor! A big thank you to all those who joined us in this journey. Keep the Force strong, everyone! 💫🔭

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2025-05-14 07:11