18 Must-Watch Series This Emmys Season Including 'The Last of Us' and 'Forever'

This year, it’s no secret that “The White Lotus,” “The Pitt,” “Severance,” and “The Studio” are strong contenders for the Emmy Awards. However, there are other deserving shows that might not get as much attention – such as the assassin spy series on Peacock, “The Day of the Jackal,” or Bridget Everett’s emotional drama “Somebody Somewhere.” This time around, EbMaster’s television critics, Alison Herman and Aramide Tinubu, have put together a list of series they believe deserve recognition from the Television Academy. They’ve included both well-known shows like “Presumed Innocent” and “Andor,” as well as some underappreciated gems.

Adolescence

Written by Jack Thorne and Stephen Graham, the Netflix limited series offers a chilling exploration of murder, destructive masculinity, and its impact on youth. The story revolves around 13-year-old Jamie (Owen Cooper), who is abruptly awakened in the dead of night and taken into custody for allegedly killing his female classmate. Director Philip Barantini employs his distinctive single-shot technique throughout all four episodes, enabling viewers to witness Jamie’s arrest, the mounting evidence against him, and observe how this event ripples through his peers, friends, family, and even his assigned therapist (Erin Doherty). Deeply thought-provoking and superbly crafted, this series delves into the insidious ways that the manosphere has seeped into young people’s lives via social media. — Aramide Tinubu

Andor

In a departure from being just a prequel to “Rogue One” or even the most impressive “Star Wars” TV series since “The Mandalorian,” Tony Gilroy’s two-season Disney+ drama, titled “Andor,” offers a profound exploration of themes like fascism and rebellion. It draws from real-world events and moves away from the supernatural elements typical of its franchise, presenting instead a compelling ensemble drama. Although the character played by Diego Luna is the show’s namesake, “Andor” delves into the lives of ordinary individuals who contribute to maintaining an empire and ultimately challenging it. Characters like spymaster Luthen Rael (Stellan Skarsgård) and Imperial inspector Dedra Meero (Denise Gough) demonstrate that tales of conflict and resistance don’t require lightsabers or the Force to leave a lasting impact. – Alison Herman

A Thousand Blows

In a fresh drama series for Hulu, “Peaky Blinders” creator Steven Knight delves into the gritty streets of London’s East End during the 1800s. The narrative revolves around Hezekiah Moscow (Malachi Kirby) and Alec Munroe (Francis Lovehall), who seek new opportunities in the U.K., only to find themselves ensnared between the menacing gangster, Sugar Goodson (Stephen Graham), and Mary Carr (Erin Doherty), a leader of a band of female criminals known as the Forty Elephants. Knight explores themes of sexism, racism, loyalty, and vengeance in this underworld seldom explored, focusing on a group of outsiders who are determined to claim more than society is prepared to give them. – A.T.

The Day of the Jackal

Based on creator Ronan Bennett, Peacock’s “The Day of the Jackal” offers a thrilling portrayal of a tense cat-and-mouse chase between an expertly disguised assassin and the MI6 agent set on thwarting him. In the role of Jackal is Eddie Redmayne, a shadowy figure known for his deadly prowess who finds himself under scrutiny after a mission goes awry. Pursued by arms specialist Bianca Pullman (Lashana Lynch), he employs every trick in the book to avoid capture, yet this evasive action leads him to commit potentially fatal errors. This gripping drama unfolds as a labyrinth of espionage and a tale of two relentless individuals embarking on a perilous journey neither may live to tell about. – A.T.

Dying for Sex

A comedy series about terminal cancer might seem unlikely, yet few shows this year have provoked as much laughter as “Dying for Sex,” created by Elizabeth Meriwether and Kim Rosenstock, based on the popular podcast-turned-memoir. The series, led by Michelle Williams’ stunning portrayal of Molly, a woman whose diagnosis triggers a sexual exploration, delves into the redeeming power of kink while subtly poking fun at other aspects. Despite Molly’s adventurous erotic encounters involving urine fetishes and cock cages, and the intriguing chemistry between Williams and Rob Delaney as her hunky neighbor, the heart of the show lies in the enduring relationship between Molly and her friend Nicki (Jenny Slate). Despite Molly’s demise, her bond with Nicki remains everlasting.”

– A.H.

Everybody’s Live With John Mulaney

As a die-hard cinema enthusiast, I’m absolutely captivated by the revival of the comedian’s talk show last year. What started as a limited run has been extended into a more lasting, yet no less whimsical, exploration in live comedy – a daring endeavor I’ve eagerly embraced. The initial launch wasn’t as smooth sailing as “Everybody’s in L.A.”, with call-in segments that can sometimes be awkward and unpredictable. But that’s the charm of a show that dares to experiment fearlessly, free from the constraints of guest promotional cycles.

Mulaney invites whoever he pleases onto his couch, ranging from legendary musicians like Joan Baez to experts in fields as diverse as HR. His writers are given the freedom to chase their passions, no matter how obscure. Unconventional episodes like a Christmas special in April or a documentary about sidekick Richard Kind’s failed Charli XCX joke are par for the course here. Mulaney’s stand-up is all about precision and control; it’s exhilarating to witness him let go and immerse himself in this zany anarchy. — A.H.

Forever

Remarkably captivating, Mara Brock Akil’s “Forever” television series mirrors the impactful narrative of Judy Blume’s acclaimed novel. This series, set in 2018’s Los Angeles, chronicles the lives of track star Keisha Clark (Lovie Simone) and basketball player Justin Edwards (Michael Cooper Jr.). As they navigate their final high school years and a blossoming romance, their story unfolds. The show offers a unique and compelling portrayal of first loves that is so seldom depicted on television, making it feel almost like magic. Delicate and visually stunning, with exceptional cinematography and an apt soundtrack, this series guides viewers through a rollercoaster ride of emotions, filled with love, heartache, and numerous first experiences. — A.T.

Industry

Despite traditionally being slow to acknowledge series that don’t gain immediate traction, the Academy might find it hard to ignore HBO’s financial drama any longer, as it has mirrored its characters’ growth throughout their climb in London’s ruthless banking world. Co-stars Myha’la and Marisa Abela, who portray amoral American Harper Stern and publishing heiress Yasmin Kara-Hanani respectively, have now taken center stage. Yasmin, initially choosing the protective veil of wealth over addressing her inherited emotional wounds, has become a key character. The show’s creators, Mickey Down and Konrad Kay, ended Season 3 by eliminating the bank that once dominated the storyline, offering “Industry” an exciting clean slate for Season 4. If this development doesn’t warrant some recognition, I’m not sure what would. — A.H

Joan

According to Joan Hannington’s memoir titled “I Am What I Am: The True Story of Britain’s Most Notorious Jewel Thief,” the TV series “Joan” on CW centers around Sophie Turner’s character. This series, created by Anna Symon, is set in 1980s London and follows Joan’s story as she exploits her fascination with wealth and jewels to carry out various cons, aiming to regain custody of her daughter. Alongside Frank Dillane’s character Boisie, a shady antiques dealer, they embark on a path of risky decisions driven by a fixation on power, deception, and riches. The series stands out due to its exploration of Joan’s complex emotional depth. — A.T.

The Last of Us

Devotees of the initial game anticipated the harsh turn in HBO’s adaptation of the marquee video game, but it still didn’t make watching Pedro Pascal’s gruff and protective Joel character succumb to the long-term effects of his choices any easier. Despite the presence of infected mushroom zombies in America, “The Last of Us” remains a tale that centers around people and the psychological impact survival has on their souls. As Ellie (Bella Ramsey) matures into a vengeful and violent adult, she struggles to recognize her shared traits with her new adversary Abby (Kaitlyn Dever). With additional episodes to tell its story, granted by a renewal for Season 3, “The Last of Us” can explore both the tender emotions and grand spectacle that characterize the series. Newcomers Isabela Merced and Young Mazino help fill the void left by Pascal, although his absence will continue to be felt. – A.H

Long Bright River

Long Bright River,” a Peacock series penned by Liz Moore and Nikki Toscano, is more than just a murder mystery. It delves into themes of sisterhood, relationships, and the secrets people try to conceal. The narrative centers around Philadelphia patrol officer Mickey Fitzpatrick, portrayed by Amanda Seyfried, who has witnessed her community and younger sister Kacey (Ashleigh Cummings) fall prey to poverty, addiction, and neglect. As homeless sex workers mysteriously die, Mickey and her former partner Truman Dawes (Nicholas Pinnock) venture into a path that others in their force choose to avoid. Their investigation exposes a chilling maze of powerlessness and despair woven by destructive cycles.”

– A.T.

The Penguin

One week following the events in Matt Reeves’ 2022 movie “The Batman,” Lauren LeFranc’s series “The Penguin” focuses on the ascension of Oz “the Penguin” Cobb (Colin Farrell), who leverages his boss’s death to gain control over Gotham. However, the arrival of Carmine Falcone’s previously institutionalized daughter, Sofia (played by Cristin Milioti), complicates matters for him. Although “The Penguin” is primarily about Oz, it equally delves into Sofia’s story. Both characters, shaped by distinct traumas, make for formidable foes. Dark and unsettling, the show provides a captivating exploration of criminal behavior. — A.T.

Presumed Innocent

David E. Kelley’s 2022 miniseries “The Good Lieutenant,” based on Scott Turow’s 1987 novel of the same name, presents a fresh take, distinct from the 1990 film adaptation. This modern version focuses on Jake Gyllenhaal as Rusty Sabich, Chicago’s deputy prosecutor, who stands accused of the brutal murder of his colleague and lover, Carolyn Polhemus (Renate Reinsve). The Apple TV+ series portrays a character whose self-image clashes with his actions, making him both intriguing and confusing. Rusty, who vacillates between narcissism and charisma, is a complex figure, much like the crime he’s suspected of committing – its truth remains elusive. — A.T.

The Rehearsal

Three years after I catapulted my mind-bending performance art to unprecedented heights with the debut season, Nathan Fielder has taken flight yet again, this time in Season 2 of his HBO series. And where might one find him soaring? Why, the skies! There, he’s determined to apply his unique methodology to address what he believes is the root cause of most plane crashes – pilot-to-pilot communication issues. The recent focus on aviation safety in the news just happens to be one of many intriguing illusions that Fielder effortlessly conjures up as his fictional character delves deeper into the rabbit hole. At first glance, it may seem inconceivable how a colossal cradle, a mock Nazi hideout, or a phony singing competition could possibly be related to plane crashes. But given enough time immersed in Fielder’s peculiar mind, it gradually becomes clear – in the strangest, most uproariously funny way possible. — Yours, a fellow cinephile.

The Righteous Gemstones

Danny McBride’s masterpiece, “The Righteous Gemstones,” which revolves around a troubled Southern family of televangelists, reached its peak in the final season, wrapping up the HBO comedy on an uplifting note. Characters Jesse (McBride), Judy (Edi Patterson) and Kelvin (Adam Devine) have encountered numerous obstacles: losing their mother Aimee Leigh (Jennifer Nettles), Judy’s husband BJ (Tim Baltz) being left paralyzed in a freak pole dancing accident, investing vast amounts into an extravagant project for Uncle Baby Billy (Walton Goggins) to act in “Teenjus,” and dealing with these issues certainly took its toll. However, the real test came when their father Eli (John Goodman) began a relationship with family friend Lori (Megan Mullally), and not just because they caught them in an intimate moment. As the Gemstones journeyed towards their contented ending, they had to learn to accept their dad’s new romance, as well as his and their own personal growth, even while the series looked back with a powerful premiere featuring Bradley Cooper in a Civil War-era flashback. Finding closure can be difficult, but “The Righteous Gemstones” managed to pull it off effectively. — A.H.

Say Nothing

Patrick Radden Keefe’s fact-based book about the conflicts in Northern Ireland is already a must-read. The FX miniseries, titled “Say Nothing,” amplifies this by portraying the real-life tales of IRA members Brendan Hughes (Anthony Boyle) and Dolours Price (Lola Petticrew). By delving deeper into Keefe’s reporting, it reveals the personal sacrifices involved in fighting for a just cause. “Say Nothing” poses thought-provoking questions about the connection between violent rebellion and legitimate governance, yet anchors this exploration in the lived experiences of real individuals – complex characters like Brendan and Dolours, as well as ordinary people such as Jean McConville (Judith Roddy), a single mother whose disappearance casts a long shadow over her community. The character of Gerry Adams (Josh Finan) adds an extra layer of ambiguity, representing the moral dilemmas inherent in conflict resolution. Ultimately, “Say Nothing” conveys the cost of peace and suggests that it remains a price worth paying. — A.H.

Somebody Somewhere

Across its three-season span, HBO’s Peabody Award-winning dramedy “Somebody Somewhere” consistently delivered top-tier television. The story revolves around Sam Miller (Bridget Everett), who goes back to her hometown of Manhattan, Kansas following her sister’s illness and passing away. The show primarily focuses on Sam’s journey through grief and anger, her relationship with her best friend Joel (Jeff Hiller), and her struggle to break free from her patterns of solitude and self-deprecation. In the final season, Sam builds a relationship with her other sister, Tricia (Mary Catherine Garrison), and forms a bond with a new character, Iceland (Darri Ólafsson), as she continues to confront the various challenges that life presents. — A.T.

Your Friends & Neighbors

Stories revolving around the fear of middle-aged men often lack appeal. Yet, “Your Friends & Neighbors” on Apple TV+, created by Jonathan Tropper, presents a multilayered tale about Andrew “Coop” Cooper (played by Jon Hamm), a high-profile hedge fund manager who’s just been fired and grapples with his life crumbling. His former perfection is unraveling bit by bit, and in an attempt to preserve his lavish lifestyle, he resorts to stealing from his neighbors in the upscale Westmont Village community. This act of deception sets him on a dangerous path that may prove irreversible. Beyond critiquing the illusion of the American dream, the series delves into what can be hidden behind wealth and power. – A.T.

2025-05-19 23:19

18 Must-Watch Series This Emmys Season Including ‘The Last of Us’ and ‘Forever’