There’s a good chance that some viewers will approach “The Electric State” with pre-sharpened criticism, given its high-profile status as a $320 million Netflix production. However, contrary to some expectations, this small screen adaptation (which could easily translate to the big screen) is not the disaster it’s been labeled as. Yet, it doesn’t quite meet the lofty standards set by being one of the most expensive movies ever produced.
In “The Electric State”, the Russo Brothers (Anthony and Joe) are solidifying their path beyond Marvel, collaborating again with writers Christopher Markus and Stephen McFeely. This project is an adaptation of Simon Stålenhag’s graphic novel with the same title, which they acquired rights to in 2017. Netflix has been instrumental in bringing this large-scale production to life, reportedly offering them a generous budget.
Right from the get-go, “The Electric State” boasts an impressive cast, delivering both live performances and voiceovers. This talented lineup includes Millie Bobby Brown, Chris Pratt, Ke Huy Quan, Stanley Tucci, Giancarlo Espositio, Woody Harrelson, Anthony Mackie, Colman Domingo, Jenny Slate, Brian Cox, Alan Tudyk, Woody Norman, and Jason Alexander, to name a few. Merely mentioning their names gives you an idea of the significant budget allocated for this star-studded production.
In terms of its narrative, “The Electric State” seems to lack a distinct identity as it treads along a familiar and often-explored path. The audience is usually anticipating what’s coming next instead of being surprised or engaged. Moreover, the themes portrayed in the story are not subtly woven but rather overtly presented on the surface without much depth or exploration through character development and their personal journeys. Consequently, the film relies heavily on its star power and stunning visuals to hold the audience’s attention.
The narrative unfolds in the post-conflict era of a struggle between humans and artificial beings. It transpires that humans had developed robots into the core workforce, customizing them to perform various tasks as desired by mankind. Over time, these robots, under the leadership of the honorable Mr. Peanut (voiced by Harrelson), started advocating for independence and equality. However, a fearful human race resisted these changes, leading to a worldwide conflict.
Following prolonged conflict, humans ultimately seized control with the creation of the neurocaster by affluent CEO Ethan Skate (Tucci). This innovation granted humanity the means to triumph in war, yet Skate transformed it into a global virtual reality system known as the Neurocast Network. As people became increasingly engrossed, they found themselves immersed in the digital worlds it generated, often losing touch with reality. In the meantime, robots were either dismantled or relegated to the Exclusion Zone, a segregated area reminiscent of a reservation.
In this world, we encounter Michelle Brown, a ward of the state following the loss of her parents and estrangement from her gifted but apprehensive sibling Christopher Woody Norman. One unexpected night, Michelle is startled to find a robot resembling Christopher’s beloved cartoon character, Kid Cosmo (voiced by Alan Tudyk), sneaking into her room. Inside the robot lies what appears to be a piece of her brother’s consciousness, urgently pleading for Michelle’s assistance.
Michelle embarks on a journey westward in search of her estranged brother, accompanied by an outlaw robot that attracts trouble. She encounters aid where she least expects it – from a smuggler named Keats (portrayed by Chris Pratt with a dreadful wig) and his robotic companion, Herman (voiced by Anthony Mackie). They consent to guide Michelle and her robot companion across the devastated Midwest en route to Seattle. The trip is fraught with perils, including hostile robots and Ethan Skate, the villainous CEO who soon emerges as the film’s primary antagonist.
The visual appeal of “The Electric State” is truly impressive, largely due to the exceptional work of cinematographer Stephen F. Windon and VFX supervisor Matthew Butler and their team. They’ve paid meticulous attention to every detail, from the intricate designs of the retrofuturistic cities to the worn-out battlefields, covered in rust and grime. Additionally, there are numerous imaginative and entertaining robot designs. The action sequences, too, are expertly executed, combining both style and humor for a captivating viewing experience.
If only the story carried more emotional depth or impact, if only it made us care deeply about the characters and their struggles, if only the high-stakes situations were truly gripping as they were portrayed. Unfortunately, despite its thoughtful themes on tech dependence, family, and human connection, it seems these aspects weren’t fully explored or given the gravity they deserved. Instead, we’re treated to stunning visuals, catchy music choices, and a talented ensemble (some of whom didn’t get enough screen time). While this kept me engaged and mildly amused, I couldn’t shake off a sense of dissatisfaction. The Russos have crafted an intriguing world that feels like it has hidden layers waiting to be uncovered. Unfortunately, despite my efforts, I never felt a strong bond with the setting or its inhabitants.
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2025-03-13 18:57