As a seasoned cinephile who’s spent countless hours immersed in the rich tapestry of international cinema, I eagerly anticipate Disney+’s global release of “Shared Custody.” The series, helmed by the accomplished Javier Fesser, promises to be a compelling exploration of modern co-parenting, with its unique blend of drama and humor.
On January 24th, I’m excited to say that I’ll be able to watch Disney+’s new original Spanish dramedy, “Shared Custody,” which is directed by the creative mind behind “Champions,” Javier Fesser, right here on my platform of choice!
Filmmaker Fesser, famed for crafting the heartwarming comedy “Campeones” (later remade as “Champions” starring Woody Harrelson), makes his TV premiere with “Shared Custody.” Notably, his short film “Binta y la gran idea” was an Oscar nominee for best live-action short in 2007. This upcoming series is his first foray into television production.
Spanning over eight episodes, this series explores the hurdles experienced by parents Cris and Diego post their divorce, focusing on the intricate aspects of contemporary shared parenting. The show portrays their efforts in maintaining a grown-up, friendly rapport, all for the wellbeing of their little girl.
Nevertheless, due to monetary hardships, they are compelled to return to live with their families, which sets up complex and frequently amusing family interactions. At first, the separation seems polite, but it quickly becomes tense as the couple struggles to adapt to their altered living conditions, confronting the raw truths of their situation.
In ‘Shared Custody’, Lorena López (from ‘Past Lies’) and Ricard Farré (‘Good Manners’) take the main roles, while notable performances are given by Adriana Ozores, a Spanish Academy Goya-winner from ‘La hora de los valientes’, Francesc Orella known for ‘Merlí’, Aten Soria of ’30 Coins’ and others.
The Disney+ series was jointly developed with a production company called The Immigrant, which is backed by Fremantle. This series was conceptualized and scripted by Juanjo Moscardó Rius, the same person behind the Goya-nominated show “A Shitty Therapy” as well as María Mínguez, known for the production “Live Twice, Love Once”.
The Immigrant Production Company has gained attention as one of Spain’s most promising up-and-coming entities in the entertainment industry. Their Prime Video series ‘No One Will Miss Us’ has been well-received by viewers, earning an impressive 8.3/10 on IMDB and positive feedback from 94% of Google users who reviewed it. Additionally, they recently produced Sofía Auza’s feature film ‘Adolfo,’ which won the Best Film award in the Berlinale’s Generation 14plus section and was nominated for two Mexican Academy Ariel Awards.
EbMaster recently sat down for a conversation with Camila Jimenez Villa, co-founder and CEO of The Immigrant, to discuss their project “Shared Custody” as well as their broader aspirations for both TV series and movie productions.
What was it about this project that made it the right fit for The Immigrant?
For Juanjo Moscardó Ruiz, one of the creators of this show, ‘Shared Custody’ held a deeply personal connection as it was based on his own experiences following a breakup. His vision was to create a tale that blended drama and comedy effectively, making it more than just a story but a reflection of real life. The intrigue lay in the fact that the concept wasn’t grandiose; instead, the show’s success would depend solely on its implementation, from the scriptwriting stage through to production.
We firmly trusted in the project’s promise and recognized its ability to evoke emotions and provoke laughter globally. Over several months, we collaborated closely with Juanjo and María Mínguez, fine-tuning our vision to make it emotionally impactful and creatively distinctive. The challenge then was figuring out how to market the show effectively—how to highlight its full potential, which initially appeared as a straightforward concept. The crucial breakthrough came when we brought Javier Fesser on board. His addition greatly enhanced the project, enabling us to translate onto screen the rich characters and setting that Juanjo and María had envisioned.
Does “Shared Custody” also possess the premium, cinematic style that characterizes the works of this immigrant filmmaker?
Indeed! “Shared Custody” retains the same top-notch cinematic standard consistent with The Immigrant’s productions. With Javier in charge, the series echoes his filmmaking style, considering each episode as an integral component of a single feature film. Fesser’s distinctive flair is evident: swift pacing, vivid visual narratives, and lively editing. At its core, however, “Shared Custody” also captures what makes Javier’s films so endearing: a keen focus on characters and their human experiences. It’s a visually engaging series that delves into emotional depth and relatability, qualities that beautifully reflect the outstanding work by our creators, Juanjo Moscardó Ruiz and María Mínguez, whose vision and scripts made this collaboration so harmonious.
Could you share some insights on your collaboration with Javier, focusing especially on how he tailored his work methodology for a serial structure?
The first television project Javier directed, titled “Shared Custody,” wasn’t written by him but rather crafted brilliantly by Juanjo and María. This project suited Javier perfectly as his cinema skillfully merges humor with emotion, much like Fesser’s work which typically carries an optimistic, uplifting tone, even in tackling tough subjects. Throughout the production process, from pre-production to delivery and credits, Javier was deeply involved, demonstrating a remarkable level of dedication to every detail, making it an exceptional experience.
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2024-12-19 18:17