A New Looney Tunes Movie Has Escaped Containment

With an extravagantly grand design yet maintaining a humble purpose, “The Day the Earth Blew Up: A Looney Tunes Movie” playfully challenges our obsession with grandeur. Its apocalyptic science-fiction narrative revolves around outrageously absurd concepts, embodying the essence of the Looney Tunes approach: Transform a well-known theme into an offbeat direction using rapid-fire slapstick and humor that throws everything against the wall. This film serves as a satire of ’50s sci-fi and horror, but it also offers a delightfully eccentric take on today’s Hollywood escalation of stakes. Though its jokes might not be the most hilarious or its bits not the sharpest, they are delivered with such enthusiasm and speed that we may overlook this. Following the high-profile demise of Coyote vs. Acme, it seems almost miraculous that “The Day the Earth Blew Up” (originally intended for Max but distributed by a smaller company, Ketchup Entertainment) is even being released.

Director Peter Browngardt, who previously revived the Looney Tunes series for Max several years prior, is no stranger to this task now. His latest work successfully encapsulates the essence of Looney Tunes, a quality our world could always benefit from more – and it’s a considerably greater challenge than one might initially assume. The storyline is delightfully absurd. An extraterrestrial spaceship contaminates an extremely popular bubblegum with interdimensional goo that transforms anyone who chews it into zombies. The only hope for humanity lies with feuding foster brothers Daffy Duck and Porky Pig (both voiced by Eric Bauza). Impetuous and energetic Daffy is hopelessly inept, while timid and meek Porky is too preoccupied nursing a crush on attractive gum-flavor scientist Petunia Pig (voiced by Candi Milo) to achieve much. Their hand-drawn antics unfold against the backdrop of familiar (and comforting) Looney Tunes visuals: serene blue skies, lush green landscapes, mid-century architecture … with those sudden, sharp changes in form and color and texture that this type of animation excels at. When Daffy’s face first swells up, it feels like we’ve been reunited with an old friend.

The main reason that the Looney Tunes franchise has primarily focused on short films throughout its history is because the chaotic, carefree logic and fast-paced humor often don’t work well in full-length movies. Many early Looney Tunes features were simply collections of these short films, and most original movies featuring these cartoon characters have been live-action hybrids such as Space Jam or Looney Tunes: Back in Action. However, The Day the Earth Blew Up manages to tackle this issue to some degree by presenting multiple narrative ideas in a way that resembles a compilation of shorts within a single film.

Before the main narrative unfolds, we’ve previously seen a series of events depicting Daffy and Porky’s childhood, and we’ve also encountered a self-contained film (complete with credits) showcasing their comical job mishaps. For instance, they struggle delivering newspapers when Daffy uses a gun to blast papers at people; they fail as baristas due to Daffy’s rude behavior towards complex orders; and they flop as influencers after Daffy tries a provocative dance and faces public backlash. Eventually, they manage to secure stable jobs at the local bubblegum factory, and the visual tone shifts dramatically, offering a Constructivist musical number filled with sepia silhouettes of Daffy and Porky dancing amidst the massive, spinning gears of colossal machinery. This shift seems arbitrary, but why not?

In simpler terms, this movie, “The Day the Earth Blew Up,” isn’t particularly original or laugh-out-loud funny on its own, but when scenes are strung together quickly, it creates a lot of comedic momentum. Even the predictable music choices seem fitting. For instance, a flashback is set to Bryan Adams’ “Everything I Do” and a climactic scene to R.E.M.’s “It’s the End of the World.” The reason it works so well is that once you establish a spoof-like atmosphere, anything goes. Additionally, because the plot is based on constant surreal events, each new development feels like a surprise or twist since nothing is pre-planned and logic has been abandoned. Overall, by the end, it feels more like watching a quick Looney Tunes cartoon rather than a full-length feature film.

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2025-03-13 17:54