As a cinephile with a penchant for historical dramas and a deep appreciation for films that challenge conventional storytelling, I must say that “The Brutalist” by Brady Corbet has piqued my interest significantly. The 12-minute standing ovation at the Venice Film Festival speaks volumes about the film’s impact and quality.
On Sunday, Brady Corbet’s historical drama “The Brutalist,” featuring Adrien Brody, Felicity Jones, and Guy Pearce, left audiences at the Venice Film Festival amazed, earning a prolonged 12-minute standing ovation.
Brody, playing a Hungarian Holocaust survivor turned architect in America, was deeply moved during the standing ovation. The performer dabbed his eyes and clasped his hands over his face, attempting to redirect the cheers towards his director and fellow actors, but the attention persistently returned to him.
The three-and-a-half hour play, divided by a 15-minute break, narrates Brody’s character’s journey spanning almost four decades. This journey starts with him immigrating to the U.S., where he gets employed for a wealthy yet impulsive man aiming to establish an extraordinary community center. During this time, Brody assists Laslav in reuniting with his sick spouse (Jones), and they embark on constructing a building in the brutalist style that Brody has always dreamed of. However, a tragic event alters both their lives irrevocably.
As a movie enthusiast, I’m excited to share that this upcoming film boasts an impressive cast consisting of Joe Alwyn, Alessandro Nivola, Jonathan Hyde, Isaach De Bankolé, Raffey Cassidy, Stacy Martin, Emma Laird, and Peter Polycarpou. Not only is Corbet in the director’s chair for this project, but he has also collaborated with his wife Mona Fastvold on the scriptwriting, as they did for “The Sleepwalker.”
Previously, actor-turned-filmmaker Corbet has showcased two movies at Venice before, with his first directorial venture “The Childhood of a Leader” winning him the Luigi De Laurentiis award for best debut film and the Horizons best director prize in 2015, as well as competing for the Golden Lion. In addition, his 2018 production “Vox Lux” was also up for consideration for the same prestigious award. Now, his latest work, “The Brutalist,” is likewise vying for Venice’s most coveted prize.
During an interview with EbMaster in July, Corbet playfully referred to “The Brutalist” as he disclosed that its 215-minute, 70mm screening at Venice will incorporate a break, or intermission.
“I find the concept quite appealing,” I mention. “It offers everyone a chance to pause, alleviating the worry of missing crucial moments due to bathroom breaks, a genuine issue in extended films. To me, it feels more like a moving intermission. The movie continues playing, but with periodic visuals and audio cues. There’s even a timer to keep us informed about the remaining time.”
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2024-09-01 20:17