As a seasoned movie enthusiast with a deep affection for Latin American cinema, I find this partnership between São Paulo and Montevideo to be nothing short of exhilarating! Having spent countless hours immersed in the rich tapestry of stories spun by these regions, it’s heartening to see two cities that have played significant roles in my cinematic journey formally commit to strengthening their collaboration.
In anticipation of growing cooperation in Latin America, where cross-border collaboration is becoming increasingly important, the cities of São Paulo and Montevideo have agreed to a comprehensive partnership agreement, allowing for collaboration across various areas. (Montevideo, Uruguay) – Anticipating future trends in Latin America, with cross-border collaboration gaining traction as a key theme, the cities of São Paulo and Montevideo have signed a broad cooperation agreement, enabling collaboration across multiple sectors.
The agreement was unveiled on Tuesday during the ongoing Ventana Sur, a prominent film-TV event organized jointly by Cannes Marché du Film and ACAU audiovisual agency in Uruguay, as well as INCAA agency in Argentina.
The partnership between the Spcine São Paulo Film Commission and Montevideo’s Department of Culture, supported by the Municipality of Montevideo (Montevideo Audiovisual), connects two rapidly expanding film and television production hubs in Latin America – namely, São Paulo, the largest city in the region and the biggest city in South America, which is also Brazil’s leading film and TV center. This dynamic city has regained momentum due to increased financing from the Fundo do Setorial Audiovisual federal fund and the collective efforts of regional film forces such as São Paulo city and state.
By primarily focusing its film-TV industry, Montevideo and Uruguay as a whole are striving to establish themselves as a prominent global hub that exceeds expectations given their population of 3.5 million. This is being achieved through a harmonious combination of a rapidly growing domestic industry and a substantial international production scene, which is drawn by the high caliber of local crews and talent, coupled with relatively low production costs.
Lyara Oliveira, president of Spcine, expressed her enthusiasm about taking part in Ventana Sur, a crucial and strategic platform that shines a light on the creative economy of Latin America,” is one possible paraphrase.
Entering into this contract with Montevideo Audiovisual represents a new move by Spcine to showcase the diverse possibilities of São Paulo’s audiovisual sector across political, economic, and social dimensions. Our actions aim to address the needs of the modern era.
The agreement signifies a substantial advancement for both cities in becoming global benchmarks for the creation, dissemination, and showcasing of Latin American audio-visual material, according to the parties involved.
The document was signed by María Inés Obaldía (Director of Culture for the Montevideo City Government), Oliveira (President of Spcine), Fabiana Goyeneche (Director of International Relations and Cooperation for the Montevideo City Government) and Ricardo Crachineski Gomyde (São Paulo’s Municipal Secretary of International Relations).
Montevideo and São Paulo’s are already official sister cities.
Effectively, this agreement could potentially advance one of the key objectives in both the Brazilian and Spanish-speaking industries across Latin America: a smoother distribution of Uruguayan movies in the vast market of São Paulo and beyond, as well as the introduction of Brazilian films in Uruguay. Despite their proximity, these films are generally unfamiliar to each other’s territories.
A breakdown on the multi-point deal:
*Development of professional training and capacity-building programs;
*Technical and content exchange in public cinema venues;
Creating initiatives for sharing and broadcasting audio-visual works hailing from São Paulo and Montevideo.
*Technical exchange of experiences for implementing VOD technologies;
*Joint research on the audiovisual market in São Paulo and Montevideo;
*Bilateral actions at events, showcases, and festivals;
Sharing data and effective strategies for advocating policies that support the audio-visual industry.
As a film enthusiast, I’ve noticed that this agreement underscores the significance of movies and multimedia content in fostering cultural growth and education, strengthening regional identities, and preserving diversity. This was a key insight shared by all involved parties.
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2024-12-05 15:17