Don Cheadle Talks ‘Fight Night’ and Untold Black History: ‘It Might Be Actors and Artists Who Have to Make Sure That History Is Told’

As a cinema devotee with a deep affection for historical narratives and a personal connection to Atlanta, I must say that “Fight Night: The Million Dollar Heist” has piqued my interest immensely. My friends’ tales of life in the vibrant city during the nineties always seemed intriguing, but it wasn’t until I delved into this series’ script that I truly understood its allure.


By the end of October 1970, Muhammad Ali made his comeback to boxing following a three-year ban due to his resistance against military conscription during the Vietnam War. However, Ali’s triumphant return was overshadowed by an even more captivating story reported in Atlanta newspapers the day after. The upcoming Peacock miniseries, “Fight Night: The Million Dollar Heist,” inspired by a true-crime podcast, focuses on the most significant heist in Georgia’s history and how Atlanta transitioned into the Black Mecca.

“During my chat at the Martha’s Vineyard African American Film Festival, I shared with EbMaster that when I first read the script for this series, it truly took me aback.”

“She recalled having two friends relocate to Atlanta during the early nineties. I thought, ‘Why all the fuss about Atlanta?’ Then, as I read the scripts, I realized it was still echoing the legacy that Chicken Man had established in 1970, which left me astounded. Discovering that’s where it originated from felt like a fascinating historical revelation.”

“In ‘Fight Night’, Kevin Hart plays Chicken Man, an Atlanta entrepreneur who hosts a grand gathering after a significant fight, inviting influential gangsters from across the nation. Unfortunately, the event takes a turn for the worse as it becomes the scene of a daring robbery. Desperate to prove his innocence, Chicken Man turns to Detective J.D. Hudson (Don Cheadle), Atlanta’s lone Black detective within the police force, for help.”

During the filming of this project, Cheadle was eager to collaborate with Henson once more (since their last collaboration in 2007’s “Talk to Me”), alongside fellow actors Hart, Samuel L. Jackson, and Terrence Howard. Additionally, he found Hudson particularly fascinating – a man who, due to his occupation, faced rejection from his own community.

As a fan, I found Shaye Ogbonna’s script to be meticulously structured, serving as my roadmap. Then, it was about infusing it with the research on J.D, understanding his essence, and determining the right tone for the role. This approach helped me delve deeper into who he truly was. Fortunately, we had numerous interviews with him, and could draw from videos and conversations with people who knew him. The process of trying to embody him was an exciting journey – like trying to slip into J.D’s shoes.

While the storyline of “Fight Night” holds great appeal by itself, it’s the captivating characters that set this story apart. Henson embodies Vivian Thomas, who stands as Chicken Man’s partner in all aspects. Interestingly, Henson’s portrayal of Vivian is unlike any character she has taken on in her acting career.

“Henson admires women who know their goals in life and aren’t afraid to be true to themselves,” he states. “I appreciate characters who confidently embody their unique identities, as it takes courage to do so. I wish more people would adopt this mindset. Characters like these are intriguing because they inspire optimism.”

While “Fight Night” may seem engaging and whimsical, uncovering its tale serves as a stark reminder of the vast amount of Black history that has been hidden or overlooked in our collective memory.

What caught me off guard was the occurrence itself, as well as the fact that it wasn’t widely known, Cheadle explains. As you listen to the podcast, they discuss why it was hidden, and then you realize, ‘Of course, people wouldn’t know about it. It didn’t happen in posh areas like Beverly Hills or Buckhead; it occurred elsewhere.’ Many of our untold stories, if we dig them up, would be captivating, astounding, and hard to believe. It turns out that even actors and artists have a role in ensuring history is accurately recorded.

For Shaye Ogbonna and Will Packer, who are responsible for the series, it was crucial to delve into its authentic feel. They went to great lengths to discover undisturbed locations in Atlanta that have been preserved since 1970. During the premiere of “Fight Night” at MVAAFF, a refurbished 1966 Cadillac Calais similar to the one driven by Chicken Man in the series, was displayed on-site. Additionally, Jimmy Hawkins, the costume designer, focused on choosing costumes that would enhance the actors’ storytelling.

When they were preparing for “Talk to Me”, as Henson recounts, they were both in the trailer. Don was applying his wig and sideburns, while she was concealing his tattoos. The moment they dressed us up in those outfits, once he donned his wig and I mine, we spontaneously started dancing like on Soul Train, she explains. This is all part of the creative process. There are times when I don’t fully comprehend my character until I put on the costume.

Rather than merely serving as a glance back at a specific point in Atlanta’s past, “Fight Night” aims to ignite the audience’s interest in understanding the types of stories shared and the reasons behind them, according to Cheadle and Henson.

“Cheadle expresses his wish for everyone to enjoy themselves tremendously. He suggests that sometimes the most effective action we can take is to subtly introduce fascinating facts and, ideally, ignite curiosity about history. It’s as if he aims to kindle a passion for a larger narrative, but I believe the primary goal is to first captivate.”

Henson states, “I hope viewers understand the strength we possess when we act collectively and recognize the impact of our financial resources, as that’s the central theme of this series. I want people to realize that by moving together in large numbers, using our money wisely, we can harness a formidable power within our own communities – all without needing handouts.”

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2024-08-14 17:47