5 reasons to get excited about Peaky Blinders creator Steven Knight’s new show

As a fan of gritty period dramas and a connoisseur of Steven Knight’s storytelling prowess, I am beyond excited about A Thousand Blows. The combination of bare-knuckle boxing, Victorian London, and an all-female gang of thieves promises to deliver a unique blend of action, drama, and historical intrigue.


A Thousand Blows,” set to premiere in 2025, is a compelling period drama, crafted by the creator of Peaky Blinders. Here’s what makes this gritty Disney production worth looking forward to!

Steven Knight found great acclaim for producing and overseeing Peaky Blinders, a series that spanned six seasons, with a new Peaky Blinders film set to premiere shortly.

However, apart from the aforementioned production, Knight has also developed another historical drama, entitled “A Thousand Blows”. This work revolves around the brutal world of bare-knuckle boxing in Victorian London and introduces an all-female gang of thieves known as the Forty Elephants.

Instead of reviewing, let’s share reasons why you might want to watch, as the first two episodes premiered at the London Film Festival. We won’t evaluate them until they air on Hulu in the US and Disney+ in the UK. However, based on quotes from Knight and his cast during the post-screening Q&A, it seems worth tuning in.

A Thousand Blows is based on three amazing true stories

5 reasons to get excited about Peaky Blinders creator Steven Knight’s new show

The story, A Thousand Blows, centers on an intriguing group of three real-life protagonists: Sugar Goodson (played by Stephen Graham), a notorious bare-knuckle boxer, and Mary Carr (portrayed by Erin Doherty), who held the title of crime syndicate ruler, the Forty Elephants.

In the story, A Thousand Blows, the third figure, Hezekiah Moscow portrayed by Malachi Kirby, migrated from Jamaica to the East End of London, yearning to begin anew. However, his peaceful aspirations are quickly disrupted as he gets into conflicts with Goodson and is enticed by Carr towards a path of criminal activities.

In essence, Moscow serves as the leading character in the series, and according to Steven Knight, it’s crucial for historical dramas to portray diverse narratives, a notion he expresses by questioning, “Why should we overlook approximately three-quarters of the tales?

Actor Kirby expressed that this representation was unusual, commenting, “I rarely, if ever, witness Jamaicans depicted as intelligent and refined gentlemen. His actions are driven by circumstances rather than brute strength. He’s powerful because he needs to be, which is true for many of our characters.

The cast is “extraordinary”

In a recent conversation, director Nick Murphy talked about the outstanding cast – featuring Daniel Mays, Tom Davis, and Hannah Walters among others – and their ability to bring Knight’s scripts vividly to the screen.

Murphy stated, “Steve is an exceptional writer for numerous reasons, and this is widely recognized. I believe he stands out because of his ability to infuse a poetic quality into raw realism. His work remains down-to-earth, but there’s also a sense of poetry to it.

It’s truly challenging to pull off those actions convincingly, but I believe my fellow directors would agree – our actors have an exceptional ability to embody the script, appreciate its poetic beauty, and still maintain a genuine presence on set.

How those actors kept it authentic

As a dedicated gamer, I’ve learned that diving deep into the character I’m about to play is crucial. However, sometimes, for the sake of genuine portrayal, I toss aside all that research – just like Stephen Graham did when he played his roles.

According to Graham, it appears that our collective approach was to delve deeply into historical records. We uncovered aspects within these characters that struck a chord with us.

However, it’s important to note that we didn’t just engage in isolated activities. We collaboratively crafted narratives for our characters, with Steve often interacting with us one-on-one. The focus was significantly on developing the histories and lives of these characters. We delved deeply into their pasts, understanding that they were all survivors.

You keep learning, complete your assignments, but at some point, you must discard them. This is because you grasp what’s written and have inspiring mentors who provide a space for you to express yourself creatively.

The charm and delight were found in that moment. It was the essence. Any prior studies would be discarded, allowing us to portray genuinely what was unfolding in that specific setting, at that very instant, with all the authenticity possible.

Truth is stranger than fiction in A Thousand Blows

For Knight and his team, ensuring historical authenticity was of utmost importance. He stated that the most effective approach is to delve into primary sources such as newspapers, court records, or similar documents. These are where the true account of events can be found. The truth, he emphasized, is always more captivating than any fictional story one could create.

Experiencing life feels like navigating through an unpredictable, bizarre maze at times, where extraordinary events occur that seem too outlandish for anyone to believe. Yet, I find myself drawn to these unexpected twists and turns, striving to embrace the very essence of reality’s unpredictability.

Knight added: “When it comes to distinguishing truth from fiction, I find that imagined events are often predictable due to the workings of a logical mind. However, real life isn’t always logical. Therefore, I believe it’s beneficial to delve into what truly occurred, how it unfolded, and how individuals actually acted in those situations.

The stakes couldn’t be higher

5 reasons to get excited about Peaky Blinders creator Steven Knight’s new show

In the narrative, every character appears to be striving for survival, which resonated strongly with those who joined the production team. (Steven Knight shared this perspective with Nick Murphy, explaining why there was such a high caliber of talent attracted to the show.)

Murphy further emphasized the danger inherent in those events, explaining, “Even though some may speak eloquently, it feels as if just one mistake – as Mary puts it – one mistake, and London could be deadly.

There’s no safety net like Social Security. There’s nothing to fall back on. Everyone understands that one mistake could be fatal… if these women are caught, they will face severe consequences, possibly even execution.

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2024-10-14 17:48