AI in Non-Fiction, Immersive Storytelling, Investigative Journalism and Climate Justice to Be Debated at CPH:DOX

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As a devoted cinephile, I’m thrilled to share that the schedule for the Copenhagen International Documentary Film Festival, famously known as CPH:DOX, promises an enlightening journey. This year, we’ll delve into fascinating themes such as the role of AI in non-fiction narratives, the art of immersive storytelling, investigative journalism, and climate justice. It’s going to be a captivating exploration!

Participants taking part in the event scheduled from March 24th to 28th, a collaboration with Documentary Campus, are individuals such as Christo Grozev, James Jones, Alexis Bloom, Kate Townsend, Sam Soko, Mstyslav Chernov, and Nathan Grossman.

The 2022 conference is being orchestrated by Mandy Chang, who was once in charge of BBC Storyville and Fremantle’s global documentary department.)

Mara Gourd-Mercado, who is in charge of industry and training at CPH:DOX, stated that this gathering provides an opportunity to delve into how documentary movie making influences our environment. She further explained that the conference offers interactive dialogues and expertise from professionals within the field, aiming to ignite innovative thoughts and provide filmmakers with novel methods for crafting compelling narratives.

Donata von Perfall, as head of Documentary Campus, stated: “The documentary filmmaking community has a strong feeling of collective duty and shared values. It is through gatherings like CPH:Conference that we can unite to debate pressing issues within our field, stimulate fresh thoughts, and honor the impact of compelling narratives.

Following the commencement at the CPH:DOX Summit on March 24th, a daily conference will begin, starting with “A Morning With…” each day. This event series is hosted by Thom Powers, known for his “Pure Non-Fiction” and “Documentary of the Week” podcasts. Throughout the week, Powers will moderate discussions with filmmakers Violet Du Feng (“The Dating Game”), Sam Soko (“Matabeleland”), and Mark Cousins (“The Story of Documentary Film”). The conversations will focus on their most recent projects, their professional journeys, and the ways they tackle the hurdles in the world of filmmaking.

In the mornings, discussions titled “Dialogues” take place, where filmmakers engage in conversations about specific aspects of filmmaking. These discussions provide valuable insights into creative methods, current industry developments, and the transformation of documentaries in the digital era.

In “Adaptive Storytelling: Designing Structures for the AI and Automation Age,” Mark Atkin, director of studies at CPH:Lab, and filmmaker Violeta Ayala from United Notions Film will delve into how artificial intelligence is influencing documentary creation and narratives. Anne Sofie Steen Sverdrup, intimacy coordinator at Bedside Productions, Laurits Flensted-Jensen, director of “Neon Heart,” and producer Mads Damsbo of Makropol will lead a workshop focusing on constructing emotionally resonant, collaborative narratives in virtual reality, emphasizing immersive storytelling and ethical artistic expression. Lastly, Olivier Sarbil, director of “Viktor,” and Geeta Gandbhir, director of “The Perfect Neighbor,” will share their insights about moving from different roles within filmmaking to directing, while Mstyslav Chernov and Nathan Grossman will underscore the significance of revisiting pressing topics in a story-rich environment.

On sunny afternoons, I immerse myself in a whirlwind of industry-focused discussions. One such panel, titled “The Cost of Exposing Truth to Power,” promises an intriguing exploration. Christo Grozeg, a Der Spiegel investigative journalist and star of the series “The Insider,” will join James Jones from “Antidote” and Jenny Raskin of Impact Partners. Together, they’ll delve into the complexities and challenges faced by investigative journalists in our polarized modern world.

Simultaneously, “Creating Pathways to Triumph,” featuring Helle Faber (“Challenger of Putin”) and Rachel Leah Jones (“Living Side by Side, Not at All!”), will delve into funding and protecting independent documentaries, as well as our ethical obligations towards the characters who are crucial to these narratives.

At last, I’m excited to share that I’ll be part of an enlightening discussion titled “Collaborations and Coalitions” with Keri Putnam from Putnam Pictures, Alexandre Marionneau from ARTE, and Erika Dilday from POV. We’ll delve into groundbreaking distribution techniques and resilient funding models that adapt to the ever-changing media terrain.

The conference is set to end on March 28, featuring the “Climate Story Lab Nordic.” This session aims to explore how documentaries can contribute to the pursuit of climate fairness.

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2025-02-20 01:17