‘Always’ Review: Deming Chen’s Strikingly Confident Debut From Plays Like a Long Visual Poem

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In stunning visual aesthetics, the movie “Always” delves into the contemplative world of a teenage poet living in rural China, skillfully portrayed through breathtaking cinematography. However, the poetry transcends the protagonist’s spoken words, found as captions throughout the film; it permeates the very images that depict him, his loved ones, schoolmates, and the village and its residents. This is a powerful and impressive debut for director Deming Chen, setting the stage for him to emerge as an essential new talent in documentary filmmaking.

The movie starts off in vibrant colors, transitioning into black and white, giving an impression of reminiscing simpler times. Later on, the hues reappear, though muted and delicate, symbolizing the flow of time. Interestingly, the filmmaker Chen, who also handled cinematography, followed the character Gong Youbin from the age of 9 to 13. This movie serves as a realistic snapshot of life, demonstrating how early experiences can influence someone significantly. It also shows us that a childhood interest could broaden one’s horizons without necessarily turning into a lifelong career choice.

Originally, the filmmaker aimed to create a movie based on poetry. However, Gong chose to cease writing at that point. Despite this shift in Gong’s personal journey, the essence of poetic imagery remains strong in the footage he captured. This change paved the way for the incorporation of the writings of Gong’s peers, resulting in a more comprehensive film. As a multitude of teenagers discover and express themselves through poetry, influenced by their challenging environment and economic struggles, their verses become the soul of “Always”. Whether they face their harsh realities or escape into a realm of dreams, these poems pulse with the lifeblood of the movie.

Nonetheless, Gond continues to be the central figure in the narrative. He resides in a multi-generational household, sharing it with his father and grandparents. Tragedy struck their patriarch when he lost an arm in an accident, making it difficult for him to support his family. However, they face adversity together, working within their home, on their farm, and in the fields. Despite dwelling in poverty and relying on government aid, this household exudes resilience and humor. Gond and his kin are cognizant of the filmmakers’ presence, occasionally acknowledging the filming process, yet they remain largely unfazed by the cameras. The film does not aim to evoke pity for this family or portray them as pitiful subjects. Instead, it presents a calm depiction of their daily struggles and triumphs.

As a movie enthusiast, I can’t help but feel the deep-rooted trauma in Gong’s life that stems from his mother leaving him at a tender age. Though it seems she may have been trying to escape the tough economic circumstances made worse by his father’s disability, the reason behind her departure remains shrouded in mystery for Gong. In a heart-wrenching scene, Chen inquires about Gong’s mother, and as the camera trails him, he tries to evade and hide under a stack of hay. Though Gong may struggle to verbalize the influence of this abandonment, the song “Always” powerfully conveys its painful resonance.

This movie focuses on the scenery and natural world as well. The camera meticulously captures Gong’s surroundings: expanses of farmland, mist-covered mountains, tiny insects crawling in the soil, and the faint glow of stars at night. It profoundly illustrates the elements these people rely on to survive. The land is their source of life. There isn’t any preachy content about climate change; instead, “Always” underscores that the land and its bounty are key to human prosperity. Some of these breathtakingly beautiful shots seem like they could be paintings brought to life momentarily on film. The dialogue is minimal in this slow cinema piece. It may challenge your patience, but it also rewards those who persevere and sync with its pace, taking their time to appreciate every detail of its stunning visuals.

As a cinephile, I’ve found myself deeply moved by Chen’s masterpiece – a cinematic poem that elegantly encapsulates the bittersweet twilight of childhood. It’s a breathtaking portrayal of this transitional phase, richly layered with the intricacies and radiance it embodies.

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2025-03-29 07:16