REVIEW: “Woman of the Hour” (2024)

As a seasoned movie enthusiast with a penchant for dark thrillers, I must say that Anna Kendrick’s directorial debut, “Woman of the Hour,” has left an indelible mark on me. This gripping film delves into the chilling tale of Rodney Alcala, a man whose crimes continue to send shivers down our spines.

As a movie enthusiast, I can’t wait to witness Anna Kendrick stepping behind the camera for her directorial debut in “Woman of the Hour”. This gripping thriller is inspired by the chilling true story of Rodney Alcala, infamously known as the “Dating Game Killer”. Linked to eight murders, it’s suspected that his actual victim count could reach an alarming 130. Arrested in July 1979, he was sentenced to death. Tragically, Alcala passed away in 2021 at the age of 77, still serving his time within the prison walls.

Kendrick’s movie delves into the multiple angles of Alcala’s murderous rampage. It details various killings, taking us to 1971 New York City, 1977 Wyoming, and primarily 1978 Los Angeles. In this city, we encounter Sheryl Bradshaw (portrayed by Kendrick), a struggling actress on the verge of abandoning her dream of Hollywood stardom. Desperate for a break, Sheryl’s agent arranges for her to appear on The Dating Game, hoping it will generate some overdue attention.

In simpler terms, let me tell you about ‘The Dating Game’. It was a well-liked television program where a woman would be hidden behind a screen, asking amusing questions to three male contestants on the other side. After three rounds, she’d pick one of the men as her favorite. The show would then treat them both to an entirely free date.

Back in September 13, 1978, I found myself tuning into the popular dating game show, little did I know that history was unfolding before my very eyes. You see, on that very same day, a young lady named Cheryl Bradshaw graced our screens, unaware that one of her three potential suitors was none other than Rodney Alcala – a man with a chilling past.

Kendrick and screenwriter Ian McDonald rework that strange broadcast, utilizing numerous first-hand accounts while incorporating some creative embellishments from themselves. Many of these embellishments enhance the film’s theme about societal misogyny, a point that becomes clear rather abruptly and at times awkwardly. However, Kendrick keeps up an ongoing feeling of discomfort, as they have already depicted Alcala as a ruthless murderer before their crucial meeting.

In this role, Daniel Zovatto portrays Samuel Alcala, a character who hides a monstrous killer’s cruelty beneath an alluring psychopathic exterior. Alcala’s tactics were meticulously planned, and he frequently targeted the innocent and vulnerable. He would entice his victims with the pretense of being a skilled fashion photographer. As trust was established, they agreed to model for his portfolio. Once isolated, he would brutally assault and murder them.

In this movie, there’s ample room for Zovatto to portray Alcala’s malice, but it’s Kendrick’s portrayal of Sheryl ( slight name alteration) that provides the greatest insight. This is particularly evident during a gripping scene they both act out in a restaurant, which is directed and performed masterfully. It’s a tense and terrifying moment that astutely conveys the themes that Kendrick finds most significant.

In “Woman of the Hour,” Anna Kendrick’s talent is once again showcased, not just through another impressive acting performance, but also her confident first attempt at directing. She exhibits a strong grasp over her subject matter, effectively conveying a chilling atmosphere of danger while avoiding sensationalism or exploitation. While her messages can occasionally be too straightforward, her insights into the daily perils faced by women in a predatory society provide an intriguing dimension. Although her two goals don’t always align seamlessly, they underscore Kendrick’s ambition and readiness to take risks.

2024-10-18 17:56

REVIEW: “Woman of the Hour” (2024)

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