Without Brandon Lee, The Crow Doesn’t Fly

As a lifelong movie enthusiast who has witnessed the evolution of comic-book adaptations from their humble beginnings, I must say that The Crow is a film that stands out as a testament to the power of an actor’s performance and the haunting beauty of a well-told story. Brandon Lee, in his tragically short life, left an indelible mark on cinema with this role, embodying the complexities and nuances of Eric Draven in a way that transcends the film’s supernatural elements.


On Wednesdays throughout August, Vulture is inviting readers to join our Vulture Movie Club by watching a film selected for us each week. This week’s pick, recommended by Vulture critic Roxana Hadadi, is “The Crow” which will be screened live on Wednesday, August 14th at 7 p.m. ET. Don’t forget to follow Vulture’s Twitter for real-time commentary during the screening.

The mentioned face, masterfully crafted and skillfully managed, is filled with the potential for tenderness, love, threat, and anger.

Brandon Lee masterfully played his character in “The Crow” (1994), the film adaptation of James O’Barr’s iconic graphic novel, with precision in his portrayal, expressions, and gaze. The movie brims with the depth and vitality of Lee’s dual performance. Discussing “The Crow” without mentioning Lee’s unfortunate death during production would be incomplete. His untimely demise occurred while filming a scene where his character was killed, adding an unsettling layer to the narrative. The sadness surrounding this event will forever cast a shadow over the movie, sparking theories about the premature deaths of both Brandon and his legendary father, Bruce Lee. However, it’s essential to remember that Lee breathes life into “The Crow” in an extraordinary, thrilling way. As an actor who shuns artifice, he lends a compellingly human touch to the movie’s supernatural elements.

In a friendly and engaging manner, Lee resembles the charismatic rock star character, Eric Draven. He’s open with affection and has an intriguing fascination towards the mysterious and grim. His band’s emblem, Hangman’s Joke, portrays a cheerful skeleton adjusting its own noose. Tragically, Lee (as Draven) and his beloved fiancée, Shelly (played by Sofia Shinas), are brutally murdered by the ruthless crime lord, Top Dollar (Michael Wincott), and his henchmen. This heinous act symbolizes the growing indifference in Detroit. A year later, Draven is mysteriously resurrected by a powerful crow and embarks on a quest to exact vengeance upon all those involved in their deaths.

In my perspective as a supporter, it could have been simple for the actor portraying Draven, let’s call him Lee, to merely showcase him as a relentless force, focusing solely on his hardened exterior borne out of tragic events like those he experienced alongside Shelly. However, the film’s action scenes are undeniably intense, with a cunningly mischievous Lee skillfully demonstrating his martial arts prowess amidst a grand shootout sequence, even taking time to bid farewell to one of his foes as they plummet off a pier. Yet, what makes these scenes truly impactful is not just the brutality, but rather Lee’s willingness to delve into Draven’s vulnerabilities.

A significant portion of “The Crow” is characterized by a dark and moody atmosphere, complete with towering tombstones, menacing gargoyles, music from bands like The Cure and Nine Inch Nails, and plenty of black lipstick and leather. Directors Alex Proyas and screenwriters David J. Schow and John Shirley leave no stone unturned in creating a film that alternates between sadness and rage. Flashbacks in red hues with strobe lighting depict happier times for the characters Eric and Shelly, as well as their tragic end. Close-up shots from Eric’s perspective give us a sense of his experiences after being resurrected, from breaking through his coffin to reaching for crime scene tape on his front door. Each time Eric creates a crow symbol using his victims’ blood, it’s an exciting moment. There’s even a sword fight on a rainy church rooftop, and yes, I own the action figure set of that scene! All these elements make “The Crow” a gothic masterpiece. However, it is Brandon Lee’s portrayal of humanity in “The Crow” that remains its most powerful and enduring quality. Despite numerous sequels and upcoming reboots, without Lee, “The Crow” fails to take flight.

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2024-08-13 17:54