As a seasoned gamer and film enthusiast who’s spent countless hours navigating virtual worlds and unraveling cinematic narratives, I can confidently say that Babygirl is a breath of fresh air amidst the monotony of generic holiday films.
If you believe Stanley Kubrick’s last film seemed bizarre to you, well, that just means you haven’t yet experienced the true essence of empowerment in female pleasure, as Babygirl redefines it with a flair that’s as delightful as hearing “Ho Ho Ho” at Christmas.
It appears that Nicole Kidman frequently engages in romantic scenes around the holiday season, which some might find appealing. As we approach 2025, she has now acted in two such films. The film “Eyes Wide Shut” from 1999 was her first foray into this genre and is often considered a sensual Christmas classic by many. However, I hold a different opinion on this matter.
Perhaps it’s due to my first viewing being in the 2020s or because I find joy in the rumored photo of Kidman leaving her divorce hearing against Tom Cruise, but Kubrick’s last film evokes nothing but a dismissive “Bah Humbug” from me. If you haven’t seen it yet, Kidman’s character Alice confesses to having fantasized about a man, leading him to join a secret society fixated on intimacy. This, in turn, is filled with explicit scenes and exposed bodies as far as the eye can see.
Instead of focusing solely on the “bodies, bodies, bodies” aspect, the story primarily revolves around a brooding Tom Cruise, who is often seen walking the dimly lit streets of New York, deep in thought over past mistakes. To me, this seems like an uninteresting and unnecessary diversion from the plot. If the focus is on a woman’s lifelong quest for fulfillment, it would be more fair to present the male character’s struggles in a more engaging manner.
Nicole Kidman takes back female pleasure in Babygirl
But none of this matters anymore! Where Alice was let down, Romy (also played by Kidman) in A24‘s Babygirl soars. She’s the CEO of a flourishing tech company (win) and has a baby-faced Harris Dickinson within her entourage of new interns (another win). Instead of hiding away in the background, Samuel (Dickinson) makes himself known… by trying to dominate Romy sexually. And yes, it’s all during the festive break.
In a surprising twist, Halina Reijn’s interpretation of female-driven pleasure in her film challenges something fundamental that Kubrick may have missed – the element of enjoyment. Characters Romy and Samuel are unsure of their actions, stumbling through the roles they aspire to play. If you haven’t watched the latest movie yet, this is a metaphorical representation of Nicole Kidman found on the floor, seemingly drinking milk from a plate.
Actually, you’re correct! Our beloved Australian Academy Award winner (apologies to Cate) is using her body in a way that might not be suitable for all audiences, and it seems like she finds the whole situation quite amusing. Yet, it’s this very absurdity that makes it captivating… it’s full of fun, silliness, and a touch of madness.
You gotta be fun to be truly unhinged
In contrast to Eyes Wide Shut’s intense and formal approach to Christmas-related activities outside of their main narrative, Babygirl takes a more liberated stance. Romy finds herself teetering on the brink of losing everything, including herself, as she chases her desires. Yet, this tumultuous journey is essential for her ultimate victory. By the film’s conclusion, Romy has acquired all she ever desired, with the added bonus of future opportunities.
In a single moment, you wouldn’t find a more striking contrast than Kidman’s visible disdain towards a filthy hotel room followed by her unexpected kiss with a stranger at a rave – both happening within an hour of each other. It’s a bizarre spectacle that leaves one bewildered, and we can only express gratitude for such intriguing scenes.
At a period when women’s empowerment holds significant relevance, witnessing Romy relinquish her authority is an engaging spectacle. She may not always choose the wisest course of action, but she never allows fear to deter her decisions. The narrative presents intricate interactions, yet the essential message remains straightforward: Romy is a woman with desires, and she’s determined to satisfy them in the most unabashed manner.
Surely not a place for holiday gatherings on Christmas Day, but if you’re seeking a bit of self-indulgent relaxation during the festive season, it’s an excellent pick. This film has made its way into my top 10 for the year, and I can only hope that Nicole Kidman delivers more of these delightful holiday experiences in the future.
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2024-12-24 18:48