REVIEW: “Kill” (2024)

As a seasoned cinephile with a soft spot for gritty action films, I can’t help but be captivated by the raw energy and intensity of “Kill.” Having had the privilege of attending film festivals around the world, I’ve seen my fair share of Indian cinema, but none quite like this.

I’m excited to share that the intense and raw Hindi action-thriller “Kill” is a must-watch this year. After making waves at last year’s Toronto International Film Festival, some have even labeled it as a future cult classic. India has a strong affinity for action movies, but not all of them make it to US theaters. Fortunately, Lionsgate is bringing “Kill” to cinemas near you starting this weekend. Don’t miss out on this adrenaline-pumping experience!

Title “Kill,” helmed by Nikhil Nagesh Bhat, delivers on its title’s promise. This film is markedly violent and more gory than most Indian action films. The majority of the story unfolds in a confined location, introducing audiences to Lakshya, a new action star making his feature film debut at age 28. With an intensity that leaves you breathless and physicality that’s awe-inspiring, Lakshya’s performance will have your jaw dropping.

Lakshya portrays Amrit Rathod, a passionate National Security Guard commander, who harbors deep affection for a young lady named Tulika (Tanya Maniktala). They nurture ambitious plans to wed, but their dreams are dashed when Tulika discovers her father, a influential business tycoon (Harsh Chhaya), has arranged her engagement to someone else. In a hurried response, Tulika’s family escorts her by train to Delhi for the marriage ceremony. Determined to prevent the union, Amrit manages to board the train and enlists his friend and fellow commando Viresh (Abhishek Chauhan) in his quest to thwart the wedding.

Unbeknownst to them, among the passengers is a dangerous gang of bandits headed by Fani (Raghav Juyal), a callous and remorseless sociopath wielding knives. In the opening sequence, these thugs assault and rob people in different compartments. Amrit and Viresh make valiant efforts to shield the passengers. However, when Fani threatens Tulika, Amrit’s heroic demeanor gives way to an enraged, primal response. The events leading up to this moment unfold within the first 45 minutes before the title appears on screen.

As a cinephile, I can tell you that the final 45 minutes of this film are an unrelenting onslaught of intense hand-to-hand combat. Amrit’s rage is palpable as he takes on wave after wave of adversaries, each encounter more brutal than the last. The fight scenes are saturated with blood and raw emotion. Bhat and cinematographer Rafey Mehmood brilliantly convey the ferocity of these brawls through their meticulous framing in cramped, claustrophobic settings. Lakshya’s performance is truly commendable; he pours every ounce of his physical and emotional energy into both his character and the combative action.

As I sat in my seat on the cramped train, the sense of confinement only added to the tension in this high-octane action flick. Yet, I couldn’t help but feel a pang of disappointment as the cars rolled by, each one indistinguishable from the last. The relentless barrage of violence began to wear on me, and I could understand why some viewers might grow weary. But then again, “Kill” is not just another action movie. It’s a masterclass in adrenaline-pumping suspense that will leave you breathless. So if the thought of non-stop mayhem unfolding on a speeding train appeals to you (as it did to me), buckle up and get ready for one hell of a ride. This isn’t your average “John Wick” spinoff, but rather an exhilarating journey all its own. And trust me, it’s worth the price of admission.

2024-07-16 15:59

REVIEW: “Kill” (2024)

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