As a lifelong supporter of freedom of expression and a firm believer that art should never be silenced, I wholeheartedly stand by my decision to not compromise my values for any political party or monetary gain. I’ve been through my fair share of battles, from fighting for the rights of artists in the industry to standing up against censorship and oppression.
Critiques have emerged for DJ Cassidy‘s 75-minute performance during Tuesday night’s event… and these opinions are surprising. Conservative commentator Meghan McCain stated, “I must admit, the #DNC2024 roll call featuring DJ Cassidy, with its state music theme and party ambiance, surpasses the RNC’s roll call in my opinion. It appears as a massive celebration, and everyone in that room seems to be enjoying themselves immensely.”
Surprisingly, a moment that’s typically the least exciting in any national political convention – where delegates formally confirm what was already expected – turned out to be one of the most exhilarating and captivating during the 2024 Democratic National Convention. Politico columnist Jeff Greenfield expressed this sentiment: “The organizers deserve a Lifetime Achievement Emmy for transforming the usually monotonous aspect of a convention into an attention-grabbing visual and auditory spectacle.”
The change in role for DJ Cassidy, from providing background music to hosting a playlist with a variety of 57 songs spanning 75 minutes, allowed each state to have its own distinctive anthem. The excitement level was further escalated when rapper Lil Jon emerged down the aisle to perform a live tribute to Georgia’s stage, adding even more energy to the atmosphere.
Cassidy, who’s known for hosting “Pass the Mic,” a well-known TV and concert series, had a chat with EbMaster in the afternoon. They talked about how an established tradition underwent an unexpected change (during a break from rehearsals for a private event he’s performing at in Chicago on Wednesday night alongside Wyclef Jean and Shaggy).
MSNBC host Katie Phang expressed what many viewers felt when she inquired, “Who can help me get access to this Roll Call playlist?” To find out the entire list, keep on reading below, but let’s start with how it was curated:
Are there any responses to the roll call that have been most fun for you to get?
Last night, as Barack Obama left the stage and headed towards the green room, our eyes met for the first time in years. He looked at me and said, “You did great tonight.” Hearing that was more than enough for me.
Initially, I hadn’t anticipated that our historic musical roll call would evoke such a powerful response from people. I knew it was unique because no one had ever attempted a musical roll call before. I admit, if I were being overly optimistic, I thought it could be revolutionary. However, I didn’t expect it to carry such an emotional weight. In retrospect, we managed to infuse a significant amount of emotion into what is usually a rather impersonal process. Comparing it to traditional roll calls, like those at the RNC and DNC, there’s a stark contrast – day and night, almost. I can’t tell if the Instagram account showcasing the difference chose an exaggerated version or not, but the impact is undeniable. I’ve seen numerous social media posts expressing that the music made them emotional, and for me, that’s the most gratifying feedback I could receive. The main objective of this convention is to stir emotions in people, motivating them to vote. In this specific case, democracy itself hangs in the balance.
Previously unattempted, yet it’s challenging to envision a return to the past. It might be that even the Republican party attempts something comparable in four years.
I wonder. Only time will tell. I’m really honored to have been the first.
During the event, a short live appearance by Lil Jon injected an even higher level of energy than what had previously existed.
We wanted there to be one moment where I literally passed the mic to an iconic artist, and we wanted it to be the kind of moment that would shake the roof off the arena. And honestly, when we came to discuss it, it was just so obvious that we all wanted to call Jon. It was just so perfect for Georgia. It sat at a perfect part of the night, not at the beginning, not at the end. I called Jon and I said, “You’re gonna get a call from the Democratic National Convention, but I just wanted to call you first and give you a heads up.” And he said, “Done.” And it was even more electrifying than I anticipated, I must say. We kept it very tight (to ourselves), because the element of surprise is so important to me.
Lil Jon falls squarely within your preferred musical genre, given your focus on ’70s R&B and hip-hop up until the 2000s in your “Pass the Mic” performances. However, since the playlist was diverse, it’s reasonable to assume some external suggestions influenced certain song choices. For instance, it wouldn’t be obvious if your taste extends to a band like Dropkick Murphys.
From the outset, I emphasized the importance of not working on this soundtrack alone, but rather making it a collaborative effort. This collaboration was not just limited to myself, the committee, producers of the convention, but extended to the states and their representatives who would be present at the event. Each state had a unique connection to the songs included in the soundtrack, some connections being more apparent than others.
What was an example of the state reps giving input?
In some instances, the correct answers seemed self-evident, while others required a quick online search. Frankly, I was puzzled as to why an Alan Parsons Project tune appeared among them, but people familiar with the region or sports readily understood.
That is the Chicago Bulls theme, and that was one of my favorite moments. The song has no words, but it’s so iconic to Chicago — and it’s iconic to the United Center, and it feels like victory. It feels like Michael Jordan walking through the halls to the court to a championship. It exuded the energy of the night. And of course there are so many great artists from Chicago, we could have chosen a thousand great songs.
What was the mix you were looking for, as far as recognizable or kind of inside references?
I aimed for clarity that would be instantly recognizable worldwide, and for a deeper connection in some instances. For example, “Empire State of Mind” and “Sweet Home Alabama” are self-explanatory. Sometimes, the artist’s origin or residence in the mentioned state, or the song itself referencing the state, made it clear.
Other locations exhibited a more subtle connection, such as Wisconsin: The song “Jump Around” has morphed into a rallying cry for the University of Wisconsin. Each time those horns sound, people get excited and the rhythm kicks in, prompting everyone to start jumping. Through the university, this tune has evolved into a state-wide anthem.
I too maintained a collection of songs that seemed to capture the essence of the night, such as “Girl on Fire,” “Respect,” “Celebration,” “Edge of Glory,” and “Firework.” Whenever there wasn’t an obvious choice for a song, I would suggest tunes like these that seemed tailor-made for the event. This was a collaborative effort involving me, the Democratic National Committee, the convention producers, and the various states. Once we had all 57 pieces in place, it was my job to compile them, edit them, decide on start and end points, and arrange them like a DJ would. This was a task of love that I worked on for weeks, right up until the last moment.
As a devoted fan, I must admit that there are certain states where it seems challenging to create songs that truly resonate. For instance, Taylor Swift’s “Shake It Off” could have been set in her home state of Pennsylvania or Tennessee, but how many artists can genuinely claim Rhode Island as their own? That’s why I believe she found it particularly useful for this location.
Yeah, there she is!
Regarding Kendrick Lamar’s “Not Like Us,” there were humorous comments suggesting that Canada might sever ties with the U.S. due to taking sides in the Drake feud. However, joking aside, it is among the top two or three most significant tracks of the year. Moreover, California was one of several states where multiple songs were played, correct?
Yeah, there were three (states with multiple picks). Georgia had “Welcome to Atlanta” as an intro to Lil Jon, and then of course “Turn Down for What.” For Pennsylvania, we had the two big city anthems, “Motownphilly” by Boyz II Men and “Black & Yellow” by Wiz Khalifa. And California had “The Next Episode” (by Dr. Dre and Snoop Dogg), “California Love” (by 2Pac and Dr. Dre), “Alright” (also by Lamar) and “Not Lke Us.” Those were the three that had multiple songs.
Many individuals likely discovered, or verified through a web search, that Chappell Roan hails from Missouri.
Absolutely, she’s a fresh artist, and I aimed for her music to encompass as much time as possible. We were equally eager to have tracks released in 2024 and 2023, as well as songs from the ’60s. In simpler terms, we wanted a mix of modern and retro tunes.
Did Guam receive an “Espresso” coffee shop? Was this simply a way to include Sabrina Carpenter, or was there a specific link between the two?
That tune and its performer ended up being among our chosen tracks to create a fantastic ambiance for the evening. When the chance arose to incorporate it, backed by the state’s approval, we made the decision to include it.
The music wasn’t just high-energy tracks. For instance, “Stick Season” by Noah Kahan – while it’s a slower tune, it resonates deeply with Vermont listeners and has become synonymous with the region. So, perhaps slowing things down momentarily to accommodate this popular song was justified?
During my “Pass the Mic” live events, there’s a segment where I perform R&B ballads for about five minutes. Initially, some close friends questioned this decision, suggesting it would be too late in the show. However, I assured them it would be the highlight of the night, and I was correct. The atmosphere was electric, with lights illuminating the air as everyone sang along to every ballad. This demonstrates that speed isn’t always related to the intensity of emotion or energy. In fact, last night’s slower tempo songs were just as impactful as the high-tempo ones.
How long ago did the convention people approach you for this?
Following Kamala’s taking the mic from Joe, I received a call from Ricky Kirshner, who is known as the convention producer. He proposed the opportunity for me to kick off the musical portion of the roll call event. We had worked together before in 2012, where I essentially served as the house band for four days, setting the tone for each speaker with my music. However, this time was unlike any other. In comparison to that experience, I might be seen as a more visible version of the Academy Awards orchestra, only glimpsed occasionally from the pit. This time, it was a 75-minute performance, carefully planned and prepared for weeks.
In addition to collaborating with Ricky and his team during Joe Biden’s virtual inauguration in 2021, I was tasked with creating two “Pass the Mic” segments: one aired on all networks in the morning featuring Earth, Wind, & Fire, Nile Rodgers, and Kathy Sledge; while another aired during the evening show hosted by Tom Hanks, featuring Luis Fonzi and Ozuna. Many of the individuals who worked with the Obama administration during my eight-year tenure of events were also involved. This journey, from 2007 until now, has been incredible – campaigning with Obama, being a key figure in his White House celebrations, and then collaborating with Kamala Harris for Joe Biden’s inauguration. After each event, I marveled that “This is the greatest night of my life. It can never be topped.” Yet, somehow, it always is. It’s truly remarkable that I can utilize my DJing skills for a purpose beyond what I could have ever dreamt in my wildest imagination.
You are not a neophyte in political event DJ-ing.
17 years have passed since I participated in Obama’s first inauguration, followed by his 50th birthday, another inauguration, and Michelle’s 50th. It’s hard to imagine it’s been that long, especially considering I have a wall in my studio filled with handwritten letters from the president and first lady following each event. They hold a special charm. Last night, I stood just two feet behind Barack Obama while he listened to Michelle Obama’s speech on a teleprompter. That moment was almost unreal.
What do you think of how the convention has used music overall?
I didn’t catch everything because I was busy with introductions, but it was fantastic to witness Patti LaBelle and Common last night. Notably, many American musicians back the Democratic candidate, which makes perfect sense. Frankly, it’s baffling to me when someone from the arts endorses a Republican candidate who frequently opposes self-expression. It’s clear that both the Democratic party and genuine artists champion freedom of expression.
Four years down the line, should the Republican party approach me with an offer for collaboration, I would politely decline, as I believe my expertise and values are best expressed independently.
Not for a billion dollars.
The full playlist, state by state:
Here are the states and their associated songs, rephrased for easier reading:
A user-generated compilation of songs from the playlist can be found on Spotify here.
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2024-08-22 04:49