M3GAN 2.0 review: Tiresome Terminator knock-off is a big downgrade

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The second version of M3GAN feels like a disappointing blunder; it’s an overstuffed, action-focused sequel that lacks the horror elements and frequently leaves you yearning for superior films. Essentially, Blumhouse could use their own ‘Judgment Day’ to reevaluate.

In simpler terms, famous horror films like “Alien” and its sequel “Aliens,” as well as “The Terminator” and its follow-up “T2,” paved the way for blending genres by transitioning from horror to action. Given this trend, it’s no surprise that the creators of M3GAN, a popular chiller about a lethal doll, aimed to continue this pattern.

One primary concern arises (although there are numerous issues, this one stands out): the initial movie fell short in terms of horror, succumbing to PG-13 syndrome (moderate violence, predictable scares) and being somewhat overconfident. Remarkably, it was still amusing and engaging, but the question remains: how much potential is left for a more feminine version of Chucky?

If M3GAN 2.0 is indeed the solution, it’s a sequel that may not offer much freshness. While it has some potential, it seems rather repetitive and difficult to endorse for any viewer segment. It’s challenging to envision anyone avoiding a sense of letdown.

What is M3GAN 2.0 about? 

Following an AI robot named AMELIA, portrayed by actress Ivanna Sakhno in the role of Ahsoka, acting independently and eradicating potential threats, the U.S. authorities suspect Gemma, played by Allison Williams, could be involved.

Instead of… she has transformed into. Following the incident where M3GAN attempted to harm her, she’s shifted from an innovator to a supervisor, championing AI reform and urging for stricter control and balance in technology. In a surprising moment, she poses a question that resonates with many: “Would you give your child cocaine? Why would you give them a smartphone?” This query manages to elicit an unusual chuckle.

Surprisingly, M3GAN 2.0 stands out as a film that’s hard to tear your eyes away from on dual screens; it’s ideal for passive watching until you find yourself fully engaged and prepared to face its challenges.

Unluckily for me, I’ve found myself on Amelia’s radar, and with Cady’s suggestion, I decide to seek aid from an unanticipated companion: M3GAN.

M3GAN 2.0 is bonkers but boring 

As a devoted admirer, I’ve got to hand it to M3GAN 2.0, it’s got some wildly entertaining elements! For instance, Jemaine Clement masterfully portrays Alton Appleton, a character that’s a self-important mix of Professor X and Justin Hammer, straight out of a Garth Marenghi universe. Not to mention the intriguing MacGuffin known as ‘Project Black Box’, a dance sequence at an AI convention, and even a musical number that echoes N-Trance’s ‘Set You Free’. Simply put, it’s a rollercoaster ride of entertainment!

Regrettably, it seems to fight an uphill battle against the dominant apathy of the movie as a whole; in fact, it might be accused of exerting excessive effort.

Gerard Johnstone, serving as both director and scriptwriter, undeniably admires Terminator 2 and Upgrade. The narrative bears a striking resemblance to the former, often regarded as one of the greatest action films ever made, and it draws heavily from a significant plot point in the latter, along with incorporating one of Leigh Whannell and Stefan Duscio’s distinctive camera moves during an action sequence.

In essence, it seems reasonable that his work originates from respect, yet Johnstone falls short compared to his predecessors in terms of skill and influence. However, there’s a valid point of criticism: if we were to program an AI with all his influences and ask it to produce something, the result would likely resemble what he creates.

In simpler terms, when the film isn’t stretching out unnecessarily during its lengthy duration (it genuinely doesn’t need to be two hours), it offers funny instances such as M3GAN finding the robot dance “bordering on inappropriate.

To put it simply, it’s largely irritating, much like M3GAN’s phrase “Hold onto your valuables”. Additionally, it seems to be subtly promoting AI, which is a bit excessive, and there are an overabundance of references to Steven Seagal. So, take that as you will.

One star is innocent in M3GAN 2.0

In Ahsoka, Sakhno excelled despite having limited material to work with. She stood out as the most powerful performer among her peers, both menacing and imposing even when not engaged in violence. Should there be no further developments (though I hope for more), she certainly makes a compelling choice for a role within the John Wick series.

Most other actors in this production are merely average, their performances quickly forgotten after the movie ends. At times, Williams’ performance is dismal, marking a significant drop for an otherwise capable actress who appears uninterested or on the verge of laughter throughout the film. This lackluster portrayal fails to breathe life into a dull script or hold the movie together.

1. Toby Oliver, who has previously worked on films like Get Out and Barb and Star Go to the Vista Del Mar, skillfully captures the visuals. It’s distinct from other movies with a muddy feel due to its vibrant color palette and lighting. However, the score by Chris Bacon is subtly woven in that it might not be noticeable at all.

2. Toby Oliver, best known for his work on Get Out and Barb and Star Go to the Vista Del Mar, does a great job with the cinematography. It’s different from other movies as it boasts bright colors and lighting. The music score by Chris Bacon is so subtle that you might not even realize it’s there.

3. Toby Oliver, who has worked on films such as Get Out and Barb and Star Go to the Vista Del Mar, does an excellent job with the camera work. It stands out from other movies due to its lively colors and lighting. The background music (composed by Chris Bacon) is so soft that it might go unnoticed.

4. Toby Oliver, whose previous works include Get Out and Barb and Star Go to the Vista Del Mar, delivers an impressive visual performance. It’s unique compared to other movies because of its vivid lighting and colors. The score by Chris Bacon is so delicate that it might be hard to discern its presence.

5. Toby Oliver, who has worked on films such as Get Out and Barb and Star Go to the Vista Del Mar, captures stunning visuals. It’s different from other movies because of its bright colors and lighting. The score by Chris Bacon is so soft that it might not even catch your attention.

In contrast to Malignant, penned by Akela Cooper, which was so exaggeratedly ridiculous that you both laughed at and along with it, the M3GAN sequel is not self-important enough to make you believe any part of it holds significance or gravitas.

M3GAN 2.0 score: 2/5

Contrary to what you’d expect, M3GAN 2.0 appears to be a step back; it’s a silly, over-the-top, and unoriginal follow-up that’s likely to be dismissed and soon forgotten.

It seems that a new spinoff titled SOULM8TE will debut next year. One can only hope it’ll turn out well, but there’s also a chance it might be better off never seeing the light of day, to avoid joining the ranks of other poorly received franchise extensions.

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2025-06-25 19:19