As a connoisseur of cinematic artistry and a devoted admirer of the meticulous craftsmanship that goes into bringing stories to life on the silver screen, I must express my profound appreciation for Lisy Christl‘s work as the costume designer for “Conclave.” Her ability to transform the instantly recognizable attire of Catholic cardinals into a visually captivating and cinematically suitable ensemble is nothing short of remarkable.
Costume designer Lisy Christl, responsible for creating garments for the “Conclave,” decided to alter the vestments traditionally worn by Catholic cardinals for their on-screen portrayal. The initial modification: the choice of fabric. Instead of the lighter material typically employed in real-life attire, Christl opted for a thicker wool.
In another significant change, the conventional red was altered. As Christl elucidates, she visited a costume shop in Rome and was provided an authentic robe. Upon presenting it to director Edward Berger and cinematographer Stéphane Fontaine, she expressed concerns that prolonged viewing might strain their eyes. Given her past Oscar nomination in 2012 for “Anonymous,” Christl studied older robes dating from the 15th century up until the 1960s and observed they were generally darker. She opted for this deeper shade since it would appear more distinctly on camera.
The movie now playing in cinemas centers around the selection of a new pope by cardinals meeting in Rome. The main roles are played by Ralph Fiennes, John Lithgow, and Stanley Tucci. As Christl notes, these prelates hail from various political backgrounds or countries, with some leaning more towards liberal ideologies, while others are known for their conservative views.
Their choice of cross would reflect that view.
“The [common] language is the cross,” she says, noting that some had gold crosses while others had silver. Fiennes and Tucci’s liberal characters had simple silver crosses. Christl added while a lot of liberal cardinals also wear wooden crosses, she decided not to adapt that for the big screen “because it looks a bit childish” on camera.” She continues for the conservative-leaning Cardinal Tremblay [Lithgow], “He has a richer golden cross. So does the traditionalist Cardinal Tedesco (Sergio Castellitto).”
Each cross was made in collaboration with a family workshop in Florence, Italy.
In designing Isabella Rossellini’s character Sister Agnes, Christl deviated creatively from the traditional nun’s attire. Instead of white or other common colors associated with the order tending to Casa Santa Marta, she opted for a blue cape and a black dress. The unique touch was the addition of pleats to her scapular. Christl explains that they couldn’t incorporate actual crosses worn by nuns, so they came up with an alternative design instead.
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2024-11-09 21:17