Alicia Vikander, Soon to Be Seen in ‘The Last Day’ and ‘Hope,’ Talks Motherhood and Work: ‘I Need to Do Both’

As a fan, I can’t help but admire Alicia Vikander‘s dedication to her craft and family life. Her ability to juggle motherhood with acting is nothing short of inspiring. It’s fascinating to see how she manages to keep her multilingual family on their toes, with her three-year-old speaking Portuguese, English, Swedish, and even a bit of Spanish!

At the Zurich Film Festival, Alicia Vikander shared insights into her personal family matters, as she was honored with the Golden Eye Award.

Occasionally, getting ready for a movie role can feel mundane and tiresome. The other day, my little one was puzzled as I kept closing the doors and chatting away, all by myself, which made me chuckle.

After completing my work, I become quite exhausted. Acting requires both physical and emotional effort, which can be demanding. Currently, I have two young children who require a lot of attention when I am not working, especially since I was pregnant during the filming of ‘The Assessment’.” (Swedish actor reflects after sci-fi dystopia film)

The increasing multilingual household, comprised of Vikander and her husband Michael Fassbender, sparked interest among the festival attendees.

Although my baby is only half a year old and hasn’t spoken much yet, my three-year-old is fluent in Portuguese, English, and Swedish. Lately, he’s been playing with other children, which has added some Spanish to his repertoire. Now, it seems like I’m the one who needs language lessons from him!

In her upcoming ventures, Rachel Rose plans to maintain an international perspective; this is evident in her projects such as “The Last Day,” which is based in New York and offers a contemporary interpretation of “Mrs Dalloway,” and “Hope,” helmed by the renowned South Korean director Na Hong-jin, who is recognized for his works like “The Chaser” and “The Wailing.

For quite some time, I’ve held him in high regard. This upcoming role is relatively minor, but it serves as a sort of ‘prequel’. If the story progresses within this film, my character has potential to grow significantly. Notably, “Hope” will bring Fassbender and me together again.

Achieving success means doing what brings me joy, and right now, that includes being a mother to my second child. It’s an amazing experience, yet I find myself needing to balance both roles. On set, amidst the chaos and time constraints, I would often pause to appreciate the happiness surrounding me,” she shared.

In Fleur Fortune’s “The Assessment,” potential parents need to prove themselves first.

I found myself utterly captivated as I read through this script, a rarity indeed. The suspenseful elements took me by surprise, leaving me guessing at every turn. But what truly left me astounded was the unwavering confidence displayed by Fleur in her cinematic storytelling.

The filmmaker is usually “the main reason” why she decides to do a project.

Vikander stated that the script was extraordinary, yet he wouldn’t have taken on the role without Fleur. It’s about the overall experience and one wants to trust in it, but it’s the director’s vision you’re embracing. That’s where Vikander placed his confidence.

As a film enthusiast, I’m often asked about what makes great directors stand out. My response is always the same: they do less, not more. The essence of their role lies in facilitation. They provide the space for us, the creators, to breathe and experiment with numerous ideas. It’s our freedom to explore and innovate that truly brings life to a film.

Vikander discussed movies that significantly impacted her career. Her first film, “Pure,” led to her initial meeting with Joe Wright for “Anna Karenina,” she reminisced. Similarly, “A Royal Affair” and “Tomb Raider” were films she had long aspired to be a part of. Lastly, “The Danish Girl” brought her an Academy Award.

That award completely transformed my life. I’m still in awe that I won it at such a young age. It validated that people were appreciating what I was creating, and it gave me the motivation to carry on making films, even smaller ones. The process itself, not just the end result, is what truly matters to me.

At home, you ponder, but as soon as you step onto the stage, scenarios spring to life unexpectedly. That’s the enchantment – it’s something that occurs outside of your conscious control.

She could potentially do even better down the line: “I absolutely adore it. There’s something incredibly rewarding about discovering collaborators I resonate with and having greater autonomy.” However, she’s had a deep-rooted passion for acting since day one.

Growing up, my mother, who was a stage actress, was the one I lived with. One day, I spotted a poster advertising auditions for a musical. Other kids of actors were heading there, and at five years old, I too wanted to join in. She firmly declined, saying ‘No way.’ Looking back, I understand her reasons, but apparently, I threw a fit for about two weeks straight.

In the end, she got her way.

I obtained one of the roles in ‘Kristina from Duvemåla.’ This play was penned by Björn and Benny, members of ABBA, and became a massive success. It’s an adaptation of renowned novels about Swedish immigrants journeying to America. Eventually, I took on every child character, starting with the youngest. By the time I concluded my performance, I had been acting for nearly half of my life.

2024-10-09 18:47

Alicia Vikander, Soon to Be Seen in ‘The Last Day’ and ‘Hope,’ Talks Motherhood and Work: ‘I Need to Do Both’

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