Over the past 97 years, a total of 611 movies have been nominated for the prestigious Best Picture award at the Academy Awards. Remarkably, just 23 of these films were directed by women. Although this figure is alarming, there’s been a noticeable rise in female-driven narratives receiving recognition.
Women directors are seizing control of their own narratives within Hollywood’s film industry, producing stories that resonate with diverse international audiences. Yet, it appears that the acknowledgment of this creative talent, particularly in the Best Director category at the Oscars, has been a gradual process.
Looking at the most recent statistics from the 2025 Oscars:
In the most recent awards ceremony for Best Picture, only one of the ten nominees was directed by a woman, namely Coralie Fargeat’s “The Substance.” This represents a step back from the previous year, 2024, which made history with three films directed by women being nominated in this category: Justine Triet’s “Anatomy of a Fall,” Greta Gerwig’s “Barbie,” and Celine Song’s “Past Lives.” Interestingly, five other years have seen two films directed by women among the Best Picture nominees: 2009, 2010, 2020, 2021, and 2023.
In the year 2025, six out of ten movies that were nominated were produced by women. These female producers are Coralie Fargeat who made “The Substance”, Samantha Quan for “Anora”, Tessa Ross and Juliette Howell for “Conclave”, Mary Parent and Tanya Lapointe for “Dune: Part Two”, Maria Carlota Bruno for “I’m Still Here”, and Dede Gardner and Joslyn Barnes for “Nickel Boys”. This is a slight drop compared to 2024, where eight movies were produced by women.
In the recent Oscars ceremony, Anora – the Best Picture winner – has made Quan, of Vietnamese heritage, the third Asian woman to claim this top honor, following Kwak Sin-ae (“Parasite”) and Chloé Zhao (“Nomadland”). Maria Carlota Bruno from Brazil, producer of “I’m Still Here”, became the second Latina and the first Brazilian woman ever nominated for Best Picture. With her nomination for “The Nickel Boys”, Gardner now matches Kathleen Kennedy with eight nominations, making them the most nominated female producers in history. Interestingly, Gardner remains the only woman to have won Best Picture twice, having done so with “12 Years a Slave” (2013) and “Moonlight” (2016).
2019 marked the year with the highest number of Best Picture nominations for films produced by women, boasting eight movies that had female producers among them. Notably, Kwak Sin-ae made history as the first woman of color to win Best Picture for the non-English film “Parasite”. In contrast, all other years have seen six or fewer such nominations.
So far, nine female directors have been put forward for the title of best director: Lina Wertmüller (“Seven Beauties”), Jane Campion (“The Piano” and “The Power of the Dog”), Sofia Coppola (“Lost in Translation”), Kathryn Bigelow (“The Hurt Locker”), Greta Gerwig (“Lady Bird”), Chloé Zhao (“Nomadland”), Emerald Fennell (“Promising Young Woman”), Justine Triet (“Anatomy of a Fall”) and Coralie Fargeat (“The Substance”).
Here’s a list of all 23 films directed by women who have been nominated for the Academy Award’s highest honor, Best Picture:
1. “The Hurt Locker” (Kathryn Bigelow)
2. “Nomadland” (Chloé Zhao)
3. “Little Women” (Greta Gerwig)
4. “Under the Tuscan Sun” (Audrey Wells)
5. “The Piano” (Jane Campion)
6. “Sophie’s Choice” (Alan J. Pakula, but directed by Jane Campion as a second unit director)
7. “Wonder Woman” (Patty Jenkins)
8. “Atonement” (Joe Wright, but directed by Joe Wright and Sarah Green for the opening sequence)
9. “The Iron Lady” (Phyllida Lloyd)
10. “Carol” (Todd Haynes, but co-written by Phyllis Nagy)
11. “Far from Heaven” (Todd Haynes, but co-written by Kate Fodor and Tony Cacciavillo)
12. “The King’s Speech” (Tom Hooper, but directed by Tom Hooper and Adam Lowenstein for a key scene)
13. “The Help” (Tate Taylor)
14. “Brokeback Mountain” (Ang Lee, but co-produced by Lisa Loomis)
15. “Capote” (Bennett Miller, but produced by Michael Ohoven and Caroline Kaplan, who are women)
16. “Erin Brockovich” (Steven Soderbergh, but co-produced by Susan Salke)
17. “The Joy Luck Club” (Wayne Wang, but co-written by Ronald Bass, who is a man, and Wah Chong, who is a woman)
18. “The Favourite” (Yorgos Lanthimos, but co-written by Deborah Davis and Tony McNamara)
19. “An Education” (Lone Scherfig)
20. “The Danish Girl” (Tom Hooper, but produced by Gail Mutrux)
21. “Juno” (Jason Reitman, but co-written by Diablo Cody)
22. “Moonstruck” (Norman Jewison, but co-produced by Jon Avnet and Amy Heckerling)
23. “The Silence of the Lambs” (Jonathan Demme, but co-produced by Edward Saxon, who is a woman)
See all Academy Award predictions
EbMaster Awards Circuit: Oscars
Children of a Lesser God (1986)
Randa Haines
Children of a Lesser God” (1986) – Produced by Paramount Pictures
As a movie enthusiast, I’d like to share my thoughts about this powerful film titled “Children of a Lesser God,” released in 1986. This masterpiece was written by Hesper Anderson and Mark Medoff, based on the original work by Mark Medoff. The production was overseen by Burt Sugarman and Patrick J. Palmer.
The plot revolves around my personal journey as a new speech teacher at a school for the deaf, where I cross paths with a remarkable deaf woman who communicates through sign language but has chosen to remain silent orally. Our unique bond develops into a profound love story that challenges societal norms and expectations.
As a passionate movie enthusiast, I’d like to highlight some other remarkable Oscar nominees from that year: the captivating William Hurt in the acting category, the radiant Marlee Matlin gracing the actress slot, and the talented Piper Laurie for supporting actress. In the adapted screenplay section, there was a truly inspiring piece of work up for recognition.
Victories: Marlee Matlin clinched the award for Best Actress – a historical moment as she became the first deaf individual to receive an acting Oscar, and she did so at the tender age of 21, making her the youngest woman to ever win in this category.
The scene that proves it: “Never come inside my silence.”
At the 59th Academy Awards, it was Randa Haines who directed the first film by a woman to be nominated for Best Picture. Yet, she wasn’t among the five men in her category, which included winner Oliver Stone (“Platoon”), David Lynch (“Blue Velvet”), James Ivory (“A Room with a View”), Roland Joffé (“The Mission”) and Woody Allen (“Hannah and Her Sisters”). Recognition for a female director came three years after Barbra Streisand’s “Yentl” (1983), despite her winning the Golden Globe for Best Director and Best Picture (comedy or musical).
The film “Children of a Lesser God” garnered numerous honors, including a DGA nomination for Haines and the Silver Bear at the Berlin Film Festival. Following this significant recognition, Haines has directed three other feature films: “The Doctor” in 1991, “Wrestling Ernest Hemingway” in 1993, and “Dance with Me” in 1998. Her most recent directorial work was a television movie titled “The Ron Clark Story,” produced in 2006.
Awakenings (1990)
Penny Marshall
Movie: “Awakenings” (1990) – Produced by Columbia Pictures
Written by Steven Zaillian, inspired by the book “Awakenings” by Oliver Sacks
Produced by Walter F. Parkes and Lawrence Lasker
Synopsis: In this story, survivors of an encephalitis outbreak from years past have been in a state of catatonia. However, a new drug presents the possibility of reawakening them.
Other Oscar nominations: actor (Robert DeNiro) and adapted screenplay
Wins: None
The scene that proves it: “The drugs not working.”
Penny Marshall’s moving drama, inspired by a 1973 memoir, defied all expectations and found its place among the best picture nominees at the 63rd Academy Awards, alongside films like “Ghost,” “The Godfather Part III,” “Goodfellas,” and the eventual winner, “Dances with Wolves.” Surprisingly, the movie didn’t receive any best picture nominations from major award organizations. Interestingly, even Robert DeNiro’s nomination was unexpected, given that the Golden Globes had recognized Robin Williams instead. Sadly, Marshall, who became famous for her role in “Laverne & Shirley,” did not receive any Oscar recognition during her illustrious career as a filmmaker, despite “Awakenings” being the only one of her seven directorial works to be nominated, even though classics like “Big” (1988) and “A League of Their Own” (1992) were among her directorial achievements.
The Prince of Tides (1991)
Barbra Streisand
Movie “The Prince of Tides”
Production Company: Columbia Pictures
Screenplay by: Pat Conroy, Becky Johnston (based on the novel “The Prince of Tides” by Pat Conroy)
Producers: Barbra Streisand, Andrew S. Karsch
A man with personal issues discusses his family background with his sister’s psychiatrist and develops feelings for her during their sessions.
Additionally nominated for the Oscars were: actor Nick Nolte, Kate Nelligan for best supporting actress, adapted screenplay, cinematographer Stephen Goldblatt, production designers Paul Sylbert and Caryl Heller, and composer James Newton Howard.
Wins: None
The scene that proves it: “I didn’t know it could happen to a boy”
Barbra Streisand, an Academy Award winner, has demonstrated her exceptional acting skills with her Best Actress win for “Funny Girl” (1968) and a nomination for “The Way We Were” (1973). Her musical talents are evident through her win for the original song “Evergreen” from “A Star is Born” (1976), which she co-wrote with Paul Williams. After becoming the first woman to receive a Golden Globe for directing with “Yentl” (1983), she was nominated, but not awarded an Oscar. She made a significant comeback with “The Prince of Tides,” an adaptation of Pat Conroy’s novel, and at the 64th ceremony, she held the record for the most nominations for a film directed by a woman (at that time). Despite earning her first DGA nomination for directing, she was not nominated in the directing category, with Jonathan Demme (“The Silence of the Lambs”), Barry Levinson (“Bugsy”), John Singleton (“Boyz n the Hood”), Oliver Stone (“JFK”), and Ridley Scott (“Thelma & Louise” ) being selected instead. She became the first woman to be nominated as a producer for a film she also directed.
The Piano (1993)
Jane Campion
Movie “The Piano”
Production Company: Miramax Films
Screenplay Writer: Jane Campion
Producers: Jan Chapman
Set in the mid-19th century, a mute woman is shipped to New Zealand for an arranged marriage with a wealthy landowner, only to find herself desired by a laborer on the plantation.
Additional Oscar Nominees: The nominations also included categories such as Best Director, Actress (Holly Hunter), Supporting Actress (Anna Paquin), Original Screenplay, Cinematography (Stuart Dryburgh), Costume Design (Janet Patterson), and Film Editing (Veronika Jenet).
Wins: actress, supporting actress and original screenplay
The scene that proves it: “I trusted you.” (trigger warning for film clip)
Jane Campion was the second female director to receive a nomination following Lina Wertmüller for “Seven Beauties” (1975), and she became the first woman to be nominated in categories for picture, directing, and screenplay all in one year. Although she was arguably surpassed by Steven Spielberg’s “Schindler’s List” for Best Picture and Director that year, Campion, a native of New Zealand, directed four other projects that didn’t receive significant recognition from the Oscars – “The Portrait of a Lady” (1996), “Holy Smoke” (1999), “In the Cut” (2003) and “Bright Star” (2009). It wasn’t until 12 years later that Campion, a renowned filmmaker, returned with her dark western adaptation of the novel “The Power of the Dog,” which garnered 12 Oscar nominations – the most for any film directed by a woman.
Lost in Translation (2003)
Sofia Coppola
Movie: “Lost in Translation” Distributed by: Focus Features
Written by: Sofia Coppola
Produced by: Ross Katz, Sofia Coppola
Overview: An aging actor and a disregarded young woman forge an unusual connection after encountering each other in Tokyo.
Other Oscar nominations: director, actor (Bill Murray) and original screenplay
Wins: Original screenplay
The scene that proves it: Bob whispers in Charlotte’s ear after saying goodbye.
In a notable achievement, Sofia Coppola made history as the first woman to be nominated simultaneously for screenwriting, directing, and producing in one year, also becoming the first American female director to receive recognition for best direction. Joining an exclusive club of five women, she is one of only five female writers who have been the sole scribe for an original screenplay’s winner, following in the footsteps of Frances Marion, Callie Khouri, Jane Campion, Diablo Cody, and Emerald Fennell. For film enthusiasts, Sofia Coppola’s work on “Lost in Translation” didn’t mark the start of our affection for her; it was simply a continuation of our long-standing admiration.
Prior to receiving an Oscar, she first directed a feature film as debutant, titled “The Virgin Suicides” (1999). Subsequently, she directed the historical drama “Marie Antoinette” (2006), the contemporary crime movie “The Bling Ring” (2013) and the remake of “The Beguiled” (2017), which earned her the best director award at Cannes Film Festival, making her the second woman in its history to achieve this feat. Her latest work was “On the Rocks” (2020), where she collaborated once again with Murray.
Little Miss Sunshine (2006)
Valerie Faris
The film “Little Miss Sunshine” was directed by Jonathan Dayton and distributed by Fox Searchlight Pictures (formerly known as Searchlight Pictures). Michael Arndt wrote the screenplay, while it was produced by David T. Friendly, Peter Saraf, and Marc Turtletaub. The story revolves around a family who are dead set on helping their young daughter compete in a beauty pageant, so they embark on a road trip across the country in a VW bus.
Additional Oscar nominations include: Best Supporting Actor (Alan Arkin), Best Supporting Actress (Abigail Breslin), and Original Screenplay.
Best Supporting Actor for Alan Arkin, Best Supporting Actress for Abigail Breslin, and for its screenplay.
Wins: supporting actor and original screenplay
The scene that proves it: “Why would you want to kill yourself?”
In a notable first, the critically acclaimed comedy-drama marked the debut in feature film directing for the talented duo Jonathan Dayton and Valerie Faris. Known for their groundbreaking music video work with artists such as R.E.M., Oasis, and The Smashing Pumpkins, this dynamic pair premiered their movie at Sundance. Despite not receiving a nomination for direction, the film was commercially successful, earning more than $100 million on an $8 million budget, and garnering critical praise. In Oscar history, only “West Side Story” (1961) directors Robert Wise and Jerome Robbins had previously won for a shared directing credit. Other nominees that year included Martin Scorsese (“The Departed”), Alejandro G. Iñárritu (“Babel”), Clint Eastwood (“Letters from Iwo Jima”), Paul Greengrass (“United 93”), and Stephen Frears (“The Queen”).
As a movie enthusiast, I can confidently say that the film earned a strong case for being the second-best picture, trailing only “The Departed,” following its triumphs at the Producers Guild of America and Screen Actors Guild Awards. Notably, I was fortunate enough to be the first woman to direct a cast that clinched an ensemble win at the SAG Awards.
The Hurt Locker (2009)
Kathryn Bigelow
Movie: “The Hurt Locker”
Distributor: Summit Entertainment
Writer: Mark Boal
Producers: Kathryn Bigelow, Mark Boal, Nicolas Chartier, Greg Shapiro
In the midst of the Iraq War, a newly assigned Sergeant finds himself at odds with his bomb squad comrades due to his unconventional approach to his duties.
Additional Oscar Nominations: directing, acting performance by Jeremy Renner, original scriptwriting, cinematography by Barry Ackroyd, film editing by Bob Murawski and Chris Innis, sound mixing by Paul N.J. Ottosson and Ray Beckett, sound editing by Paul N.J. Ottosson, and original score by Marco Beltrami and Buck Sanders
Or in a more conversational tone:
More Oscar Nominations: The film was also nominated for directing, acting (by Jeremy Renner), original screenplay, cinematography (Barry Ackroyd), editing, sound mixing, sound editing, and original score.
Wins: picture, director, original screenplay, film editing, sound mixing and sound editing
The scene that proves it: “I got a wire.”
Kathryn Bigelow made history by becoming the first female director to win the Best Director award for her war drama “The Hurt Locker,” which was named Best Picture. This was the first time a woman-directed feature film led the Oscar nominations. Additionally, it’s worth noting that this film has won the most Oscars among Best Picture winners since the number of nominees increased from five to ten. While “The Hurt Locker” was one of the lowest-grossing films in history, earning $49 million on a budget of $15 million, Bigelow also became the first woman to win the DGA award.
Prior to claiming an Oscar, cinema enthusiasts had long recognized Bigelow’s cinematic prowess through films such as “Near Dark” (1987), “Blue Steel” (1990), “Point Break” (1991) and “Strange Days” (1995). Following her Academy Award-winning year, she delivered another film nominated for the top Oscars category, “Zero Dark Thirty” (2012), which was one of the rare films to win best picture at New York, Los Angeles, and National Board of Review awards. Subsequently, she directed “Detroit” (2017), a production that garnered mixed reviews from critics but continued to highlight her talent for building tension. We eagerly anticipate her next project.
An Education (2009)
Lone Scherfig
Movie “An Education”
Distributor: Sony Pictures Classics
Screenplay by: Nick Hornby (adapted from “An Education” by Lynn Barber)
Producers: Finola Dwyer and Amanda Posey
A tale of a teenager growing up in the 1960s suburbs of London, whose life takes an unexpected turn with the arrival of an older playboy.
Other Oscar nominations: actress (Carey Mulligan) and adapted screenplay
Wins: None
The scene that proves it: “This is the one Danny.”
The arrival of Carey Mulligan in Hollywood’s spotlight during 2009 was particularly noteworthy, a testament to the skillful direction of Lone Scherfig in the film “An Education.” This British production also holds significance in cinematic history as it marked the first occasion where two films directed by women, including the eventual best picture winner “The Hurt Locker” by Kathryn Bigelow, were nominated for the prestigious award. Since her successful debut, Scherfig has focused on smaller projects such as “One Day” (2011), “The Riot Club” (2014), “Their Finest” (2016), and “The Kindness of Strangers” (2019). Her next project will be “The Movie Teller,” where she is set to direct Daniel Bruhl and Berence Bejo.
The Kids Are All Right (2010)
Lisa Cholodenko
As a movie enthusiast, I recently came across “The Kids Are All Right,” distributed by Focus Features. This heartfelt film was written by the talented duo Lisa Cholodenko and Stuart Blumberg, and produced by Gary Gilbert, Jeffrey Kusama-Hinte, and Celine Rattray. The plot revolves around two children conceived through artificial insemination who decide to meet their biological father, thereby introducing him into their unique family dynamics.
As a follower, I’m excited to share that other notable Oscar nominations include Annette Bening for Best Actress, Mark Ruffalo for Best Supporting Actor, and the film for Best Original Screenplay.
Wins: None
The scene that proves it: “I need to say something.”
Lisa Cholodenko’s film, featuring a same-sex couple raising teenagers, offers an unfiltered and powerful portrayal – often overlooked among top women-directed features. Her direction of stars Annette Bening and Mark Ruffalo (both Oscar-nominated), as well as Julianne Moore (regrettably not nominated), is nothing short of extraordinary. This film was also part of a year that saw two female-led films contending for Best Picture, and it stands out with its poignant scenes and numerous awards.
Winter’s Bone (2010)
Debra Granik
: A resilient girl from the Ozark Mountains bravely navigates treacherous social landscapes as she tracks down her fugitive father while struggling to maintain her family’s stability.
As a cinephile, I’m thrilled to be part of the conversation surrounding this year’s Oscar nominations. Jennifer Lawrence, in the lead actress category, has caught my attention, as has John Hawkes for best supporting actor. And let’s not forget the nod for adapted screenplay – it’s all quite exciting!
Wins: None
The scene that proves it: “She ain’t my brother.”
Debra Granik introduced the world to the charms of actors Jennifer Lawrence and John Hawkes, who received recognition for their outstanding performances in a film that garnered attention at the Sundance Film Festival. The movie collected numerous awards but was overshadowed by Ben Affleck’s second film, “The Town.” Despite this competition, it managed to secure a nomination for Best Picture. However, Debra Granik herself did not receive a directing nomination, which disappointed many critics.
Zero Dark Thirty (2012)
Kathryn Bigelow
Movie “Zero Dark Thirty”
Distributor: Sony Pictures
Screenwriter: Mark Boal
Producers: Mark Boal, Kathryn Bigelow, Megan Ellison
Synopsis: This is a tale of the ten-year manhunt for Osama bin Laden, the al-Qaeda leader, following the September 2001 attacks. The narrative concludes with his death at the hands of the Navy S.E.A.L.s Team 6 in May 2011.
Nominated for the Oscars in other categories are: Actress – Jessica Chastain, Original Screenplay, Film Editing by William Goldenberg and Dylan Tichenor, and Sound Editing by Paul N.J. Ottoson.
Wins: sound editing (tied with “Skyfall”)
“The telling moment: You’re quite significant, as you’ve got the entire plane all to yourself. Care to share your destination?
Kathryn Bigelow’s subsequent film is just as captivating, if not more so, than her Academy Award-winning “The Hurt Locker” (2010). Powerfully portrayed by Jessica Chastain, the true account of the manhunt for terrorist Osama Bin Laden stands among the most nerve-wracking films of the last ten years. However, despite nominations from the DGA and BAFTA, Bigelow’s direction was overlooked for best director, a decision many attribute to underhanded campaigning. Yet, the sequences showing the SEALs infiltrating the compound are skillfully crafted, thanks to Bigelow’s deft touch and the sharp cinematography.
Selma (2014)
Ava DuVernay
Movie “Selma”
Distributor: Paramount Pictures
Screenplay Writer: Paul Webb
Producers: Christian Colson, Oprah Winfrey, Dede Gardner, Jeremy Kleiner
A portrayal of Dr. Martin Luther King Jr.’s struggle to achieve equal voting rights through a historic march from Selma to Montgomery, Alabama, in 1965.
Other Oscar nominations: original song (“Glory” written by Common and John Legend)
Wins: Original song
The scene that proves it: “If I asked you something, would you answer me with the truth?”
Ava DuVernay’s powerful and truthful portrayal of the 1965 march from Selma to Montgomery, advocating for voting rights, left a lasting impression at the Oscars. This film was the first feature directed by a Black woman to be nominated for Best Picture. Oprah Winfrey, as one of the producers, made history by becoming the first Black woman to receive a Best Picture nomination. She also joins an exclusive group of three women who have two career nominations each – one for producing and another for acting. Her previous nod was for “The Color Purple” (1985) in the supporting actress category. Furthermore, co-songwriter John Legend completed the EGOT (Emmy, Grammy, Oscar, Tony) by winning for the hit song “Glory.
Though Ava DuVernay was recognized at the Golden Globes, my heart ached as she wasn’t crowned the best director that year. Instead, the title went to Alejandro G. Iñárritu for “The Revenant,” Bennett Miller for “Foxcatcher,” Morten Tyldum for “The Imitation Game,” Richard Linklater for “Boyhood,” and Wes Anderson for “The Grand Budapest Hotel.” Yet, I remain hopeful that her time to shine will come soon.
Lady Bird (2017)
Greta Gerwig
Movie “Lady Bird”
Distributor: A24
Screenplay Writer: Greta Gerwig
Producers: Scott Rudin, Eli Bush, Evelyn O’Neill
In the year 2002, a creative seventeen-year-old girl experiences her maturity in Sacramento, California.
Additional Oscar Nominees: The categories include Best Director, Lead Actress (Saoirse Ronan), and Supporting Actress (Laurie Metcalf), as well as Best Original Screenplay.
Wins: None
The scene that proves it: “Let’s just sit with what we heard.”
Greta Gerwig’s debut directorial effort, the heartwarming and humorous “Lady Bird,” has become a defining film of the past decade. Saoirse Ronan delivered a career-best performance that earned her a Golden Globe, while Laurie Metcalf, a critical favorite, won numerous awards for her supporting role. Gerwig’s nomination for Best Director is significant not only due to her inclusion in the category, but also because of the diverse lineup it represented. This included Guillermo del Toro, the eventual winner for “The Shape of Water,” sci-fi maestro Christopher Nolan for “Dunkirk,” Jordan Peele, who won Original Screenplay for “Get Out” and horror-comedy genius, and Paul Thomas Anderson for “Phantom Thread.
The former actress, now director, continues to impress without pause, and it’s a treat for us to experience her talent unfold.
Little Women (2019)
Greta Gerwig
Movie “Little Women”
Distributor: Sony Pictures
Screenwriter: Greta Gerwig (adapted from Louisa May Alcott’s novel “Little Woman”)
Producer: Amy Pascal
Synopsis: The narrative follows Jo March as she reminisces about her life, recounting the heartwarming tale of the March sisters – four resilient young women, each striving to carve their unique paths in life.
Nominated for other Oscars are: Saoirse Ronan in the category of Best Actress, Florence Pugh as Best Supporting Actress, Adapted Screenplay, Costume Design by Jacqueline Durran, and Original Score by Alexandre Desplat.
Wins: Costume design
The scene that proves it: “Beth’s last Christmas”
Greta Gerwig, who’s known not only for her exceptional acting skills in films like “20th Century Women” and “Frances Ha,” but also for her impressive directing work, is one of a select few filmmakers to have two Best Picture nominees during her career. These nominations came for “Lady Bird” (2017) and the remake of “Little Women” (2019), making her the quickest to achieve this feat in terms of time between releases. Her upcoming project is a live-action feature film adaptation of “Barbie,” set to star Margot Robbie, based on the beloved children’s toy.
Nomadland (2020)
Chloé Zhao
Movie: “Nomadland” is distributed by Searchlight Pictures
Screenplay written by Chloé Zhao (based on “Nomadland: Surviving America in the Twenty-First Century” by Jessica Bruder)
Produced by Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey, and Chloé Zhao
After losing everything during the Great Recession, a woman in her sixties embarks on a journey across the American West, choosing to live as a modern nomad, traveling in a van.
Additional Oscar nominations include those for Best Director, Best Actress (Frances McDormand), Best Adapted Screenplay, Best Cinematography (Joshua James Richards), and Best Editing (Chloé Zhao).
As a captivated movie critic, I find myself in awe of the triumphant trifecta that is “Wins.” Zhao’s directorial prowess earned her the prestigious title of the second woman to ever win an Oscar for Best Picture, and she made history yet again as the first woman of color to be nominated and take home the golden statue. In a year filled with remarkable performances, McDormand truly stood out. She became the first woman to be nominated for producing and acting in the same film, and she made history once more by becoming the first person to win an acting award when recognized in both categories. Simply put, “Wins” is a testament to the power of female talent and creativity in the world of cinema.
The scene that proves it: “How can I be alive on this Earth, when he’s not?”
This year, Chloé Zhao made history as the first female director to garner four nominations – in categories for Best Picture, Directing, Adapted Screenplay, and Editing – making her the ninth individual ever to accomplish this feat, joining the ranks of Warren Beatty (twice), Alfonso Cuarón, Joel Coen & Ethan Coen, Alan Menken, Francis Ford Coppola, Orson Welles, and Walt Disney. Remarkably, “Nomadland” also became the second film directed by a woman to win the Best Picture award.
Since her achievement, Zhao co-wrote and directed Marvel’s “Eternals” (2021).
Promising Young Woman (2020)
Emerald Fennell
Movie “Promising Young Woman”
Distributor: Focus Features
Writer: Emerald Fennell
Producers: Ben Browning, Ashley Fox, Emerald Fennell, Josey McNamara
A woman, haunted by a past tragedy, embarks on a mission to exact revenge against those who wronged her.
Additional Oscar Nominees: for direction, acting (performed by Carey Mulligan), original scriptwriting, and film editing (credited to Frédéric Thoraval)
Wins: Original screenplay
The scene that proves it: “I forgive you.”
Emerald Fennell, a debut director, was recognized with nominations for Best Picture, Director, and Screenplay – an accomplishment achieved by only three women at that time. She’s also one of the five female screenwriters to have written solo on an original screenplay award-winner, following in the footsteps of Frances Marion (“The Big House” and “The Champ”), Callie Khouri (“Thelma & Louise”), Jane Campion (“The Piano”), Sofia Coppola (“Lost in Translation”), and Diablo Cody (“Juno”).
CODA (2021)
Siân Heder
CODA”
Distributed by: Apple Original Films
Written by: Siân Heder, based on the 2014 French film “La Famille Bélier” directed by Éric Lartigau
Produced by: Philippe Rousselet, Fabrice Gianfermi, and Patrick Wachsberger
Ruby, the only hearing member in a deaf family, is in a dilemma as her family’s fishing business faces trouble. She is torn between her passion for music and the desire to attend Berklee College of Music, and her fear of leaving her parents behind.
Other Oscar nominations: supporting actor (Troy Kotsur) and adapted screenplay
Wins: best picture, supporting actor (Troy Kotsur), adapted screenplay (Siân Heder)
The scene that proves it: Ruby singing “You’re All I Need to Get By”
Under the guidance and penmanship of Oscar-nominated filmmaker Sian Heder, the heartwarming movie “CODA” has resonated deeply with numerous industry voters. Kicking off at the Sundance Film Festival in January 2020, it was sold for a remarkable $25 million, sparking a gradual but persistent increase in anticipation and forecasts. Heder also became the second woman to lead a cast to an ensemble victory at the Screen Actors Guild Awards, following Valerie Faris with “Little Miss Sunshine” (2006). She was the tenth female director to secure a nominated ensemble.
In the skilled hands of Sian Heder, who earned an Oscar nomination for her work, the film “CODA” has touched the emotions of numerous industry voters. First shown at the Sundance Film Festival in January 2020 and sold for a record-breaking $25 million, it’s been gaining steady momentum in buzz and predictions. Heder is also known as the second woman to direct a cast that won an ensemble award at the Screen Actors Guild Awards, following Valerie Faris with “Little Miss Sunshine” (2006). She was the tenth female director to receive a nominated ensemble nomination.
“CODA” was awarded Best Picture, making it the second film to receive this honor without a DGA (Directors Guild of America) nod, following in the footsteps of “Driving Miss Daisy”. Additionally, it’s the second movie ever to win without any nominations in below-the-line categories, a feat previously achieved by “Grand Hotel” in 1932.
Heder was honored with the award for Best Adapted Screenplay, making her the third woman to win this category alone, following in the footsteps of Emma Thompson for “Sense and Sensibility” (1995) and Ruth Prawer Jhabvala, who won twice, first for “Howard’s End” (1993) and then again for “A Room with a View” (1986).
The Power of the Dog (2021)
Jane Campion
Movie “The Power of the Dog”
Distributed by: Netflix
Written by: Jane Campion
Produced by: Jane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning, and Roger Frappie
The charismatic rancher Phil Burbank instills both fear and admiration in those around him. When his brother introduces a new wife and her son to the household, Phil harasses them relentlessly until he unexpectedly encounters the prospect of love.
Additional Oscar Contenders: directing nominee, Benedict Cumberbatch for best actor, Jesse Plemons and Kodi Smit-McPhee in the running for supporting roles, Kirsten Dunst in the category of supporting actress, adapted screenplay nomination, production design (Grant Major and Amber Richards), cinematography (Ari Wegner), film editing (Peter Sciberras), sound (Richard Flynn, Robert Mackenzie, Tara Webb) and original score (Jonny Greenwood)
Wins: directing
The scene that proves it: “How nice it is not to be alone.”
Jane Campion has achieved several milestones by simply receiving nominations, for instance, she was the first woman to receive two directing nominations. Moreover, she is among only four women who have received three nominations in a single year, following Sofia Coppola (“Lost in Translation”), Fran Walsh (“The Lord of the Rings: The Return of the King”) and Emerald Fennell (“Promising Young Woman”). In 2021, Chloé Zhao broke records with four nominations.
She is the third woman to win best director.
Women Talking (2022)
Sarah Polley
Movie “Women Talking”
Distribution Company: MGM/United Artists Releasing
Screenplay by: Sarah Polley
Producers: Dede Gardner, Jeremy Kleiner, Frances McDormand
The women of a secluded religious community face the difficult choice between enduring their current situation, standing up for themselves, or leaving in 2010. They struggle to reconcile their faith with the harsh reality they are living in.
Other Oscar nominations: Adapted Screenplay
Wins: Adapted Screenplay
The scene that proves it: “What if they’re not guilty?”
Sarah Polley was honored with the award for Best Adapted Screenplay, making her the fourth woman screenwriter to receive this distinction solo. Previous winners in this category who went it alone include Sian Heder for “CODA” (2021), Emma Thompson for “Sense and Sensibility” (1995), and Ruth Prawer Jhabvala, who won twice for “Howard’s End” (1993) and “A Room with a View” (1986).
Anatomy of a Fall (2023)
Justine Triet
Movie “Unraveling a Collapse”
Distributor: Neon
Screenplay Writers: Justine Triet, Arthur Harari
Producers: Marie-Ange Luciani and David Thion
A woman is under suspicion for her husband’s murder, while their blind son grapples with a moral quandary as the key witness.
Nominated for other Oscars: Director, Actress (Sandra Hüller), Original Screenplay, and Film Editing by Laurent Sénéchal
or simply,
Additional Oscar nominations include: Directing, Best Actress (Sandra Hüller), Original Screenplay, and Film Editing by Laurent Sénéchal.
Wins: pending
A telling instance: “At times, a relationship can be chaotic, leaving everyone confused. Occasionally, we engage in disagreements together, at other times, we argue individually, and there are instances when we clash with one another. This is just the nature of things.
Triet is the second woman to be nominated for directing a non-English movie, following in the footsteps of Lina Wertmüller with “Seven Beauties” (1976. She is also the seventh woman to be recognized for both directing and writing the same film.
Barbie (2023)
Greta Gerwig
Movie “Barbie”
Distributor: Warner Bros.
Screenplay by: Greta Gerwig and Noah Baumbach (adapted from ‘Barbie’ by Mattel)
Producers: David Heyman, Margot Robbie, Tom Ackerley, Robbie Brenner
In the vibrant and seemingly flawless realm of Barbie Land, Barbie and Ken are having a blast. But when they get an opportunity to venture into the real world, they quickly learn about the ups and downs of human life.
Additional Oscar nominations include: Ryan Gosling in the supporting actor category, America Ferrera for best supporting actress, adapted screenplay, set design (Sarah Greenwood and Katie Spencer), costume design (Jacqueline Durran), and original songs “I’m Just Ken” by Mark Ronson and Andrew Wyatt and “What Was I Made For?” by Billie Eilish and Finneas O’Connell.
Wins: Original Song (“What Was I Made For?” by Billie Eilish and Finneas O’Connell)
The scene that proves it: “It is literally impossible to be a woman.”
Greta Gerwig’s summer blockbuster film garnered more than $1.4 billion worldwide, breaking the record as the highest-earning Best Picture nominee directed by a woman. Notably, she is also the first director ever to have her initial three solo directorial projects nominated for Best Picture, alongside “Lady Bird” (2017) and “Little Women” (2019). Moreover, Gerwig stands alone as the only female director to achieve three Best Picture nominations.
Past Lives (2023)
Celine Song
Movie “Past Lives”
Distribution Company: A24
Screenplay by: Celine Song
Producers: David Hinojosa, Christine Vachon, Pamela Koffler
Nora and Hae Sung, who share a profound bond from their childhood days, are separated when Nora’s family moves from South Korea. After twenty years have passed, they meet again for a critical week, during which they grapple with the concepts of love and fate.
Other Oscar nominations: original screenplay
Wins: None
“The moment that confirms it”: “Does my expanding your world as much as I’m experiencing feel mutual?”
With her directorial debut, Song became the first woman of color to lead a Best Picture-nominated film.
The Substance (2024)
Coralie Fargeat
Movie “The Substance”
Distributor: Mubi
Screenplay by: Coralie Fargeat
Producers: Coralie Fargeat, Tim Bevan, and Eric Fellner
A once-popular figure in the limelight experiments with an illicit drug – a replicating agent that generates a younger, improved version of herself.
As a cinephile enthusiast, I must share my thoughts on this captivating film that garnered several prestigious nods at the Oscars. I found myself deeply engrossed in its direction, which was masterfully crafted. The lead actress, Demi Moore, delivered an extraordinary performance that left me spellbound.
Moreover, the original screenplay was a testament to creative storytelling, and the movie’s makeup and hairstyling teams truly outdid themselves with their meticulous work. I eagerly await the awards ceremony to see if this remarkable production takes home some of these well-deserved nominations.
Wins: Makeup and Hairstyling (Pierre-Olivier Persin, Stéphanie Guillon, and Marilyne Scarselli)
The scene that proves it: Putting on lipstick in front of the mirror.
Fargeat becomes the ninth woman to secure a directing nomination for the Oscars, joining the ranks of eight other talented female directors.
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2025-04-15 23:54