‘Colonialists’ Clash With ‘Barbarians’ in Teodora Ana Mihai’s Heist Drama ‘Traffic,’ Written by Cristian Mungiu: ‘There Are No Heroes Here’

As a cinephile with a keen interest in the interplay between personal experiences and cinematic narratives, I find Teodora Ana Mihai’s latest work, “Traffic,” to be an incredibly captivating and thought-provoking piece. Mihai’s background as a child of Romanian immigrants in Belgium lends a unique authenticity to the film, making it not just another heist movie or social drama, but a poignant exploration of cultural clashes and identity struggles.


Teodora Ana Mihai, a director from Belgium and Romania, who first made a powerful impact with her fiction debut “La Civil”, is now combining genres for her next project titled “Traffic”. This upcoming film brings together elements of politically intense social dramas and high-stakes heist movies. The world will get its first look at “Traffic” as it closes the Warsaw Film Festival.

The screenplay for the movie was penned by Cristian Mungiu, a Palme d’Or winner for “4 Months, 3 Weeks and 2 Days,” and features Anamaria Vartolomei, the breakout star from “Happening.” Recently, she also appeared in a film entered into Cannes titled “Being Maria.

Instead of “La Civil” merging investigative thriller and social realism, centering around a mother’s quest to find her abducted child, the story now revolves around Romanian immigrants in Belgium, who are weary of being constantly overlooked and treated as inferior.

Speaking about Mungiu’s role, Mihai explains to EbMaster: “To me, it feels like an ‘artist-directed’ film. I was asked to bring someone’s creative vision to life, almost like a surrogate mother. But even though you don’t technically own the child, you still feel a strong connection and desire to influence where they end up in the long run.

‘Colonialists’ Clash With ‘Barbarians’ in Teodora Ana Mihai’s Heist Drama ‘Traffic,’ Written by Cristian Mungiu: ‘There Are No Heroes Here’

Traffic” delves into the East-West rift using elements reminiscent of gangster films, as Mihai explains. In the story, Natalia, portrayed by Vartolomei, experiences an attack from a local resident. Her companions are willing to aid her, regardless of the consequence – which involves taking something highly valued by the privileged class, such as invaluable pieces of art.

She muses, “The way you perceive ‘us’ versus ‘them’ is influenced by your viewpoint as an observer. Yet, what makes cinema extraordinary is its power to foster empathy. Empathy, in essence, allows us to understand situations from another’s perspective, without instantly dismissing it as inferior or insignificant.” She also commends Vartolomei.

I was looking for an actor with a face that radiated angelic charm, yet conveyed both wisdom and shrewdness. Natalia needed to be multi-dimensional, not bland or one-note. Cristian paid close attention to the dialogues since Anamaria was making her debut in Romanian cinema, and it was also my first film with Romanian actors.

The cast also includes Ionuț Niculae, Rareș Andrici, Thomas Ryckewaert and Mike Libanon.

Mihai suggests that the movie presents a challenging viewpoint about both the Eastern and Western cultures, revealing their hidden biases and stereotypes. When these two worlds collide, it results in a potentially explosive situation,” rephrased.

To make things clearer, let’s call them ‘colonizers’ and ‘invaders,’ although the movie doesn’t shy away from portraying their flaws. You won’t find any heroes in this story; instead, you’ll encounter complex layers of historical absurdity that have been accumulated over time.

Mihai could draw on her own memories when making the film.

‘Colonialists’ Clash With ‘Barbarians’ in Teodora Ana Mihai’s Heist Drama ‘Traffic,’ Written by Cristian Mungiu: ‘There Are No Heroes Here’

She discloses that Cristian trusted me to direct the movie because he knew my past thoroughly.

In the late 1980s, following their escape from Communist Romania, her parents were granted political asylum in Belgium.

I feel fortunate that my future seems promising due to this, but our path hasn’t been without bumps, particularly for us. Our arrival in Antwerp coincided with the power of the Vlaams Blok party, often criticized for racism and inciting hate speech. This experience greatly impacted my upbringing. I would routinely clear out our mailbox to find pamphlets with messages like ‘Remove the waste.’ I vividly recall questioning why we were considered ‘waste’.

Mihai’s parents experienced numerous instances of being treated with disrespect or shame throughout the years, and unfortunately, many people from his country continue to face similar situations today.

As I wander through the city, I frequently encounter numerous individuals putting in a great deal of effort, such as construction workers. Unfortunately, they’re often overlooked and disrespected. In casual conversations with new acquaintances, I often hear comments like, ‘Ah, Romania. My housekeeper, my parents’ housekeeper or my neighbor’s housekeeper is Romanian too.’ This statement is typically followed by an uncomfortable pause, as we both acknowledge how routine it has become to link people from my homeland with jobs that others don’t seem keen on doing.

Natalia notices that while she and her partner find peace with their circumstances, some individuals refuse humility and instead choose a vengeful storyline which misguides them. However, given the resurgence of far-right ideologies in Europe, it’s crucial to shatter past habits and forge new paths.

She states that this movie hints at a coming generation destined to repeat the same pattern, unless there’s a significant change in attitudes and how we interact within our growing multi-cultural community.

Though it carries a witty blend of sadness and humor, the movie’s core message delves deeply into life’s complexities, a quality that is beneficial – not just for cinema, but also for all forms of artistic expression.

As a passionate cinephile, I can’t help but express my excitement about the movie “Traffic,” which was masterfully crafted by Tudor Reu and Cristian Mungiu. This remarkable production is a joint effort between A Mindset Productions, Lunanime, Bastide Films, and Les Films du Fleuve. For those eager to watch this cinematic gem, it’s distributed internationally by the esteemed SBS Films International.

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2024-10-10 17:48