As I delve into the captivating journey of Kanako Sawai, I am struck by her resilience and determination. Born in Japan and nurtured under the watchful eye of Avex, she navigated through roles that often lacked substance, yet her innate talent shone through. Her breakthrough moment came when a serendipitous email from Jake Miller in Los Angeles opened the door to a world of opportunities.
On a blistering July afternoon, the actress Anna Sawai and I sit in polite silence as we watch our tea being prepared. We are at Setsugekka on the Lower East Side, a tiny spot founded by a tea master from Chiba, Souheki Mori, who wants to introduce New Yorkers to the quieting ritual of the traditional Japanese tea ceremony. Mori isn’t around today. Instead, two smiling young white men in yukata whisk bowls of brilliant-green matcha as loud electronica pulses over the speakers.
“It’s very round,” Sawai says, sipping her drink. “Very strong. I love it.” She welcomes the caffeine. Just hours ago, she was muscling through a battery of Zoom press interviews. Her only break was to watch Sheryl Lee Ralph and Tony Hale announce the year’s slate of Emmy nominees on a livestream. Sawai received a Lead Dramatic Actress nod for her work as Lady Toda Mariko on FX’s Shōgun, and she’s favored to win.
Perched casually at the counter in denim and a clean white shirt, she exudes an unruffled, business-like composure that suggests this day is no different from any other. As I mention my recent relocation to British Columbia, where Sawai filmed ‘Shōgun’ in 2021 and the sci-fi series ‘Monarch: Legacy of Monsters’ in 2022, she quickly showers me with suggestions. “The food is fantastic!” she enthuses. “You must visit Kissa Tanto! Book a table if you can.”
As a passionate movie enthusiast, I found myself utterly captivated by Sawai’s extraordinary performance in this year’s standout series, “Shōgun.” This gripping production, skillfully orchestrated by showrunners Rachel Kondo and Justin Marks, masterfully adapts James Clavell’s renowned novel that delves into the power struggle between Japanese lords during the Sengoku period and an English naval pilot, John Blackthorne
At the beginning, Mariko finds herself in a challenging position – she’s the daughter of a fallen samurai, considering seppuku (ritual suicide) as a way to uphold her family’s honor, but is prevented by her bittersweet spouse, Buntaro (played by Shinnosuke Abe). Their relationship is dictated by societal norms. However, things take a turn when Blackthorne (Cosmo Jarvis), who washes ashore and is later captured, comes into the service of Lord Yoshii Toranaga, arrives. Toran. Toraning, who is also a producer. Realizing the potential advantage of Blackthorne in his political games, Lord Yoshii Toranaga uses Mariko, a Catholic convert fluent in common languages with the Englishman, as an interpreter. As the series unfolds, Mariko and Blackthorne and the Englishman develops develops a romantic feelings develops a romance starts to the Englishman, their relationship takes a backseat when Lord Toranaga’s schemes eventually grant Mariko some power. Her journey concludes with an act of sacrifice that breaks the grip of Toranaga’s rival and fulfills her desire for family redemption
The show “Squared
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Sawai, aged 32 years old, spent most of her early life in various locations such as Japan, New Zealand, the Philippines, and Hong Kong before settling in Japan when she was 10-5, as she says with a chuckle laugh, “Japan is like a familiar yet foreign mix of hers. She says that she finds it difficult to relate with the Japanese people, saying, “She’s not wholly foreign-born, she is more vocal at times out, is a little less than fully Japanese, she says, she likes to be seen in the family, and her parents working in the electronic company, the family moving around the globe. The family residing in Japan, she says, “Japan as being a bit of an internationalist. The foreign element to their way of hers, as she herself states: “I’s condition, she said, “The Japanese people will see me as if they think I am notifications.” She also mentions in the mannerisms, “Iota, this-to– 10 a little, she doesn’s the family, but her, but here, but the same as aforement. She says, she called it, the same as, she claims, ‘Japan, shedding her, the following theologically, “Oh,-none theo, she, the foreigner’ and they, the one, aforeign the following the first time she was justifying them, she said
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Anna knew she wanted to act more than sing. At 15, she got her first acting credit, playing a rebellious young ninja named Kiriko in Ninja Assassin, James McTeigue’s neo-noir martial-arts flick produced by the Wachowskis. By that point, she was already well within the Avex system, but the Japanese conglomerate wasn’t particularly equipped to help its talent navigate the film-and-television business — a casting director working for McTeigue had come around by chance looking for an English-speaking Japanese actress. The role was relatively small, ending with Kiriko’s death early in the movie, though her time on set left a strong impression on the people around her. “Anna was always so confident in who she was as a person and an actor, even at that age,” says McTeigue, who also directed 2005’s V for Vendetta. “You could tell she was going to do great things.” The role made Anna more certain she wanted to make the leap into acting. But her Avex handlers convinced her instead to join FAKY, a J-pop group they were developing for an international audience, which they framed as a project she could work on alongside acting opportunities.
Sawai’s experience with FAKY was mixed at best. Part of the original lineup, she sang in Britney-inflected English and Japanese with dutiful gusto. The act never really gained steam, though, and her responsibilities to the group frequently curtailed her screen aspirations. As she told The Hollywood Reporter in April, Avex prevented her from auditioning for The Suicide Squad when the casting call came around, claiming that she would hold up the schedules of the other members. “I was a pretty vocal person when I first joined,” she says. “But I remember someone telling me that if I said my opinion out loud, I’d be considered a diva.” Still, she advocated for herself enough that Avex began to bring her what television work it could find, roles that often didn’t have names.
2018 marked a significant turning point for Sawai when she parted ways with Avex, leaving only a personal Gmail address on her IMDb profile as a trace. It didn’t take long before her career started to flourish. The following year, she was cast in a more substantial role on the series Giri/Haji, which was one of her last projects with Avex. At that time, Ninja Assassin, a film she had worked on, reappeared on streaming platforms. Jake Miller, a talent manager from Los Angeles, stumbled upon it and found himself intrigued by Sawai’s screen presence. “She has an undeniable watchability,” Miller remarked. Curious to see if she had any recent work, he looked her up on IMDb and discovered her contact information. “Sending that email was one of the best impromptu decisions I’ve ever made,” Miller recalled
In simpler terms, Miller and his team initially had a relationship with Sawai. Their action was the first act upon anybody else,Sawai’s initial value.Then,Miller andhis team transferred to be close toBeckman,Beckman’sfinalvalue.Beckman’sfinalvalue.transferedtoF9in 2019,which shetransferred fromGreene,Grene’sinitialvalue.GreeneandGrene’swere transferredtoMonarch rightaway.”
She appreciates the well-rounded characters in “Shogun”. “Today, there’s more representation, but unfortunately, there’s still a lot of misrepresentation,” she points out. “I’ve been part of projects where I felt, ‘It might not be authentic to us, but we’ll go with it’,” she recalls. “However, after Shogun, I feel I need to advocate for myself and my community in Japan,” she asserts. She’s now reconsidering the types of roles she could play. “I used to think that the only thing I was capable of was being young and doing action, wearing a high-school uniform,” she admits about her initial years in the industry. “I didn’t really challenge it much.”
Two days following our meeting in New York, she jet-setted off to Australia to initiate filming for the upcoming season of Monarch. With production taking up most of her time, the Emmys have been a bit elusive for her during our late-August Zoom chat. “It feels quite odd!” she admits. “While everyone in L.A. is buzzing about the Emmys, I’m immersed in work mode, concentrating on what’s directly in front of me.” However, a hint of excitement sneaks in as she starts to plan for her first ceremony: consulting with her stylist regarding who she’ll wear. “I’ve got someone special coming along too,” she notes, then pauses. “Hold on – shouldn’t I be discussing these matters yet, correct?”
If Sawai emergesterely wins on September 15th, she will become the second Asian woman to claim a lead-acting award. Moreover, she would be the first Japanese woman to achieve this feat, with only one other contender coming close_news. Interestingly, if Sawaiverbalanced by Pinkvilla Sawai mentioned that it would signify a significant stride, but she acknowledges that she has no power over the outcome, as you well know
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2024-09-04 14:55