REVIEW: “On the Wandering Paths” (2024)

As I sat down to watch “On the Wandering Paths”, I felt like I was embarking on a journey of self-discovery alongside the protagonist Pierre Girard, played masterfully by Jean Dujardin. The film is a beautiful adaptation of Sylvain Tesson’s autobiographical travel journal, and Director Denis Imbert has eloquently captured the human pulse of this story.

In “On the Wandering Paths,” director Denis Imbert collaborates with Academy Award winner Jean Dujardin. This heartfelt film is an adaption from Sylvain Tesson’s 2016 travel journal, sharing the same title. Tesson’s book was a reflection of his own profound and transformative personal journey that delved into introspection and self-exploration.

Imbert skillfully conveys the emotional essence of Tesson’s tale through a sensitive screenplay (collaboratively written with Diastème) and an emotionally profound portrayal by Dujardin, who dominates each scene. Moreover, the film “On the Wandering Paths” is constructed around the introspective musings and deep philosophical contemplations of a solitary wanderer’s inner journey, as beautifully captured by cinematographer Magali Silvestre de Sacy in her striking shots of the French countryside.

In this rendition, Dujardin portrays Pierre Girard, a multi-talented individual who leads an action-packed life. His past unfolds gradually through a series of recollections and introspections. Pierre has had a prosperous journey, but it takes an unexpected turn for the worse in a moment of careless recklessness. Under the influence of alcohol, Pierre tumbles off a three-story balcony, landing harshly on the hard pavement below. This tragic incident results in a fractured leg, severe back trauma, and hearing loss in one ear, as well as affecting his sense of smell.

During his long series of surgeries and subsequent recovery period, Pierre spirals into despair, ultimately leading to his breakup with girlfriend Anna (Joséphine Japy). While confined to bed, Pierre vows that if he ever walks again, he will embark on a journey to traverse France on foot. True to his word, once he regains mobility, Pierre sets out to accomplish this promise. He maps out a 1,300 kilometer route for himself, starting at the Italian border and ending at the Cotentin Peninsula.

In the eyes of his friends and family, Pierre appears to be acting irrationally. However, for Pierre himself, his journey holds a profound significance that goes beyond simple self-discovery. It’s not just about establishing his identity, but also validating it within himself. Although there might be perils associated with such isolated living in the wilderness, Pierre views it as a path to atonement and an opportunity to put to rest turbulent episodes from his chaotic past life.

Imbert skillfully draws viewers into Pierre’s personal journey, one of the film’s key assets. He makes us feel like silent spectators, tagging along as Pierre scales mountains, traverses forests, and passes through decaying towns. We can almost feel the agony that shoots through his healing body with each laborious step, fearing it might halt his journey. But an indomitable will drives him forward, turning into stubbornness at times, as he defies fate with every footstep and accepts its ultimate verdict.

Pierre’s hike isn’t entirely solitary; he interacts with various locals he meets on the path. He also visits his Aunt Anny Duperey. A kind stranger named Dylan Robert assists him during part of his voyage. For a portion of the journey, his friend Arnaud (Jonathan Zaccaï) and later his sister Céline (Izïa Higelin) join him. Although Pierre spends much of his time alone, he learns something fresh from every person he encounters.

Titled “On the Wandering Paths,” this film might seem light on narrative, but it’s brimming with spirit and emotion. It’s visually stunning, showcasing breathtaking landscapes and rugged vistas that will captivate your eyes. However, its beauty is more than skin deep. Alongside the compelling journey of Pierre’s self-discovery, directors Imbert and Diastème subtly weave in economic and societal insights, primarily focusing on the decline of rural France’s population. Yet, it’s not just about the stunning scenery or profound observations; it’s all brought to life by the exceptional acting of Dujardin, whose nuanced performance beautifully embodies the soul of this captivating film.

2024-10-29 17:56

REVIEW: “On the Wandering Paths” (2024)

Read More

Minority Mindset