
Oliver Laxe’s film, Sirāt, is a subtly unsettling experience that initially feels predictable. As you watch the first half, you might think you know where the story is going, despite a few strange details. Then, Laxe unexpectedly changes course, making the characters’ world feel unstable, as if their secure foundation was actually fragile. The film, co-written with Santiago Fillol, builds tension like a thriller, but for a long time, it’s a low-level anxiety surrounding a group traveling across the desert. Luis makes a reckless decision to follow other trucks in his van, hoping to find another party. The tension seems to stem from the uneasy connection between Luis and the people he joins, whom he doesn’t fully trust.