The highly anticipated television series adaptation by horror master Mike Flanagan of a Stephen King classic is picking up speed. Following the casting of Summer H. Howell as the main character, it has been announced that actor Matthew Lillard, famously known for his role in Scream, may be joining the Carrie production too. Alongside Howell and Siena Agudong from Netflix’s Resident Evil, Lillard is being considered for the crucial role of Sue Snell. This addition further strengthens the belief in the upcoming television series based on King’s debut novel-turned-film, which will air on Amazon Prime Video.
In the latest report from Deadline, Lillard’s specific part isn’t disclosed yet, but his career momentum remains strong due to recent roles in Five Nights at Freddy’s, Scream 7, and the upcoming second season of Daredevil: Born Again. The actor who played Scooby-Doo has been remarkably steady for the past two decades, thanks to recurring roles in numerous TV shows and video games.
Should his role be confirmed, his persistence in the FlanaganVerse (having previously appeared in the creator’s film “The Life of Chuck” in 2024) will undoubtedly widen Lillard’s potential opportunities in the future. This is because, as we millennials have a penchant for, we enjoy witnessing our early-2000s movie mainstays experiencing career comebacks now that many of us are nearing middle age.
As a film enthusiast, I can’t wait to share more about the fresh take on Carrie White’s tale! You might be wondering, who’ll bring our beloved characters, Steven King and Brian DePalma’s creations, to life in this new series? Well, keep scrolling for the answers below!
‘Carrie’ The TV Show Will Expand The Horrific Story Of Carrie White
As a devoted movie enthusiast, I must admit that numerous adaptations of Carrie, Stephen King’s renowned novel, have graced our screens over the years, making a total of four films to date. However, what sets Flanagan’s upcoming series apart is its debut on television. This unique platform offers an exceptional opportunity to delve deeper into Carrie’s universe and unravel the intricacies that shaped her extraordinary powers. Flanagan will not only pen the script but also assume executive producer and showrunner roles, ensuring a cohesive and captivating narrative. Furthermore, he will direct several episodes of the tale revolving around the tormented yet powerful teenage protagonist, Carrie, who lives under the watchful eye (and sometimes overbearing influence) of her deeply religious mother.
It’s no wonder that Flanagan decided to take on the story of Carrie White, as his previous three films were all successful adaptations of King’s works: Gerald’s Game, Doctor Sleep, and The Life of Chuck. However, one may ask why Carrie and at this particular time? In a 2024 interview with MovieWeb, Flanagan provided an explanation for this decision.
The idea originated from an Amazon-led discussion where they proposed, “What if we revisit Carrie?” My initial reaction was hesitation, given that the story has already been effectively told by De Palma, followed by three more adaptations. However, considering the ongoing issues of high school violence and bullying, which unfortunately remain alarmingly relevant today, I saw a potential opportunity to breathe new life into this classic tale. This modernization wouldn’t just involve a time shift; it would also serve as a platform to address contemporary concerns affecting American high school students.
As a movie enthusiast, I found myself captivated by Stephen King’s Carrie, pondering a modern twist on an old classic. The concept of Carrie White navigating the digital age intrigued me immensely. The iconic locker room scene takes on a new life when phones are involved, revealing unexpected layers of relevance in today’s society. This sparked the initial idea for a fresh reimagining that could resonate deeply with audiences today.
Of course, I can’t reveal all the exciting changes we made to bring this story to life, but let me tell you, they were quite substantial!
Deadline
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2025-05-01 23:03