As a connoisseur of dark dramas who has traversed the depths of human depravity in search of the next great story, I must say that Gong Yoo’s portrayal of The Recruiter in Squid Game is nothing short of masterful. The way he captures the duality of this enigmatic character, from the suave and seemingly untouchable exterior to the depraved and bloodthirsty heart within, is a testament to his skill as an actor.

Spoilers follow for the first episode of the second season of Squid Game. 

Life abounds with paradoxes, such as how Squid Game turned Gong Yoo’s character slapping ddakji losers in the face into a vivid portrayal of the game’s inherent darkness, yet something many viewers secretly desired. This is a testament to the genius behind casting a man with such an appealing appearance as the Recruiter, a role demanding him to smile at people while also revealing their true, grimy, and unworthy nature. He exudes heat, charm, and madness, traits Gong Yoo wields with chilling accuracy, matching his jawline’s razor-sharp edge. Before the second season sees our favorite sinister villain become just another casualty, “Bread and Lottery” offers an outstanding performance by the man who served as both Squid Game’s spokesman and its enchanter.

In contrast to other antagonists in Squid Game who conceal their true identities behind masks, the Recruiter is open and transparent. This is necessary for him to gain the trust of the contestants; after all, he appears to be a charming, confident, well-dressed man, so why would they suspect him of misleading them? In the show’s initial season, the Recruiter serves as a reflection of the game itself – an appealing proposition that initially seems harmless, but eventually reveals its violent nature. The contestants find themselves compelled to follow the rules of the game, with little choice in the matter. The Recruiter represents the brutal and unforgiving nature of the game, as well as the slim chances of success, all while maintaining a polished demeanor and vacant stare. He haunts Seoul’s subway stations, preying on the downtrodden and distributing invitation cards of substantial weight. Although he may not brandish a chainsaw, the Recruiter can certainly deliver a powerful slap when needed.

The harshness of the blows inflicted and the pleasure it brings the Recruiter to administer them, foreshadows a deep-seated sadism in the character’s personality. The second season opens with Gi-hun (Lee Jung-jae) who, after winning the game and vowing to dismantle it, has spent years tracking down the Recruiter. He first pays off his debts to his loan shark Mr. Kim (Kim Pub-lae), then hires Mr. Kim and his right-hand man Woo-Seok (Jeon Seok-ho) to assemble teams of men searching for the Recruiter in subway stations. Not all the men working for Gi-hun fully believe in what they’ve been told about the Recruiter. Some see the sketches and mannequin as representations of a mythical bogeyman. Actor Gong Yoo’s reprisal of the character makes an even greater impact: The scenes showing Gi-hun’s employees searching in vain for the man who initially drew them into the game suggest that the Recruiter might be nothing more than a manifestation of our fears – until his chilling return.

In a similar vein as Bateman’s transformation at the end of “American Psycho”, Gong Yoo transforms the Recruiter into a warped version of his original character. He becomes less polished and more brusque, gradually intensifying these traits until he reaches a completely unstable state. Each of his daily activities underscores the stark contrast of the game’s worldview, and Gong Yoo delivers an exceptional performance due to his ability to swing between offering hope and despair.

In a dramatic outburst that mixes rage with an unexpected show of self-discipline, Gong Yoo responds to the Recruiter’s provocation by trashing the leftover food in a fit of anger. He stomps on the bread, jumps up and down, kicks, smashes, and destroys everything in sight, turning it into chaos. This tantrum, though meant to be a lesson, highlights the Recruiter’s loss of control. After the intense display of fury and energy, Gong Yoo neatly arranges his suit, combs his hair, and pastes a smile on his face. The casual “Hm” he utters as he surveys the mess he’s made is supposed to convey surprise, but Gong Yoo’s portrayal of the scene, with its contradictory intensity and precision, suggests that this destructive act is part of a routine, with the only variable being the number of people who choose the meal or the gamble. This degradation of others combined with unpredictable randomness fuels the Recruiter’s passion, making the latter half of “Bread and Lottery” increasingly horrifying as we learn more about his character.

In this episode, the series’ creator, scriptwriter, and director Hwang Dong-hyuk constructs a thriller centered around a locked room, where the Recruiter takes control over Mr. Kim and Woo-Seok, compelling them to participate in an unusual game that involves rock, paper, scissors, minus one, followed by Russian roulette. The loser of the initial game is then required to play Russian roulette again, risking self-inflicted gunshot wounds. As the Recruiter monitors their distress, he remains composed and unflustered, even after killing Mr. Kim for cheating, allowing Woo-Seok to survive. However, when the Recruiter becomes covered in Mr. Kim’s blood and entrails, his demeanor changes, revealing a more reckless side, as if denying someone basic necessities such as food or life is what shatters his cold exterior and unleashes his hidden immorality.

In the concluding moments of “Bread and Lottery,” the dialogue between Gi-hun and the Recruiter sheds light on several aspects of the game’s dynamics. This conversation allows the show to delve into its political undertones, scrutinize the internal power structure, and explore the complex relationships among the players. During their interaction, Gi-hun disparages the Recruiter, referring to him as “their dog.” This scene offers a peek into the sniper subplot that unfolds throughout this season. Initially appearing calm, the Recruiter reveals his past as one of the game’s workers responsible for disposing of bodies, stating that players like Gi-hun are nothing more than waste and have no worth in society. The Recruiter’s cold smile when he discusses feeling validated by receiving a gun from the game is particularly chilling, marking the first instance where this expression appears genuine on his face. His mocking tone as he taunts Gi-hun about killing his own father during the game can be seen as reminiscent of a Bond villain’s bragging.

In this scene, Gong Yoo portrays the Recruiter as an unrelenting, menacing figure, steeped in memories of his brutal past actions and still stained with the remnants of his last victim. His actions imbue the climactic Russian roulette sequence with a chilling intensity. The casual reloading of the gun, his maniacal grin, the sighs of relief after surviving each round, his laugh at Gi-hun’s expense, and the brief moment of disbelief when he realizes he has lost the game are all haunting images leading to the Recruiter’s downfall. Much like a loyal employee striving to uphold their bosses’ image, the Recruiter doesn’t meet his end with fear but determination. Gong Yoo’s chilling performance in this role echoes the iconic “I’m utterly insane” scene from American Psycho, brought to life in a gruesome and vivid manner: he flashes a smile as the aria “Nessun Dorma” reaches its peak, confidently placing the gun under his chin, and pulling the trigger while still holding onto the weapon that once provided him with a sense of self-worth and apparent invincibility. The Recruiter serves as our introduction to this world of deadly games for children, surreal Willy Wonka-esque aesthetics, and class prejudice, and his departure is a fitting final blow.

Read More

2024-12-26 21:54