Employing “A Midsummer Night’s Dream” as a reference for this episode fits perfectly with “The Buccaneers,” as it offers the opportunity to dress our American heroines in fairy costumes and glitter. Moreover, this Shakespearean play is renowned for its line about love never running smoothly, which seems incredibly fitting for this series. To make matters worse, just like in Midsummer, it appears that no character, except Conchita and Richard, will end up with their desired partner as the season progresses. While the fairy mischief in Shakespeare causes such predicaments, on this show, it’s due to poor decision-making; however, we can still hope for a happy resolution. Despite the grim outlook after Lizzy’s Midsummer Night’s Dream-themed birthday party, let us try to maintain a positive attitude.
To start off on an optimistic note, let’s delve into the pair who appear most promising in this competition: the Dowager Duchess of Tintagel, formerly known as Blanche, and her old flame, Reede Robinson. Contrary to what “long-lost” might imply, it wasn’t a case of him getting lost at sea; instead, Blanche opted for the Duke of Tintagel and his noble title decades ago over Reede. He laments the pain she caused him back then, while she admits to breaking her own heart. I’m invested in their storyline on this show, and if they don’t end up together, I might just disappear like a ship lost at sea! As it stands now, their chances of reconciliation seem about 50-50.
Hector’s father, Reede Robinson, has arrived at Tintagel for a grand event: Hector is planning to propose to Lizzy. You might remember that in the previous episode, the Dowager Duchess was facing a significant challenge in achieving her lifelong mission of preserving the Tintagel dynasty. It turns out that Guy was on the estate the night before the wedding, and the duke presses his wife for explanations. In an unexpected turn, Nan reveals she slept with Guy the night before their wedding, but when Theo asks why she didn’t elope with Guy and Jinny instead of marrying him, she claims it was her decision to become a duchess, not because the Dowager Duchess forced her into it. Nan and Blanche work together to keep whispers about Theo’s disappearance quiet while he goes off for some solitude.
At Lizzy’s party, Blanche finds herself right in the midst of a scene when she notices Reede from afar. The children are grooving to the tune “Good Luck, Babe!” Her joy at seeing someone is palpable, almost as if it was taught in schools. There’s a certain charm to their banter that one can’t help but appreciate, and yes, his aged knees add to the appeal. I must admit, I’m quite captivated by it all. They move to the dance floor, and it’s adorable, but unfortunately for Blanche, whatever else she might have anticipated for the night is thrown off balance by the arrival of her son.
Gosh, Theo is in quite a predicament right now! While he was away last week, he made up his mind to part ways with Nan, his wife. He can’t get a divorce, but they can live apart. Blanche, who seems genuinely distressed by her son’s anger and the implications for Nan, agrees that Nan should leave Tintagel, even if they remain legally married. However, there’s a catch – they need an heir first. If the idea of these two individuals, who apparently don’t wish to be intimate with each other, being compelled to do so for the sake of maintaining the patriarchal system makes your blood boil, you’re not alone. It certainly does the same to all parties involved.
In a swift turn of events, Theo rushes to complete the task at hand, but as passionately as he initiates an intimate moment with her and insistently asks for her affirmation, he abruptly withdraws. He is unable to proceed, let alone meet her gaze. Then, he discloses the entire inheritance situation to her, and Nan instantly comprehends two truths: she’s cornered, and this predicament is orchestrated by the Dowager Duchess. In a private exchange with Blanche during the party, she angrily accuses her mother-in-law of devaluing her to merely a carrier for Theo and declares that she will never produce an heir for Tintagel. She has conceded defeat. It’s quite dramatic, and who happens to be a witness to the entire scene? Reede, because as always, he is present! This man!
Before discovering the truth about Blanche and Tintagel, Reede had been criticizing her for abandoning her ideals to fit into the establishment. They both shared a vision of a better world, but when Blanche gained power to effect change, she retreated due to propriety. “Idealistic” is simply another term for being overly optimistic or unrealistic,” she explains to him. However, it is Reede who she leans on emotionally when Blanche realizes that if Nan leaves, all the sacrifices will be in vain. It might be because Reede is by her side that she takes a brave stand: Aware that Theo would disown her for knowing about Guy and still forcing Nan to marry Theo, she decides to reveal the truth to her son. In this way, he’ll understand that none of it was Nan’s fault and perhaps they can reconcile, saving Tintagel in the process. And that’s exactly what she does. “If you are imprisoned,” she tells Theo, “I was the one who built your cage and locked you in.
He expels his mother from Tintagel. Similarly to how his mother anticipated, he views Nan’s actions in a new light and desires another chance at their last discussion. Unfortunately for both Theo and Blanche, who are staking everything on Tintagel’s survival, Nan dislikes being treated as a tool for high society manipulation. Consequently, she ransacks Blanche’s room until she discovers a letter containing Guy and Jinny’s address, at which point she flees the scene.
It’s clear that Blanche will find comfort in her renewed relationship with Reede, but what happens when Theo discovers Nan has left to see Guy? Well, my dear friends, I’m torn – I could either break the news or keep it a secret – here’s the scoop: It appears that Theo might seek solace in the company of Lizzy Elmsworth. While her birthday party serves as an opportunity for Hector to propose (he even invites Lizzy’s mother, a kind gesture despite her being a formidable force when it comes to her daughters), it also fuels growing feelings between Theo and Lizzy. However, things get complicated when Lizzy encounters Theo right after accepting Hector’s proposal, and shortly after Theo has told Nan he can no longer be with her due to their need to procreate. Needless to say, Theo is in a volatile mood. When Lizzy shares her happy news, his response is less than enthusiastic, telling her she’s settling for someone unworthy of her charm and talent. He considers marrying Hector, or anyone “decent enough,” as an “extraordinary waste.” It’s all quite romantic, if it weren’t so complex.
As a passionate film enthusiast, I’m finding myself in quite a whirlwind of emotions as I cross paths with Nan during her dramatic exit. Intrigued, I inquire if this implies she no longer cherishes Theo, to which she confides that it’s always been Guy. Their relationship is over. With this revelation, it appears Lizzy interprets it as a green light to navigate her feelings towards her friend’s husband. And boy, are those feelings intense!
Tracking down Theo, I find him in a more amicable frame of mind about his marriage following his mother’s confession. He admits his behavior was less than stellar. However, Lizzy isn’t seeking an apology; instead, she wishes to express how he left her feeling during that moment – “I found myself quite smitten,” she says.
Unfortunately for Theo, preoccupied with reconciliation efforts towards Nan, he seems oblivious to Lizzy’s words. In the end, the birthday girl finds herself engaged to one man but yearning for another. Shakespeare was right when he penned that love isn’t always a smooth journey, wasn’t he?
As a movie enthusiast, I find myself questioning the plot’s twist: God, Conchita, and Richard seem to have found their perfect harmony. Yet, something ominous lurks around the corner, doesn’t it? This can’t be just a fairy tale, right? Their love is palpable; Conchita manages to win Cora’s trust back, and now they realize that matchmaking isn’t just a whim but a profitable venture. They’ve managed to save Richard’s family from the brink of disaster. It all seems too good to be true!
The Society Pages
In the carriage, there’s a notable expression on Richard’s face as Conchita sharply points out to Cora that their client is not much older than herself. Could it be that Richard is making a strong impact in this series, possibly earning the title of Most Valuable Player (MVP)?
I share your concern about Mabel and Honoria as well. They secretively hold hands during the gathering and seem overjoyed by their good fortune – they apparently have no choice but to spend time together – but Lady Elmsworth notices their closeness and decides to engage Conchita at twice the usual rate to investigate a potential match for her daughter. This turn of events is disheartening in many ways, particularly if Conchita is willing to act against her friend’s best interests.
Jinny is putting in a lot of effort to make this new life she and Guy have been pushed into work smoothly. She asks her friend Paloma for help with dinner, but things don’t go as planned, resulting in what some might call an adorable little food fight. The way things are going for Jinny and Guy right now seems like it could change drastically. At least Paloma will find this entertaining, won’t she?
• Reede and Blanche: “You gave up everything.” “You mean I gave up you.” “Wasn’t that everything?”
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2025-07-02 17:55