As I delve into the world of David Boreanaz, a man who has mastered the art of storytelling across various mediums for nearly three decades, it’s clear that his longevity in the industry is not just luck but a testament to his unwavering dedication and commitment. His unique approach to acting, rooted in authenticity and silence, echoes the philosophy of Cillian Murphy who famously said, “It takes 35 years to become an actor.” Yet, Boreanaz seems to be just starting, continually pushing boundaries and expanding his horizons.
⚠️ WARNING: This conversation may reveal details about the final episode of “SEAL Team,” currently available on Paramount+.
In 1993, David Boreanaz made an appearance on the Fox sitcom “Married… With Children,” portraying Christina Applegate’s untrustworthy motorcycle boyfriend. Although this part didn’t lead to further episodes for him, Boreanaz – who started out mainly as a background artist – experienced his first significant on-camera work with that role. This burst of excitement fueled by the experience motivated him to persist as a struggling actor in Los Angeles.
A while after that, Boreanaz was out walking his pet dog when he was spotted by a manager who arranged an audition for him as the vampire detective Angel in the supernatural TV drama “Buffy the Vampire Slayer” on The WB. At that time, the show’s creators were seeking a captivating and witty leading actor to face off against Sarah Michelle Gellar’s character, Buffy Summers, as they had already started filming.
I’m deeply grateful to Sarah for her patience, and it’s clear that the strong connection between us played a significant role in ‘Buffy’s’ initial success. In many ways, it felt like ‘Romeo and Juliet.’ This continued success led to my own spinoff, ‘Angel.’ Every day I appreciate the opportunity to walk my dog, which eventually led me to get a manager, and then to a meeting that was a turning point and the beginning of something significant.
Over the past three decades, Boreanaz has been a regular fixture on television. Following his roles in “Buffy” and “Angel,” which are often credited for inspiring a wave of vampire shows, he starred as FBI Special Agent Seeley Booth opposite Emily Deschanel’s character Dr. Temperance Brennan, a forensic anthropologist, for 12 seasons on “Bones.” This series remains Fox’s longest-running hour-long drama show. Subsequently, he took on the lead role and executive producer position in the intense military drama “SEAL Team,” which recently concluded its successful seven-season run on Paramount+ (having initially aired on CBS).
During a brief respite from his ambassadorial duties with U.S. organizations, Boreanaz chats about the conclusion of “SEAL Team,” the secret to his success in Hollywood, and his readiness to potentially reprise his character in a “Bones” comeback.
So much of Master Chief Jason Hayes’ arc in the final season of “SEAL Team” boils down to the inner turmoil that he feels over his first kill, and the moral implications of his work as a Navy SEAL. In the finale, he decides to go back to Afghanistan to meet the family of the first man he killed in the war. How did you and the rest of the creative team arrive at this conclusion for your character?
The core truth of our show lies in the determination of the characters to propel the narrative forward. For “SEAL Team,” striking a delicate balance between missions, conflicts, and complications thereof, as well as the personal lives of the characters back home, was crucial. For many seasons, one character struggled with finding this equilibrium, believing at times that he had it under control. This season, however, he seemed to be finding some happiness, but his past traumas and nightmares were becoming increasingly apparent, suggesting that he was inadvertently causing more problems and feeling remorseful about it.
By returning to Afghanistan and reuniting with the family of his first kill, Jason might find some relief from his past, while also realizing this isn’t a recurring pattern for him. For me, this moment represented a turning point in his character development. Throughout seven seasons, Jason has been stuck in a cycle, and it seemed fitting for him to encounter an event that could both pull him in and push him out, offering a healthier solution than what he had previously followed. I believe adding this significant moment to his character was a touching decision.
Was there ever any doubt in your mind that Jason would survive the final season? Did you or the rest of the producers ever toy with the idea of killing him off?
We played with the idea in one season where he is taking more of a command in the HAVOC [control] room and trying to feel what that would feel like. Personally, for me to put the character in that situation, I didn’t feel that it made sense. I think it would be more awkward and a little bit more fish out of water. I mean, Master Chief wouldn’t really be a fish out of water, but for that situation it’d be boring. The real essence of the guy is, he would somewhat break the rules. In the open sequence of the pilot, he’d go to the other room, get the files, jump off and almost be killed. He always put himself in that situation and made a narrowing escape. That’s who he is, and I’m glad that we stuck with that.
Reflecting on the possibility of his demise at the end of Season 4, a thought crossed my mind: “Perhaps it’s time to bid him farewell, to bring closure.” It seemed logical not to subject these characters to another harrowing ordeal they’ve already experienced, and I feared it might be unfair to the character if we had chosen that route. Before the writers’ strike, I had made up my mind that this could be the end of the road for me. This wasn’t an unexpected twist; it was something I had anticipated. This storyline, delving into a less-discussed form of trauma [beyond post-traumatic stress disorder and traumatic brain injury], felt like the right way to honor this character.
What do you hope the legacy of “SEAL Team” will be, as far as the way it has attempted to advance conversations around mental health for military families?
It’s clear that I have a strong commitment to the field of mental health, and I’m always looking for ways to deepen my involvement. Whether someone is struggling with anxiety or depression, finding the right help is crucial. I’d like to discuss some aspects concerning the treatment options, particularly pharmaceutical interventions. How can we address the apparent motive of pharmaceutical companies to promote certain medications primarily for financial gains? What role does the Food and Drug Administration (FDA) play in this, and how might our food choices impact mental health advancements?
There are numerous paths and topics where you can shed light, and I’m eager to explore more tales about these subjects since mental health is such a significant aspect in all the characters we meet. For instance, even in Annapolis, I observe the challenges faced by young students and cadets throughout their year. Similarly, the alarming suicide rate at a base like Quantico is something they confront daily. Therefore, I believe that bringing attention to these issues can help others who may be struggling.
I’m grateful for the impact our series has made, as I often receive messages from viewers saying, “Your show prevented me from taking my own life. In a critical moment, I found the courage to ask for help, and you saved me.” This kind of feedback is the most valuable reward a show like ours could receive. I’m overjoyed that we managed to make such an impact, and I believe our series will continue to touch lives in this way. It’s unfortunate that it isn’t more widely recognized; I think it’s a powerful, underappreciated production. Its journey wasn’t easy – it was shifted from one network to Paramount+, where we gained greater creative freedom. However, like all good things, our show has a limited lifespan.
You rose to fame on network television, and people tend to have a different connection with you depending on which character they saw you play first. When people recognize you in public, what are they most likely to know you from, and what do they typically say to you?
These cult series, namely “Buffy” and “Angel,” provided me an extraordinary opportunity to collaborate with exceptionally talented writers. The shows themselves were technically demanding due to their extensive use of greenscreen and wire work at that time. It was a groundbreaking role for me, serving as a significant stepping stone in my acting journey, helping me grasp the intricacies of the craft.
The series “Bones” was groundbreaking, inspiring many viewers to pursue careers in anthropology due to its unique approach. In our fourth or fifth season, we redefined procedurals by focusing more on character development rather than plot-heavy storylines. This shift was met with initial skepticism from networks, who questioned elements like Booth wearing Converse sneakers and the use of self-undressing pens. However, I stood firm in my artistic choices and pushed forward, ultimately leading to marketing campaigns featuring my off-screen footwear and colorful socks!
Surrounded by the remarkable “SEAL Team” community, I’ve often heard expressions of gratitude. During my visit at the Pentagon last Tuesday, it was intriguing to see people approach and exclaim, “Thank you, Master Chief Hayes! Master Hayes!” They would then refer to the show, stating, “I appreciate it for its authenticity.” The most flattering compliment I could have received in the Pentagon was that we stayed true to our values, managed a balance, portrayed pain honestly, used accurate language, and wore appropriate uniforms. People often recognize me for multiple roles. In fact, I’ve even been identified from “Family Guy”! I get quite a few unusual recognitions, indeed.
You and Emily Deschanel broke the mold of the procedural drama on “Bones,” and the palpable connection between your characters is one of the reasons people continue to revisit the show, myself included. What do you think were the keys to building and sustaining your chemistry with her across all 12 seasons?
Starting off, discussing with your fellow actor that you’ll be spending weekends working with your esteemed acting coach Ivana Chubbuck, someone I consider exceptional and who might help us connect on a deeper level, was the initial step. That was the beginning. I believe it would have been more difficult for me to handle it alone, and then to explain everything to my co-star, as well as the showrunner and writers. It would have turned into a different kind of project, right? And that’s tough. So I’m thankful for her understanding and willingness to go along with it for so many years. Out of the 12 or 13 years we worked together, about nine or ten were solid where every weekend we were rewriting lines, doing exercises, exploring our characters’ spaces.
The moment we realized we could discard our work and improvise the characters naturally, was the turning point for the show. It brought us closer together, and despite any resistance we faced from the network at times, we persevered. Ivana’s brilliant collection of ideas, which resonated deeply with the development of the character, was invaluable. When you combine them, the outcome is remarkable. Without Ivana and Emily’s contributions, such a result would not have been possible. Finding individuals like them isn’t easy.
What do you miss most about working with Emily?
I deeply cherish the radiance she brought, her infectious smile, and her spirit that constantly pushed the limits in a scene. One day on set, I arrived early, feeling frustrated about something. We had a heated but constructive argument, yet we managed to maintain our professionalism by acknowledging that not every day would be perfect. We agreed to disagree, focusing on our shared work. On those days when I was down, she’d remind me, “David, don’t worry, I know you’re having a tough day. It’s not personal.” Similarly, when she felt low, she’d say the same to me. From that moment forward, our bond became even stronger. What makes her special is her unwavering dedication and support. I can honestly say I never grew angry with Emily, such is the nature of our connection. We still keep in touch, and I speak highly of her often.
As a dedicated cinema enthusiast who’s always yearned for a reunion with my beloved characters, I can’t help but fantasize about slipping back into those iconic roles and reviving the series, perhaps in an exciting new setting. It’s not as if we’re launching a space mission here, right? It feels like a comfortable pair of shoes that I can put on and take off at will, which makes it all the more appealing.
Like Emily, I was surprised to hear recently that you would want to participate in a revival of “Bones,” only because you spent so many years saying that you would prefer to look forward rather than go back. What exactly has changed?
As a dedicated cinephile, I must admit, not much has altered since the initial run of this beloved series. It’s more than just a show; it’s an escapade into mindless fun when you delve deeper. The chemistry between these two characters was electrifying and, if infused with joy and positivity, would make the experience effortless rather than demanding. A revival would be a short-lived affair, but collaborating with her again would undoubtedly be rewarding. At present, it’s not at the forefront of my priorities, but this is one project I might entertain – yes, I contemplate it, and I must admit, it holds a special place in my considerations.
Where do you think Booth and Brennan would be now?
It’s likely that the character would receive recognition at the real FBI headquarters in Quantico. Our daughter, around 15 or 16 years old, would be preparing for college. She might be interested in studying to become an FBI agent, which could drive her mother up the wall. Perhaps she switches her focus and takes a forensic anthropology class as part of that FBI-agent study path. Time will tell!
It seems Booth hasn’t fully retired and is compelled to return to a case involving the FBI. On the other hand, Brennan continues her writing career, garnering acclaim with her books, likely in the midst of another book tour. However, an unexpected award forces her to put aside her literary pursuits and rush to the FBI, and then things take a turn for the worse. I can envision it, indeed!
This sounds like the start of a great pitch for a revival to me!
The narrative is simply captivating! It promises to be quite humorous. Imagine if my daughter were really undergoing FBI training – now that’s a thought that tickles me!
Emily recently launched a “Bones” rewatch podcast with your former co-star Carla Gallo, who played Daisy Wick. Can we expect you to be a guest on an episode in the near future, or would you prefer to chat with them later down the line?
As an unpredictable movie enthusiast, I can’t commit to my plans beyond the moment. You see, someone like Emily might reach out and ask if I’m free for a task. But, as a creature of spontaneity, I can’t promise a definite date on my calendar, let alone know what I’ll be doing tomorrow. Some people understand this fluidity; others find it exasperating. It’s challenging for me to pin down a specific timeline for when I’ll tackle the task at hand.
You began your TV career with a guest spot on “Married… With Children” in 1993, and now you’ve starred in over 500 episodes across four different shows. What are your biggest takeaways from all the time you’ve spent in the business?
I vividly recall Ed O’Neill being incredibly generous and thoughtful, and later on, during a chance encounter at a holiday destination, we shared a cup of coffee together. Listening to him recount stories about himself was both amusing and insightful. It’s all about the remarkable individuals you cross paths with – the talented actors, producers, directors, and showrunners. My contacts list has multiplied exponentially, in a way that is now valuable. I can learn from their experiences and apply those lessons to my own pursuits.
As an executive producer on “SEAL Team”, directing episodes, and overseeing budgets and logistics, such as where we film, managing crew, and arranging transportation – I find immense joy in every aspect of it. And after years of working on this project, it feels like completing a masterclass, now it’s time to truly express myself creatively.
You’re one of the few non-daytime actors who has been able to work consistently for almost three decades, and, from what you just told me, you don’t seem to show any signs of slowing down. What has been the key to your longevity?
I’m absolutely certain that it’s the work with Ivana that I find particularly beneficial. It feels like I’m exercising muscles that have been dormant for a while. At the moment, I’m incredibly excited about performing in a play for a brief period due to the depth of the character which resonates deeply within me. In all honesty, this isn’t something I would have aspired to do 20 or even 10 years ago as it might have seemed like a status symbol. However, my experience with “SEAL Team” has taught me that authenticity is paramount. If a role isn’t genuine, it doesn’t align with your true self. Without finding that authenticity, you can’t achieve inner peace. And without inner peace, you can’t fully embody the character. I’m still learning these lessons.
Cillian Murphy explains, “To be an actor, it takes around 35 years.” However, I’m a novice just starting out. I’m learning about the importance of silence and authenticity, and I find myself drawn to it. I’m particularly captivated by how we filmed “SEAL Team” in a documentary style. We used anamorphic lenses and stayed with the SEALs, which really tapped into raw emotions. I truly believe that’s the best approach. I can’t imagine doing it any other way. Frankly, I don’t know how else to do it. So, for me, the essence is simply dedication. It’s about living in the present, pushing through tasks you might not want to do, getting physically fit, aligning your mind, and consistently working to achieve authenticity.
You told EbMaster at the Monte-Carlo Television Festival in June that you are writing a series that you could also star in and produce.
As a tenacious Taurian, I find it crucial to live in the present moment, ensuring my attention is fully on what’s happening here and now. The tasks at hand have their roots four years deep. When someone remarks, “You’ve been quite busy,” I respond, “I don’t dwell on the chain of work. Instead, I ask myself, ‘Where do I wish to expand as an artist?'” Working on “SEAL Team” has taught me a new level of dedication to complete tasks effectively. Yes, there’s a whirlwind of activities happening currently. I’m in the process of healing, which has been challenging, but I also have some wonderful developments taking place right now. These accomplishments will soon become known, I presume.
I don’t want to give away things, but I will say this: It’s paying homage and a love story to those local mom-and-pop shops, and what they’re all about. And when I say local, they’re the heartbeat of America, the heartbeat of the fabric of our society. [It’s about how] the simple things in life have been taken for granted, and if they’re not preserved or told about, they will be gone.
This interview has been edited and condensed.
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2024-10-07 00:48