The 100 Greatest TV Performances of the 21st Century

When considering standout TV performances from the last 25 years or so, what immediately pops up might be a former teacher transformed into a drug lord, intelligence agents serving both for and against the U.S. government, and perhaps the most iconic comedy character of our ongoing political era, due in part to her increasingly dark ambition.

Assessing greatness is a challenging task. Lists such as this one, aiming to enumerate the top 100 performances of the century thus far, will inevitably leave some fans feeling overlooked. For example, how can we fairly compare an actor’s work in a drama to their work in a comedy? Should older shows that have either been romanticized by memory or faded into obscurity be ranked alongside those still producing new episodes? Ultimately, who deserves the top spot is a subjective decision.

To clarify, this list is intended for entertainment while still being compiled with great thoughtfulness. The EbMaster team spent countless hours debating and reconsidering the performances we wanted to include and their order over several months. We established certain criteria to help us determine our options. Specifically, we restricted ourselves to scripted series that premiered on or after January 1, 2000 (the dates mentioned for each entry represent the year of the performance, not when the show initially aired). For example, while Simon Cowell may have given an outstanding performance during his “American Idol” seasons, we felt that scripted television is inherently distinct. Furthermore, though Sarah Jessica Parker, James Gandolfini, and Sarah Michelle Gellar delivered iconic performances on “Sex and the City,” “The Sopranos,” and “Buffy the Vampire Slayer,” respectively, we had to establish a cut-off point. Setting the start date for 2000 helped us focus on work that emerged after the prestige TV boom, which those shows significantly contributed to.

Additionally, we made a conscious effort to limit each show to just one standout performance, aiming to give more recognition to various series. It’s well-known that the extensive cast of “Succession” could easily dominate the Top 10 (at least), but readers will need to use their imagination to envision how the intense debates about who among the Roy family contenders would be the next heir unfolded through numerous emails and virtual meetings.

The joy of working on projects like this comes from considering what true greatness in acting might look like. It’s no longer unexpected, given that their popular TV shows have ended years ago, that Bryan Cranston, Regina King, and Peter Dinklage are talented actors (and they certainly deserve a place on any list!). However, let’s not forget about Sydney Sweeney’s powerful emotional performances in prestige TV, Niecy Nash’s calm yet highly competent portrayals, or Emma Stone’s nuanced depiction of vanity in the influencer era. Is it premature to consider Anna Sawai’s performance in the 2024 “Shōgun” as a classic? And isn’t Michael Emerson’s supporting role on “Lost” just as critical to the show’s success as any leading actors?

To all these questions, fortunately, we could respond with “Why not?” Consider this as more of a tribute to the fantastic TV shows we’ve watched during the Golden Age, Peak TV, and beyond – and an expression of optimism that there will be even more great content in the future.

Jeremy Allen White as Carmen Berzatto, “The Bear”  



FX, 2022-present

Carmy’s character in ‘The Bear’ has been deeply explored during seasons 2 and 3, delving into the traumas that have shaped him – his turbulent upbringing, high-pressure kitchen experiences, the loss of his brother, and his slow retreat into isolation. The series highlights how even when things are going well at the restaurant he runs, Carmy seems to simmer with suppressed anger. Jeremy White’s portrayal of Carmy is meticulous; his outbursts are the result of a long-building tension. And when he grants himself and those around him a moment of peace, it feels like a release of tension, albeit temporary.

Kelly Reilly as Beth Dutton, “Yellowstone”



Paramount Network, 2018-2024

In the gritty Western series “Yellowstone”, Beth Dutton is portrayed by actress Kelsey Asbille as a dominant character who fearlessly confronts everyone from CEOs to law enforcers, even scofflaws. This toughness stems from her family’s ranching legacy, with anyone challenging them inviting a good old-fashioned showdown. In the show, Beth’s emotions range from primal screams in mourning to fierce attacks in fights, and her words in disagreements are like venomous barbs. However, Asbille subtly injects a sense of sadness that transcends stereotype into her portrayal. This sadness comes from Beth’s struggles: she yearns for children but can’t have them, fights for her kin, seeks her father’s affection despite his distance, and pursues a man whose feelings remain hidden. While her memorable lines might be emblazoned on sweatshirts for fans to wear, Asbille’s nuanced portrayal of Beth’s depth and complexity ensures she is an unforgettable character.

Brett Goldstein as Roy Kent, “Ted Lasso”



Apple TV+, 2020–2023

Roy Kent wouldn’t take kindly to being included in this group. The blunt-speaking soccer legend, now a blunt-speaking AFC Richmond captain, TV commentator, and assistant coach, has never been one for offering compliments. However, despite his disdain, Goldstein truly excelled in this role. He skillfully mirrored Roy’s gruff demeanor with an underlying sense of quiet empathy, deep affection for his family, friends, teammates, and the AFC Richmond squad. Among a cast filled with adorable characters, Goldstein was the standout.

Justin Kirk as Andy Botwin, “Weeds”



Showtime, 2005-2012

Andy initially appeared in “Weeds” as a troubled young adult, an unemployed pothead who moved in with his late brother’s wife, Nancy (Mary-Louise Parker), under the pretense of assisting around the house. Over time, however, he transformed into something of a paternal figure in the sitcom, instructing his nephews on self-defense and the purported advantages of using a microwaved banana peel as a… unique stress reliever.

However, after many seasons of accommodating Nancy’s whims and ill-conceived plans, Andy showed a new layer of vulnerability by confessing his unreturned affection for her, a poignant moment that significantly deepened his character beyond the sarcastic slacker we initially encountered. Kirk imbued Andy with both charm and melancholy, elements that made Andy’s journey towards self-discovery more captivating in “Weeds” than Nancy’s cartel adventures.

Katja Herbers as Dr. Kristen Bouchard, “Evil”



CBS, 2019-2020; Paramount+, 2021-2024

In the short-lived series “Evil,” produced by Robert and Michelle King, Kristen Herbers’ character initially appeared as a skeptical, Dana Scully-esque figure. A forensic psychologist and mother of four daughters, she provided a rational perspective among a trio of Catholic Church investigators examining supernatural phenomena such as possessions and suspected demonic activities. However, in the season one finale, Kristen intentionally killed an escaped criminal with an ice ax, which was a startling plot twist that set her character on a new trajectory, leaving viewers guessing her next move. Kristen developed a distinctive dynamic with all the characters, whether it was showing maternal affection for her children, romantic attraction towards Mike Colter’s David (the love-struck priest), or hatred towards Michael Emerson’s Leland (a suspected, if not confirmed, demon). Funny and intelligent, self-centered and occasionally cruel, Kristen as the central character significantly enhanced “Evil,” leaving us disappointed that this clever, contemporary horror drama only ran for four seasons.

Kelly Bishop as Emily Gilmore, “Gilmore Girls”



The WB/The CW, 2000-2007; Netflix, 2016

As a movie critic, I found myself utterly captivated by the character of Emily Gilmore in the beloved series Gilmore Girls. Unlike Lorelai and Rory, who shared an equal dynamic, Emily was a figure of authority, her haughty demeanor often concealing a sharp-edged disapproval, particularly when it came to Lorelai’s perceived shortcomings. However, Emily wasn’t just a cold and unyielding character; she displayed moments of tenderness and humor, especially in her growing connection with granddaughter Rory. These interactions allowed Emily to let down her guard, revealing quirks and even hints of humor that had been hidden beneath layers of propriety and self-restraint for years.

Matt Berry as Laszlo Cravensworth, “What We Do in the Shadows”



FX, 2019-2024

If you’ve seen just one episode of “What We Do in the Shadows,” you’ve encountered Berry’s unique ability to transform ordinary words or phrases into comedic masterpieces with a touch of emphasis or an unexpected vocal flourish. As the flamboyant vampire Laszlo, Berry was truly unparalleled, whether he was acting as a clueless caretaker for an aging energy vampire (Mark Proksch) or disguising himself as the sophisticated bartender Jackie Daytona from “Tucson, Arizona.

John Early as Elliott Goss, “Search Party”



TBS, 2016-2017; Max, 2020-2022

In the role of self-absorbed and fashionably challenged character Elliott, Early skillfully portrayed a certain type of urban millennial: One who is preoccupied with himself yet lacks self-awareness, who perceives even serious events like a missing friend’s search and a murder trial as platforms for personal gain. This individual also harbors the misguided desire to appear charitable but fails to follow through, leading to instances such as a donation of empty water bottles to Africa. Across five increasingly absurd seasons of “Search Party,” Early found ample opportunities to shine, including a hidden Southern background and a talk show reminiscent of Crossfire, where Elliott sacrificed his moral compass for a pay raise. However, it was Early’s unique comedic delivery that truly captivated viewers on “Search Party,” a self-aware, performative tone that has inspired countless short-form internet comedians, although none have managed to emulate it quite as effectively.

Cate Blanchett as Phyllis Schlafly, “Mrs. America”



FX, 2020

This lesser-known TV series served as a snapshot of the second wave feminist movement, focusing on the unsuccessful attempts by its leaders to enact a constitutional amendment prohibiting sex discrimination in the early 1970s. However, the show’s main character and most formidable adversary was Phyllis Schlafly, a fiery crusader who paradoxically bolstered her own power by working against women’s empowerment. Interestingly, five years earlier, Cate Blanchett portrayed a more delicate, rebellious image of mid-century suburban womanhood in the film “Carol.” In this series, titled “Mrs. America,” Schlafly confronted Rose Byrne as Gloria Steinem, Margo Martindale as Bella Abzug, Uzo Aduba as Shirley Chisholm, and others. With her intensity and charm, Blanchett’s portrayal of Schlafly is not just convincing as their equal, but even seems tactically superior to them.

Himesh Patel as Jeevan Chaudhary, “Station Eleven”



Max, 2021-2022

Characters in the miniseries “Station Eleven,” adapted from Emily St. John Mandel’s novel, have experienced the end of the world. Among these characters, none evoked the harsh reality of survival more vividly than Patel’s portrayal. In a twist of fate, his character Jeevan was tasked with protecting an orphan (Matilda Lawler) as a deadly pandemic approached, and he began the series in a state of sheer survival instinct. He stockpiled food and kept a constant vigil over his ward. The weight of living through the apocalypse took its toll on Jeevan, and Patel skillfully portrayed the inner struggle within this hero. Given that it premiered at the end of 2021, during a time when COVID lockdowns were still fresh in our minds, the series was both unsettlingly relevant and compassionate, and Patel’s performance added a genuine sense of intensity and emotion to it.

Cristin Milioti as Tracy McConnell, “How I Met Your Mother”



CBS, 2013–2014

As a film enthusiast, I firmly believe that the ensemble cast of “How I Met Your Mother” joins the ranks of television greats like “Cheers,” “Friends,” and “Living Single.” The magical combination of smart casting and unforeseen camaraderie truly shone when all actors graced the screen together. The entrance of Milioti as the long-awaited Mother in the final season was a stunning miracle. She breathed life into a character who had been a plot device for eight seasons, transforming her into a lively, witty, and heartfelt individual whose disarming charm surpassed even our sky-high expectations. Milioti’s portrayal of the Mother was so enchanting that the controversial choice to end her life in the series finale — allowing Ted (Josh Radnor) to ultimately be with Robin (Cobie Smulders), a decision that had been planned since the show’s inception — remains a topic of debate. Instead, let us remember that this finale paved the way for Milioti to embark on an exceptional career, delivering standout performances in episodes such as “USS Callister” of “Black Mirror” and her powerful portrayal on “The Penguin.

Tichina Arnold as Rochelle Rock, “Everybody Hates Chris”



UPN, 2005-2006; The CW, 2006-2009 

In all honesty, I deeply admired Chris (Tyler James Williams). Yet, life’s financial struggles often cast a different hue on affection, and no character on Chris Rock’s semi-autobiographical sitcom embodied the pressures of domestic life more profoundly than Rochelle. As the family matriarch, Rochelle bore the brunt; she was responsible for cooking, cleaning, ensuring our shoes were where they belonged, all while maintaining a job of her own. Rochelle fulfilled these duties consistently, yet without any recognition. Consequently, her frequent threats and commands seemed warranted. However, Arnold skillfully peeled back the facade — not only in tranquil moments spent on Chris’ bedside or at the kitchen table with Julius (Terry Crews) after the children were asleep, but also revealing a heartfelt tenderness concealed within her admonishments. Despite her tougher demeanor compared to other TV parents, Rochelle’s this-pains-me-more-than-it-pains-you sentiments always resonated as authentic, and brimming with love.

Julia Garner as Ruth Langmore, “Ozark”



Netflix, 2017-2022

Ruth Langmore, the resourceful yet poverty-stricken teenager whose skills caught Marty Byrde’s (Jason Bateman) eye as he embarked on his criminal journey in a Missouri resort town, was an unlikely, far-fetched character. However, she significantly enlivened “Ozark” as her presence added both humor and emotional depth to the series. The Byrdes, portrayed by Laura Linney as Wendy, were generally serious and humorless, but Ruth, with her profane language (“I don’t know anything about anything”) and sharp wit (“I wouldn’t sleep with you even if your penis was made of gold”), served as the comic relief and emotional core of the Netflix crime drama. The Byrdes were cold-hearted individuals, but Ruth always burned brightly. Once she realized that their loyalty was not to be trusted, her days were numbered. Julia Garner rightfully won three Emmys for her supporting role in “Ozark,” and she breathed life into a character that elevated the show beyond melancholy.

Kyle MacLachlan as Special Agent Dale Cooper, Dougie Jones and others, “Twin Peaks: The Return”



Showtime, 2017

In the TV series “Twin Peaks: The Return,” Kyle MacLachlan played a significant role over two decades, with his character Special Agent Dale Cooper being a central figure throughout. In the original show, he was a clean-cut FBI agent battling evil forces in rural Washington State. Later, Cooper became disoriented after interdimensional travel but retained his essential goodness. The villainous doppelgänger of Cooper, Dougie Jones, wore a distinctive lime-green suit and provided comedic relief. However, when Cooper regained consciousness, it was emotional and intense. MacLachlan’s chilling delivery of the final line, “What year is it?”, remains deeply etched in viewers’ minds.

Renée Elise Goldsberry as Wickie Roy, “Girls5eva”



Peacock, 2021-2022; Netflix, 2024

In the world of pop groups, a diva is essential, and Wickie Roy embodied that role flawlessly. With her Tony Award win for the heartfelt “Hamilton,” Goldsberry demonstrated her ability to handle witty and frequently absurd humor as Wickie weathered numerous trivial insults while trying to revive her group’s 1990s success. Time away from the limelight didn’t dampen Wickie’s self-confidence; she was like a Norma Desmond whose prime time was on MTV’s “TRL,” certain of her continued greatness. The delicate dance Goldsberry performed in this role was that Wickie’s unwavering belief in her own stardom, although amusing, wasn’t ridiculed. Instead, listening to her precise articulation and observing the resilience in her posture as she prepared for another performance, one could almost convince oneself that she would succeed.

Stellan Skarsgård as Luthen Rael, “Andor”



Disney+, 2022–present

In the gripping and uncannily apt “Star Wars” series revolving around a revolution against tyranny, Skarsgård portrays a man seething with rage against the Galactic Empire, who must suppress his emotions. Rather than openly expressing them, Skarsgård conveys Luthen’s feelings through subtle micro-expressions. As he navigates the delicate alliances of the emerging rebellion and enlists a disenchanted thief named Cassian Andor (Diego Luna) to join their cause, it is only when one of Luthen’s informants in the Empire presses him about potential sacrifices that Skarsgård reveals his true feelings. “I am forced to employ my adversary’s weapons to vanquish them,” he admits, his eyes gleaming with pain, regret, and fury. “I sacrifice my integrity for another’s future. I give up my life to create a dawn that I will never witness myself!” This monologue is timeless, underscoring the power of the Force within Skarsgård.

Ilana Glazer as Ilana Wexler, “Broad City”



Comedy Central, 2014-2019

The co-star in the hit series “Broad City,” which transitioned from the web to basic cable, embodied the instinctual desires often associated with Obama-era millennial women. Abbi and Ilana, characters portrayed by Glazer and Jacobson, were a modern take on Laverne and Shirley for the post-recession era. However, it was Glazer’s character, Ilana, who became the breakout sensation of “Broad City.” Her immaturity (“I’m 27, Lincoln — what am I, a child bride?”), catchy phrases (“In da clerb, we all fam!”), and occasionally controversial statements (“Sometimes you’re so anti-racist that you’re like, really racist”) made Ilana an appealing ideal. Perhaps this is why “Broad City” continues to resonate on social media despite its specific time and place: Many of us can’t live as boldly and openly as Ilana, but we can embrace her spirit as a symbol of uninhibited passion.

Steven Yeun as Danny Cho, “Beef”



Netflix, 2023

In the gripping drama “Beef,” two lives were torn apart by a bitter rivalry that demanded powerful performances from both Yeun and Ali Wong. However, it was Yeun’s character, Danny, who embarked on the more profound journey. His deceits, as he sought to destroy his sworn enemy (Wong, whose character flipped him off in a heated road rage incident early in the series), were more intense, and his involvement with the Korean evangelical church provided the show with its most thought-provoking themes. Ultimately, what made this series captivating was a concept that Yeun brought to light: The notion that deep-seated enmity is not born from hatred but rather from personal suffering. Danny, struggling with financial difficulties and a profound sense of purposelessness, used Amy as an outlet for his self-loathing.

Lamorne Morris as Winston Bishop, “New Girl”



Fox, 2011-2018

In the television series “New Girl,” the collective cast surpassed expectations, with the interactions among characters fostering hilarious improbabilities, despite each character seeming like someone you might encounter in everyday life, except for one. Entering the scene later, Winston (Morris) from apartment 4D was initially less prominent in the early seasons, allowing him to display unique idiosyncrasies without much scrutiny – such as his continued belief in Santa Claus as an adult. However, by Season 3, Winston transformed into a creative outlet for the writers, serving as a catalyst for even more outrageous humor. A man who doesn’t realize he’s colorblind until his thirties and might see his own skin as green? Absolutely. Morris skillfully portrayed Winston, maintaining his character’s ever-so-slightly slow-witted charm, which made anything imaginable possible.

Michelle Williams as Gwen Verdon, “Fosse/Verdon”



FX, 2019

Throughout its duration, “Fosse/Verdon” evolved into a profound exploration of what it signifies to lead a theatrical existence, and Williams brilliantly translated this lifestyle into a vivid, rich visual representation. Her portrayal of Gwen Verdon – the actual stage performer embroiled in a long-term personal and creative relationship with director Bob Fosse (Sam Rockwell) – was so intensely emotional that she could not help but convey it through dance movements. It seemed as if she was on the verge of explosion: with sorrow, with unrequited love, with art that she yearned to create passionately.

Al Pacino as Roy Cohn, “Angels in America”



HBO, 2003 

The HBO adaptation of Tony Kushner’s two-part play was a remarkable TV event, a rarity in today’s television landscape. The series boasted a talented ensemble cast, each delivering compelling performances that brought to life the fantastical depiction of the AIDS crisis in America. Notable names included Meryl Streep, Emma Thompson, Patrick Wilson, Mary-Louise Parker before her role in “Weeds,” and Jeffrey Wright. Choosing the standout performer is difficult, but Al Pacino’s portrayal of a bitter, enraged power attorney left an indelible impression. His performance effectively showcased Pacino’s unique acting prowess and the transformation of his character from bitterness to a belated sense of remorse.

Allison Williams as Marnie Michaels, “Girls”



HBO, 2012-2017

Since the series “Girls” ended, its reputation has only soared. Away from the intense spotlight of initial media coverage, many viewers are realizing it’s not just a trend – it’s an exceptional show. And among all the cast, Allison Williams stands out particularly brightly upon rewatch. Her portrayal of alpha gallery assistant Marnie takes on new depth when viewed as a sharp and hilariously insightful critique of what we once called the “girlboss”. Sensitive to others’ flaws but oblivious to her own ego, Marnie was propelled forward by unwavering self-assurance. Yet, in moments when reality struck – such as when her attempt to rekindle an old relationship for one special night fell apart – we saw a grand performance transform into quiet sorrow.

Naya Rivera as Santana Lopez, “Glee”



Fox, 2009-2015

Members of the William McKinley High School Glee Club typically fell into two categories: over-the-top campy (like Lea Michele) or sincerely empathetic (such as the late Cory Monteith). However, Naya Rivera’s character Santana was exceptionally versatile. She enjoyed delivering a sharp wit to create disorder when the show’s resolutions became overly tidy, but she also ensured that Santana never came across as cold-hearted. For instance, in the episode dedicated to Monteith’s character, Santana delivered a harsh remark about his weight before performing an emotionally powerful rendition of “If I Die Young” that ended in heart-wrenching sobs. This scene was both intense and poignant, and it took on additional emotional depth after Rivera’s passing in 2020.

Penn Badgley as Joe Goldberg, “You”



Lifetime, 2018; Netflix, 2019-present

The key to Badgley’s captivating portrayal in the Netflix hit “You,” a stalker thriller, lies in Joe Goldberg’s scarcity of dialogue, yet his inner monologues, spoken in Badgley’s deep voice-over, reveal his twisted thoughts. Despite being the central character in “You,” which gained popularity on Netflix following its initial cancellation by Lifetime after the first season, Badgley’s performance works because he skillfully balances Joe’s charm with his insanity. As we approach the final season, Joe’s disturbed mind shows no signs of improvement but rather a worsening state, which is remarkable given that he has been portraying a stalker and murderer since Season 1.

Michaela Jaé Rodriguez as Blanca Evangelista, “Pose”



FX, 2018-2021

In this period, Rodriguez made history as the first transgender woman to be nominated for a significant acting award at the Emmys and went on to win a Golden Globe. This recognition was earned through one of the most heartfelt and moving performances of the time. As the matriarch of the House of Evangelista in the New York ballroom scene of the 1980s and 1990s, Rodriguez displayed a firm but caring approach towards her charges. She encouraged them to strive for their best and prioritize safety.

Rodriguez is a trained musician from Berklee College, and showcased her skills in a memorable scene where she and Pray Tell (Billy Porter) sang Diana Ross’ “Home” to the residents of an AIDS hospital ward. This song, about finding a sense of belonging, was beautifully delivered by Rodriguez, expressing a powerful message with a straightforward simplicity: Blanca tirelessly worked to create a home in a world that was often unfriendly.

Nicole Kidman as Celeste Wright, “Big Little Lies”



HBO, 2017-2019

The Nicole Kidman-led pulp-prestige television series has established its own unique niche. Starting with its premiere, it set a benchmark for excellence in small-screen productions featuring Kidman. In the screen adaptation of Liane Moriarty’s novel, Kidman, backed by an exceptional cast consisting of Reese Witherspoon, Laura Dern, and others, delivered a remarkable performance that took her abilities to new heights. This was particularly evident in scenes depicting domestic violence and moments where Celeste, a therapy patient, rationalized the ongoing abuse as her own fault. Although the show’s second season saw a decline in quality, Kidman’s portrayal of Celeste remained consistently strong as she navigated life after her husband’s death. Throughout the series, Celeste was a character written as an intelligent individual grappling with an impossible situation; Kidman’s strength lies in showing us how she struggles to escape her marriage and her sorrow. Although Kidman isn’t always able to transform average TV content into great art, she achieved this feat here.

Kaitlyn Dever as Marie Adler, “Unbelievable”



Netflix, 2019

As a movie critic, I had the privilege of witnessing Sasha Dever’s extraordinary performance in “Dopesick” last year, and I’m eagerly anticipating her role in “The Last of Us.” However, it was her gripping portrayal in this Netflix limited series that truly captivated me. Here, she brilliantly played a young woman whose claim of sexual assault spiraled out of control, turning her into a social media scorn and a criminal suspect for filing a false report. Toni Collette and Merritt Wever delivered stellar performances as the detectives trying to assist Marie, but this series, inspired by real-world events, was undeniably Dever’s moment to shine. She effortlessly portrayed the turmoil of speaking the truth only to be disbelieved, a struggle that she brought to life with breathtaking authenticity.

Rami Malek as Elliot Alderson, “Mr. Robot”



USA, 2015-2019

In the realm of superhero storytelling, Malek portrayed an enigmatic figure who meted out justice selectively, challenging and reshaping our perceptions of the genre. His unique ability could be likened to an extraordinary vigilance: Beneath his stoic, seemingly indifferent demeanor, Elliot, a groundbreaking social architect like no other hacker, was always scrutinizing, discerning deceit and inconsistencies in others as a means of unmasking their hidden truths. The captivating aspect of “Mr. Robot” lay in the contrast between Elliot’s introspective musings, which exposed his unexpected vulnerability, and his monotonous exterior. The acting was subtle yet powerful, drawing us to sympathize with Elliot even as he tread paths that, from a distance, seemed to border on insanity.

Patricia Clarkson as Adora Crellin, “Sharp Objects”



HBO, 2018

In the series “Sharp Objects,” Amy Adams portrays Camille Preaker, a journalist character who oscillates between sharp-witted horror in her investigation and a frenzied madness. This role serves as the source of chaos within the show. On the other hand, Patricia Clarkson’s performance as Adora provides the series with its structural foundation. As a stern, upper-class woman who is continually dismayed by Camille’s addiction, self-destructive tendencies, and especially her relentless curiosity, Clarkson portrays Adora with the demeanor of someone wielding iron fists concealed beneath lace gloves.

Unlike Camille, who escaped her small town only to be pulled back by a crime investigation, Adora remains firmly entrenched at the heart of the town, exerting complete control over her surroundings. “Sharp Objects” is one of two collaborations between the late director Jean-Marc Vallée and HBO, following “Big Little Lies.” The show demonstrates a keen, ruthless insight into human nature, and Clarkson’s portrayal of Adora’s cunning and cruelty is among its most impressive aspects.

Antony Starr as Homelander, “The Boys” 



Amazon Prime Video, 2019-present

In the series “The Boys,” Starr portrays Homelander as a twisted version of Superman, with an underlying psychopathic and sadistic nature. If Captain America was engineered to be a serial killer instead, you might get a sense of who Homelander is. He embodies traits that mirror Donald Trump, such as his hunger for total control, loyalty, and the hidden insecurity fueling his aggressive and destructive tendencies. In another actor’s hands, Homelander – who has an odd habit of being nursed by women, acting like a baby – could be seen as a comedic exaggeration or caricature. However, Starr brings out Homelander’s intelligence more than anything else, making him seem clever and perceptive; he is shrewd, able to read people, up until the moment he vaporizes them with his laser vision.

Ty Burrell as Phil Dunphy, “Modern Family”



ABC, 2009-2020

The stereotypical bumbling dad character in TV sitcoms has been around since the early days of television comedy, but Burrell elevated this archetype to unprecedented heights through his creation of Phil. Phil was desperately seeking approval – from his children (Sarah Hyland, Ariel Winter and Nolan Gould), whom he tried to treat as equals; from his father-in-law (Ed O’Neill), who looked down on him; and from his wife (Julie Bowen), with whom he had a strained relationship. The ingenuity of Phil’s character, which seemed almost impossible to maintain for 11 seasons, was the fact that he remained oblivious to all this. Each new episode provided another chance for Phil to win over his family, to demonstrate that he truly was a cool dad. Phil played a significant role in justifying the show’s The idea of parenting as an attempt to impress one’s kids was a 21st-century invention, and Burrell skillfully portrayed Phil’s insecurity with clever, biting humor.

Issa Rae as Issa Dee, “Insecure”



HBO, 2016-2021

It’s no shock, given the series’ name, that Rae’s character on “Insecure” frequently boosted her own spirits. Issa Dee grappled with work, relationships, and friendships, and Rae expertly demonstrated contrast by having Issa transform from timid and soft-spoken to confident, only to return to her original self moments later. Rae, who co-created the show and drew inspiration from her web series “The Mis-Adventures of Awkward Black Girl,” portrayed Issa Dee as a symbol for an entire generation that graduated college during economic uncertainty in the late 2000s. However, it’s essential to remember that Issa Dee is also a unique individual. It’s worth noting Yvonne Orji, Rae’s frequent co-star, whose portrayal of friendship with Issa felt incredibly genuine until their relationship took a turn for the worse in one season, underscoring just how deep their bond had been.

David Harbour as Jim Hopper, “Stranger Things”



Netflix, 2016-present

In “Stranger Things,” it’s not just the young cast members who shine, but the adult actors deliver performances that truly capture your attention. David Harbour portrays Jim, a police chief struggling against supernatural forces in Hawkins, Indiana, with an authentic intensity and ruggedness. This quality adds depth to his character without seeming out of place on a show centered around precocious kids. His past, as a grieving father who turned to alcohol to cope with loss, subtly permeates the series. Harbour’s restrained performance imbues this sorrow with a delicate touch and even grace. As the story unfolds in “Stranger Things,” Jim’s relationships with Eleven (Millie Bobby Brown) and Joyce (Winona Ryder) provide a strong foundation, keeping the series grounded amidst the surreal events.

Kaitlin Olson as Deandra Reynolds, “It’s Always Sunny in Philadelphia”



FX, 2005-present

Each viewer of “It’s Always Sunny” likely has their preferred actor, with compelling cases for each: Charlie Day’s chaotic enthusiasm, Glenn Howerton’s chilling composure, and Rob McElhenney’s sharp leadership. However, it is Mary Elizabeth Ellis (Olson) whose knack for seizing any opportunity for a joke has added some of the show’s most memorable scenes. Her portrayal of Dee exudes an ideal comic balance between arrogant and oblivious, a character that, without breaking the fourth wall, subtly communicates her participation in the humor.

Angela Bassett as Marie Laveau, “American Horror Story: Coven”



FX, 2013-2014

Currently, you’re facing off against the Queen Bee, as portrayed by Angela Bassett in ‘American Horror Story.’ While Bassett has played various characters across seasons, her portrayal of Marie Laveau, the Voodoo Queen of New Orleans, stands out the most. Bassett infused Marie with a commanding presence through her Senegalese twist hairstyle character, inspired by a real 19th-century voodoo practitioner. Marie was ready to spill blood, torture or enact revenge whenever it served her goal of ascending to the top in the supernatural world. Bassett skillfully portrayed both anguish and self-assurance, making viewers sympathize with Marie even when she was wrong. Immortal and vengeful, Marie was a timeless character who was also ruthless.

Marcia Cross as Bree Van de Kamp, “Desperate Housewives” 



ABC, 2004-2012

The show ‘Desperate Housewives’ quickly gained popularity, and a significant portion of its early success can be attributed to the character Bree, who was portrayed as the most desperate and Stepford-like housewife among the cast. Actress Marcia Cross skillfully played Bree as an obsessive perfectionist, striving for demure Martha Stewart elegance but frequently slipping into gun-wielding chaos. Although Bree appeared perfect on the surface, Cross subtly hinted at her vulnerabilities; Bree’s fixation on appearances often spiraled into madness, providing a compelling and revealing portrayal. Initially, Bree could have been typecast as a flat suburban character, but she gradually broke free from the stereotypes that had confined her for so long. With her red hair always impeccably styled, Bree eventually became more relaxed, allowing viewers to catch glimpses of her warmth, wit, and self-awareness hidden beneath her facade.

Elizabeth Olsen as Wanda Maximoff/Scarlet Witch, “WandaVision” 



Disney+, 2021

Initially making her mark as a notable yet secondary character in the Marvel Cinematic Universe films, Elizabeth Olsen’s portrayal of Wanda Maximoff was both potent and unique, albeit not extensively featured. However, she stepped into the limelight with “WandaVision,” where Wanda grappled with the loss of her beloved Vision (Paul Bettany) by crafting a fictional town and its inhabitants reminiscent of television sitcoms from the last seven decades. Olsen masterfully adopted various comedic acting techniques, ranging from “The Dick Van Dyke Show” to “Modern Family,” while simultaneously expressing Wanda’s deep sadness. Additionally, she brought to life the most powerful witch in the world, using her performance to depict how profound grief can distort one’s self-perception. Remarkably, she skillfully painted a vivid picture of this struggle with grief.

Janelle James as Ava Coleman, “Abbott Elementary”



ABC, 2021–present

In the eyes of many viewers, it’s either when Principal Ava, known for her trendy demeanor and love for clout, erupts into uncontrollable laughter at the expense of second-grade teacher Janine Teagues, causing her to fall out of her chair. Or it could be when Ava, portrayed by James, shows her disbelief towards sixth-grade teacher Jacob Hill having a boyfriend by saying, “So he knew you and then was like, ‘More.‘” Yet, for every viewer, it’s hard not to be won over by James’ charming portrayal. The actress breathes life into a character who could potentially be one of the worst principals on TV, transforming her into an unstoppable, captivating comedic presence. This transformation has been marked by real growth. Over time, Ava has evolved from being a questionable principal to a dedicated educator, all while retaining her unique charm and rebellious spirit – a testament to the show’s exceptional writing and James’ outstanding performance.

Frances Conroy as Ruth Fisher, “Six Feet Under” 



HBO, 2001-2005

In the future, one prominent actor from the “American Horror Story” series, Conroy, gained prominence on the TV series “Six Feet Under.” He infused the struggling funeral home-owning family with a melancholic, ghostly vibe. As they coped with their father’s demise, Ruth Fisher’s children sought solace in distractions; through Ruth, we witnessed what it meant to be completely adrift. Dull and dispirited, Ruth seemed out of sync with her surroundings; her life had been defined by her role as a mother and wife, and she was left to discover a new identity after her husband’s passing and her children’s growth. Her transformation occurred gradually, in spurts; one unforgettable scene where she awkwardly brought homemade potato salad to an elite Hollywood party remains etched in memory, much like the show’s chilling opening scenes. “Six Feet Under” explored themes of mortality and the relentless march of time; through Ruth, the series depicted a character coming to terms with the fact that she still had opportunities for personal growth.

Michael Emerson as Ben Linus, “Lost”



ABC, 2006-2010

It’s surprising now, looking back, that Emerson didn’t make his first appearance on “Lost” until the 14th episode of Season 2, given how crucial his character and Emerson himself became to the show’s storyline later. Initially, Emerson was only meant to appear in a few episodes of “Lost,” but once he appeared on screen, the producers took notice and expanded his role, altering the course of the series. As Ben Linus, leader of the “Others,” Emerson played a villain whose actions were frequently sinister, even though his motives were sometimes unclear. He could be calculating and ruthless one moment, then suddenly act irrationally, petty, and jealous the next. No character on “Lost” underwent as much transformation as Ben did, who was turned into a mass murderer (having helped wipe out the entire Dharma Initiative population) and then became a cult leader before ultimately helping to save the island. Emerson’s ability to convincingly portray such a complex, multi-layered character earned him an Emmy for supporting drama actor in 2009.

Chloë Sevigny as Nicolette Grant, “Big Love”  



HBO, 2006-2011

Known for her roles in independent films and more recently as a regular in Ryan Murphy’s acting group, Sevigny has had multiple screen personas over time. However, her portrayal of Nicolette Grant could be her most enduring contribution to television. As the second wife of polygamist Bill Henrickson (played by Bill Paxton), Nicolette wielded significant influence in long skirts and often made life difficult for the other wives she disliked. Jeanne Tripplehorn and Ginnifer Goodwin played the unlucky women who had to live alongside Nicolette, a character who demanded more than her fair share of family resources and was driven by both a captivating, dramatic self-centeredness and her status as royalty in the polygamist community. Nicolette’s connections to the fundamentalist compound leader Roman Grant (played by Harry Dean Stanton) and the pain she carried made for one of the show’s most compelling storylines.

Rachel Bloom as Rebecca Bunch, “Crazy Ex-Girlfriend” 



The CW, 2015-2019 

In her role as co-creator, actor, and co-songwriter for the CW series “Crazy Ex-Girlfriend,” Rachel Bloom excelled across multiple creative areas. However, her portrayal of lawyer Rebecca Bunch, a woman who left her chaotic New York life to chase an old crush in the suburbs of L.A., stands out particularly. Bloom’s depiction of a woman concealing her mental health issues with romantic myths was a delicate and complex act maintained throughout four seasons. Despite Rebecca’s obvious struggles with Josh Chan (Vincent Rodriguez III), she wasn’t just a warning tale, which enabled the show to address various clichés without being consumed by them. The show’s fantastical musical numbers served as powerful commentary and showcased Bloom’s musical and comedic talents equally. A single song from the series could easily linger in your mind for hours after hearing it.

Mads Mikkelsen as Hannibal Lecter, “Hannibal” 



NBC, 2013-2015

How might the Devil be portrayed, considering Mikkelsen’s captivating portrayal of fiction’s most infamous serial killer Hannibal Lecter in the series “Hannibal”? In this chilling fairy tale that graced NBC for three seasons, the iconic performance by Anthony Hopkins in “The Silence of the Lambs” was overshadowed. Mikkelsen’s Lecter, whether engaged in therapy sessions, preparing a gory feast, or relaxing with Hugh Dancy’s super-empathic investigator Will Graham, embodied sophistication and elegance, transforming the cannibal into a refined apex predator. The Danish actor gained international acclaim as Bond villain Le Chiffre in “Casino Royale,” but it was his role in “Hannibal” that solidified him as an unforgettable villain. Interestingly, the series also established Mikkelsen as a formidable romantic lead. As Hannibal and Will plunged into the ocean at the series finale, their fates remained uncertain – yet their fall symbolized both consumption and consummation.

Danny Pudi as Abed Nadir, “Community” 



NBC, 2009-2014; Yahoo! Screen, 2015

In a remarkable display of dedication, Pudi crafted the intricate universe of socially awkward film enthusiast Abed on the show “Community”. This comedy series, which aired on a major broadcaster, was unique in its ever-changing structure, ranging from stop-motion Christmas nightmares to investigations of parallel realities, years before multiverse stories became popular in Hollywood. The show’s ability to pull off such diversity was largely due to Abed. Unlike other students at Greendale Community College, Abed often seemed to recognize that they were part of a TV show. Pudi’s portrayal of this concept was incredibly self-aware yet never cynical, maintaining a delicate balance that kept “Community” afloat for six seasons.

Pamela Adlon as Sam Fox, “Better Things”  



FX, 2016-2022

Better Things” initially stemmed from Adlon’s partnership with Louis C.K. on “Louie,” but following the revelations of C.K.’s sexual misconduct in 2017, FX severed ties with him. This marked a turning point, as it became evident that “Better Things” was truly Adlon’s creation. The character of Sam Fox (much like Adlon herself, an actress approaching middle age navigating industry prejudices) was predominantly portrayed at home, struggling to unwind while her daughters tugged and pushed her in opposite directions. A poignant example of this dynamic can be seen in the emotional scenes shared between Adlon and Mikey Madison, who later starred as Max, the eldest Fox daughter. These moments captured the complexities of a parent’s love as it transforms with their child’s journey into the world. Despite the strain, both the world and Sam’s family demanded more from her than she could fully give. The phrase “almost” was significant here: ultimately, Sam’s life, mirroring Adlon’s compassionate portrayal, was an ongoing act of selflessness.

Mary McDonnell as Laura Roslin, “Battlestar Galactica”



Sci-Fi Channel, 2004-2009 

In the initial episode of “Battlestar Galactica”, the android Cylons nearly wiped out humanity, thrusting Secretary of Education Laura Roslin from being 43rd in line for succession to becoming president of the mere 50,000 survivors scattered across several starships. Over the course of four seasons, McDonnell delved deeply into every facet of Roslin, showcasing her steely resolve to become a genuine leader, as well as her emotional struggles with her long-term cancer battle. Throughout her journey, filled with harrowing decisions and devastating losses, Roslin demonstrated immense resilience that sometimes left even herself in awe. Yet, McDonnell skillfully reminded viewers of her humanity, highlighting her vulnerabilities and fragility.

Jennifer Garner as Sydney Bristow, “Alias” 



ABC, 2001-2006

In the later stages of the spy series, the introductory scenes showcased an intricate sequence of Sydney Bristow’s disguises and wigs, which she used to infiltrate various situations. This visual display was not only a testament to style but also to acting prowess: Jennifer Garner convincingly portrayed Sydney as such an accomplished spy that she could deceive almost anyone. However, she never forgot the human aspect of her character: Sydney’s mission wasn’t merely about unraveling the mystery of the Rambaldi device (an enigmatic plot device left unresolved in a dissatisfying manner). It was about seeking revenge on those in the spy world who had betrayed her, and finding a way out of the game. Interestingly, the quirky detail that Sydney combined spying with a postgraduate study of literature eventually made sense: For all its action-packed scenes, “Alias” centered around a deeply nuanced and literary performance.

Tituss Burgess as Titus Andromedon, “Unbreakable Kimmy Schmidt” 



Netflix, 2015-2020

Titus Andromedon, a character created by Tina Fey, embodies an actor yearning for stardom in the quirky New York world crafted by Fey and co-creator Robert Carlock. Initially, he served as a contrast to the show’s protagonist Kimmy (Ellie Kemper), who was adjusting to life outside a cult. Titus symbolized the allure and illusions of the broader world, with his contempt for Kimmy’s naive outlook providing comedic substance. However, as the series progressed, Titus evolved into the primary vehicle for the show’s most eccentric humor. Few actors have been as adept at delivering Fey and Carlock’s intricate, rhythmically challenging dialogue as Burgess. Additionally, Burgess effectively captured the wistful, hopeful atmosphere that sets “Unbreakable Kimmy Schmidt” apart from other works by its creators. Titus believed in his own destiny for success, even when his only audience was an unusual former cult member.

Maggie Smith as Violet Crawley, Dowager Countess of Grantham, “Downton Abbey” 



PBS (first aired in the U.K. on ITV), 2011-2016

In the popular TV series ‘Downton Abbey’, the character of the dowager countess, played by the late British actor Alan Rickman (who passed away in 2024), expresses her confusion about the concept of a weekend. This aristocratic woman, who built her life around leisure, finds it hard to understand how someone could divide their time into workdays and days off. To be honest, she shows little interest in understanding this concept. In reuniting with writer Julian Fellowes, who also wrote ‘Gosford Park’ where Rickman played a snobbish aristocrat, the actress brought freshness to the role by making it less malicious. The dowager countess may seem contemptuous, but beneath her disdain lies a deep well of sympathy and affection for her family. This feeling sometimes forces them to navigate through pretentious behavior and deflect sarcastic comments, but it is a genuine emotion.

Ken Leung as Eric Tao, “Industry”  



HBO, 2020-present

HBO’s ‘Industry,’ featuring a group of young British characters navigating sex and drugs, was initially likened to ‘Skins.’ However, its main relationship between senior banker Eric Tao, portrayed by Leung, and new associate Harper Stern (Myha’la), bears resemblance to that of Don and Peggy in ‘Mad Men.’ Both pairs are outsiders striving within a traditional institution. While Harper is determined to climb the corporate ladder swiftly, Leung’s character Eric faces challenges as a middle manager, using a baseball bat to maintain control over his subordinates while also trying to appease his superiors. The fast-paced atmosphere of ‘Industry’ is amplified by its electronic soundtrack and the characters’ frequent substance use. Yet, the overall mood is largely shaped by Leung’s nervous portrayal of a midlife crisis. Much like Eric, Leung sets a high standard for his fellow actors.

Susie Essman as Susie Greene, “Curb Your Enthusiasm” 



HBO, 2000-2024

In a unique and memorable way, no one delivers the phrase “motherfucker” quite like Essman did, even though Larry David was the main figure behind “Curb Your Enthusiasm.” Over almost two decades, it was Essman who stood out most due to the show’s free-flowing, improvisational nature. As the wife of Larry’s manager, she often served as the voice of reason, albeit a forceful one that bordered on a piercing screech when chastising her husband or unwelcome houseguest for their latest foolish behavior. Despite her increasingly eccentric outfits, Susie’s ability to instill fear in those on the receiving end of her anger never waned. Watching her articulate precisely why Larry’s socially awkward actions were offensive was akin to witnessing an artist thriving in their craft.

Anna Sawai as Toda Mariko, “Shōgun”



FX, 2024

In the turbulent conflicts depicted in “Shōgun”, Lord Yoshii Toranaga (Hiroyuki Sanada) faced opposition from Japan’s leadership, clashes with the encroaching West, and struggles between honor and duty – a stormy whirlwind of tension. Amidst this tempestuous backdrop, Sawai’s portrayal of Lady Mariko stood as its very heart. Frequently, Mariko’s role as a highborn, Catholic convert interpreting for English sailor John Blackthorne (Cosmo Jarvis) granted her unique insight into the true nature of events. However, the stoic constraints of her political position allowed Sawai to subtly express Mariko’s emotions – such as her frustrated longing to reunite with her dishonored family through ritual suicide – through minimal gestures. In certain scenes, Sawai conveyed profound feelings like yearning, resentment, and guilt using mere eye movements. Thus, when her emotional barrier finally shattered, the intensity of her released emotions resonated deeply.

Sarah Goldberg as Sally Reed, “Barry” 



HBO, 2018-2023

During its course, the series “Barry” followed the struggle of its main character, a hitman named Barry, to seek redemption. However, it became evident in the final season that his efforts to change were ultimately unsuccessful. It was actually Sally, Barry’s acting classmate and later wife, who underwent the most transformation. In the initial seasons, Goldberg portrayed Sally’s Hollywood dreams as a charming, pitiable delusion. The anticipation of her falling for Barry, and later discovering his true identity, was one of the series’ most nerve-wracking plotlines at the start. Yet, it was shocking to witness Sally’s ethical standards erode before Barry’s own downfall; her pursuit of career success led to monstrous tantrums towards those who had aided her. The paths of the two main characters converged at a point of inhumanity: By the time Barry confessed to being a murderer, Goldberg’s Sally was almost as devoid of substance as he was.

William Jackson Harper as Chidi Anagonye, “The Good Place” 



NBC, 2016-2020

In my perspective as a movie reviewer, “The Good Place” is an ingeniously comedic series that delves into the complexities of moral behavior through the lens of four souls in the afterlife. One of these characters, Chidi, played by Harper, is not just a professor of ethics but a living embodiment of indecision, struggling with the paradox of knowing all the right answers yet unable to choose one. As his relationship with Eleanor Shellstrop (Kristen Bell) blossoms from assigned partners to genuine soulmates, we witness Harper skillfully peel back layers of Chidi’s character, revealing a tender-hearted man hiding within a fragile exterior of nervousness.

Christina Applegate as Jen Harding, “Dead to Me” 



Netflix, 2019-2022

In the series “Dead to Me,” created by Liz Feldman, Christina Applegate portrayed a complex character – an Orange County Realtor and widow who was both hurt and filled with anger, which she expressed through her biting humor. At the end of the first season, Jen was revealed to have committed murder, adding tension for her character and the show as a whole. Throughout the series, Jen and her quirky, compassionate, yet deeply troubled friend Judy (played by Linda Cardellini) engaged in numerous illegal activities. Over three seasons, “Dead to Me” unfolded into a heartwarming tale of friendship between Jen and Judy. This drama was essentially a two-person act that allowed Applegate, a television icon since her teen years on “Married… With Children,” to display a versatile acting ability. To film the final season, Applegate battled multiple sclerosis, enduring pain throughout and finding it difficult to walk. However, this mention of Applegate is not based on sympathy; rather, it acknowledges Jen Harding as a genuine triumph for Applegate’s acting talent.

Murray Bartlett as Armond, “The White Lotus” 



HBO, 2021

In a standout manner, characters like Jennifer Coolidge, Alexandra Daddario, and Meghann Fahy have left profound impacts on “The White Lotus” by portraying complex emotions such as grief, desire, and ambiguity. However, it’s Armond who seems to encapsulate the show’s essence most accurately. Through subtle yet graceful performances by Murray Bartlett, we gain insights into Armond’s inner world. As the hotel manager, Armond was expected to suppress his desires, being ‘the help.’ Yet, he grappled with disillusionment, frustration, and ultimately, a self-destructive act that resonated widely (the viral moment). Essentially, Armond served as a poignant reminder of the human cost behind the indiscretions of the wealthy.

Uzo Aduba as Suzanne “Crazy Eyes” Warren, “Orange Is the New Black”



Netflix, 2013-2019

The fact that Aduba won Emmys for both comedy and drama acting awards for this series showcases its ability to swiftly change between different emotional tones. This is quite fitting, as it seems no other actor managed to combine elements of absurdity and deep emotion quite as gracefully as Aduba did.

Initially, we encountered Crazy Eyes as a seemingly harmless yet comically intimidating character, relentlessly pursuing the main character of the series, Piper (Taylor Schilling), even beyond reason. As the story progressed and Piper, who served as a kind of Trojan horse allowing us to get to know black and brown inmates, took a backseat, we learned more about this woman. We discovered that her mental health struggles and her insecurity due to being adopted into a white family made everyday life difficult for her long before she was incarcerated.

The series boasted numerous talented actors, but Aduba – who embodied the tension and pain behind those expressive eyes, earning the cruel nickname viewers came to associate with her character – left a lasting impression long after the final episode.

Devery Jacobs as Elora Danan Postoak, “Reservation Dogs” 



FX, 2021-2023

In the comedy series set in Oklahoma, Jacobs’ character Elora, named after the “Willow” character, stood out for being the most reserved among their group of friends growing up together. After losing a close friend to suicide, Elora felt her Native community was partly to blame for the despair that led to this tragic event. However, by the end of “Reservation Dogs,” it was this same community that rallied to help Elora bid farewell to her grandmother, giving her an opportunity for self-discovery rather than rebellion. In one of the series’ final episodes, Jacobs shared screen time with Ethan Hawke as Elora’s long-lost father. This episode showcased a young actor who displayed a cautious intelligence that matched up well against a renowned veteran in the acting world. As Elora was navigating her place in the world, so were the adults surrounding her.

Christine Baranski as Diane Lockhart, “The Good Wife”/“The Good Fight” 



2009 to 2016: The Good Wife on CBS; 2017 to 2020: The Good Fight on CBS All Access; and from 2021 to 2022, The Good Fight continues on Paramount+.

As Diane Lockhart watched in disbelief as Donald Trump won the presidency on her television screen, it felt like a punch to the gut for many viewers at the time, especially fans of “The Good Wife.” For seven seasons, audiences had grown accustomed to watching Diane, portrayed by Christine Baranski, navigate the Chicago legal world with poise and determination. In the spinoff series, “The Good Fight,” Diane became a beacon of sanity in an increasingly chaotic world. When the news got strange, Diane’s reactions became even more unconventional, such as her response to reports on the “pee tape” by experimenting with psychedelics and other coping mechanisms. Although she was not without flaws – for instance, joining a historically Black law firm as a white partner for her second act reflected the creators Robert and Michelle King’s portrayal of the amoral side of high-end lawyering – Diane served as a relatable character who embodied the shock and uncertainty felt by many during this time. If even Diane Lockhart, a character known for her composure, could be rattled by global events, it was understandable that others would feel the same way.

Kerry Washington as Olivia Pope, “Scandal” 



ABC, 2012-2018

Few actors have mastered Shonda Rhimes’ complex and eloquent monologues as flawlessly as Washington did for seven seasons. Indeed, Olivia Pope, portrayed by Washington, shared intimate moments with the president (Tony Goldwyn) and often found solace in contemplative scenes involving red wine and popcorn. However, it was Olivia’s signature move – barging into a room, be it even the Oval Office, and berating whoever was present – that truly defined her character. Washington’s poised demeanor and velvety voice made her an ideal choice to convey two essential traits of Olivia: her unquestionable competence in articulating her arguments with great clarity, and her frustration towards those who hindered her progress.

Danny McBride as Kenny Powers, “Eastbound & Down” 



HBO, 2009-2013

One satisfying aspect of comedy can be a character who underestimates their own knowledge, and this is a role that McBride has excelled at throughout his career. His HBO series “Vice Principals” and “The Righteous Gemstones” are both highly praised, but it was in “Eastbound & Down” where McBride truly made an impact. In this show, he portrayed Kenny Powers, a former Major League ballplayer who returned to his North Carolina hometown disgraced. Kenny appeared unable to learn or grow, but his interactions with neighbors gave McBride the opportunity to demonstrate his deep insight into exaggerated masculinity and self-importance.

Gina Rodriguez, “Jane the Virgin” 



The CW, 2014-2019

In a peculiar twist of fate, the protagonist in Rodriguez’s story, a budding writer living in Miami, found herself pregnant as a virgin at the hands of an absent-minded physician. This ordinary individual, thrust into an extraordinary predicament, served as an ideal canvas for creator Jennie Snyder Urman’s ambition to craft a unique narrative centered on everyday experiences – from coping with parenthood to sleep training. In this way, the resilient and radiant character of Jane became the quintessential straight man, a part Rodriguez handled masterfully.

To bring the multifaceted nature of “Jane the Virgin” to life required a versatile actor – someone who could maintain a deadpan delivery even amidst soap opera-esque twists (such as a long-lost love returning from the dead with amnesia!). Rodriguez not only met this challenge but surpassed it, making us all root for Jane’s fairy-tale conclusion.

Rachel Brosnahan as Miriam “Midge” Maisel, “The Marvelous Mrs. Maisel” 



Amazon Prime Video, 2017-2023

Amy Sherman-Palladino’s dialogues are unique, often resembling rapid-fire exchanges or dueling patter routines, with distinct rhythmic beats that actors must deliver accurately. Speaking such lines as a stand-up comedian is an even tougher task. Midge Maisel needed to convincingly portray a star capable of commanding the stage, and Rachel Brosnahan managed to make Midge feel like a real person one might encounter – ambitious about her budding career, yet grounded within a comical world where she was just slightly wittier and quicker-witted than others not penned by Sherman-Palladino.

Maya Erskine as Maya Ishii-Peters, “Pen15” 



Hulu, 2019-2021

In “Pen15,” the dual performances of series co-creators Erskine and Anna Konkle were crucial to its success. They constructed a fictional environment where they portrayed their adolescent selves, with Erskine’s tightly wound, nervous energy contrasting beautifully with Konkle’s carefree and flexible silliness. However, it was Erskine who had a more substantial role, as her character grappled with the anxiety of growing up half Japanese in a predominantly white community. She fully embodied this struggle, expressing it through free-flowing thoughts, speaking in tongues, and channeling the discomfort and genuine anger that arises when one is unsure of their place at school and in life.

Sarah Paulson as Marcia Clark, “The People v. O.J. Simpson: American Crime Story” 



FX, 2016

In the wake of the highly publicized O.J. Simpson trial and its subsequent fallout, prosecutor Marcia Clark found herself a subject of national ridicule – not just for her inability to secure a conviction, but also for her appearance, particularly her hairstyle. Sarah Paulson, who had already proven her versatility as Ryan Murphy’s go-to actress prior to “American Crime Story,” managed to bring humanity back to Clark’s character. The series masterfully intertwines themes of race, class, celebrity, and gender, but the storyline that stands out most vividly is Clark’s struggle to be heard amidst public scrutiny. Her ill-advised attempt to gain approval through a poorly thought-out perm transformation plays out like a prolonged nightmare – a real-life horror story in its own right. As she passionately pleads her case during the heart-wrenching closing argument, it becomes evident that her fight is not only for justice, but also to break free from the harsh glare of public opinion.

Brian Tyree Henry as Alfred “Paper Boi” Miles, “Atlanta”  



FX, 2016-2022

In the fantastical world of “Atlanta,” LaKeith Stanfield’s character Darius seemed at ease, whereas Earn (Donald Glover) and Van (Zazie Beetz) struggled desperately to find stability amidst the chaos. Meanwhile, Henry, portraying Alfred Miles or Paper Boi, embraced the show’s whimsical digressions. From squabbling with a Black Justin Bieber impersonator to observing the bizarre rites of a Dutch death cult, he skillfully exploited “Atlanta”‘s outlandish elements for comedic effect, acknowledging the absurdity that enveloped him while persistently striving to overcome each seemingly insurmountable challenge. At the close of every episode in this surreal comedy series, Alfred’s depression — as conveyed through Henry’s weary gaze — served as a poignant reminder of the profound exhaustion that life can bring.

America Ferrera as Betty Suarez, “Ugly Betty” 



ABC, 2006-2010

In “Barbie,” Ferrera’s powerful monologue might have landed her an Oscar nod, but delve into her small-screen debut to witness her exploring the intricacies and expansiveness of womanhood more profoundly. Betty Suarez, the Queens-born writer with a questionable fashion sense that gave the show its name, initially seemed overly naive to the high-powered staff at the Manhattan fashion magazine she miraculously joined. However, Ferrera imbued Betty with determination, sincerity, and a resilient optimism. Despite her character’s red glasses and unruly bangs, Betty’s curious gaze captured the intricate maneuvers happening around her; on “Ugly Betty,” as in reality, climbing the corporate ladder demanded difficult concessions and sacrifices, and Ferrera made us empathize with Betty at every turn.

Claire Foy as Queen Elizabeth II, “The Crown” 



Netflix, 2016-2017

Both Olivia Colman and Imelda Staunton delivered impressive performances as Queen Elizabeth II in the continuing series about her life. However, they were following closely in the footsteps left by Claire Foy, who originally played the role. As the initial and youngest portrayal of Elizabeth, Foy was asked to depict both an iconic figure and a woman. She had to showcase not only the public aspect of Elizabeth, characterized by her dutiful and submissive nature, but also her private self, filled with anger and sorrow. This dual role required a delicate balance, fitting for the remarkable character Foy portrayed, and it was skillfully executed in a way that grew more intense and powerful throughout the first two seasons of the show.

Niecy Nash as Didi Ortley, “Getting On”  



HBO, 2013-2015

As a devoted hospice nurse, I, much like Didi Ortley, have never been at a loss for words – whether it’s a clever quip or a meaningful glance that speaks volumes. Working in such an environment requires a resilient spirit, and Didi, adorned in her signature baby-pink scrubs, navigated the complex dynamics of her aloof colleagues (Laurie Metcalf, Alex Borstein, and Mel Rodriguez) with subtle expressions of exasperation and profound affection for even the most challenging patients.

The nature of this work is both routine and extraordinary – dealing with life-and-death situations on a daily basis. Thanks to Nash, we were given a heartfelt glimpse into how one ordinary yet exceptional woman manages to persevere in her journey.

Ian McShane as Al Swearengen, “Deadwood”



HBO, 2004-2006

Twenty-five years after “The Sopranos” debuted, the term “antihero” has lost its edge and become commonplace. However, no character or performance encapsulated the moral intricacies of creatively stimulating serialized narratives like Al Swearengen did. At first portrayed as a villain against Timothy Olyphant’s upright sheriff Seth Bullock, Swearengen eventually became Bullock’s ally in transforming a frontier settlement into a genuine community. Ian McShane’s deep and eloquent voice, coupled with his Shakespearean delivery, complemented creator David Milch’s intricate dialogue flawlessly. Yet, it was the roguish appeal that McShane infused into Swearengen that made Deadwood’s de facto mayor captivating, even before audiences fully understood his deeper layers. He is the epitome of the American spirit – portrayed by a British actor.

Sydney Sweeney as Cassie Howard, “Euphoria” 



HBO, 2019-present

In a heartrending outburst during the widely shared climax of the second season on “Euphoria”, which was designed for Instagram Reels, Sweeney exclaimed how never-before-felt happy she was, while weeping. As a high schooler known for her emotional turmoil, Sweeney’s performances serve as dramatic contrast to many lower-key portrayals; her acting style, alongside Zendaya’s, illustrates two starkly different reactions to pain. While Zendaya (who gives an outstanding performance) shuts off, Sweeney explodes with emotion. Her knack for reaching the emotional brink and surpassing it imbues the show with a raw, authentic emotional resonance – capturing what it truly feels like to be struggling at times.

Claire Danes as Carrie Mathison, “Homeland”  



Showtime, 2011-2020

Carrie Mathison stood out in a league of her own, which might explain why she continued to be involved in intelligence operations despite certain weaknesses in her spycraft. For instance, she had a habit of personalizing everything and taking on risks that were dangerously high. However, these same traits made her exceptional at gathering information because they allowed her to see the world from an unusual angle, enabling her to pursue hunches that others might shy away from. Claire Danes delivered an outstanding performance, portraying Carrie with a tense, erratic demeanor and a tear-streaked face that became synonymous with Carrie’s emotional outbursts. The show “Homeland” reached its peak of raw emotion when Carrie knew she was correct but struggled to get others to see things her way. Claire Danes effectively conveyed the intense frustration, agony, and loneliness that characterized Carrie’s warped yet brilliant perspective.

Jean Smart as Deborah Vance, “Hacks” 



Max, 2021-present

In the 2014 episode of HBO’s “Girls,” Louise Lasser portrayed an elderly artist who disliked television because she felt all older women were empty shells. However, the series “Hacks” challenges that perspective in each season. The character of Deborah, played by Jean Smart, is a comedian living on her past fame, who later recognizes an opportunity to both stay relevant and make history. This chance comes as she might become the first woman with a network TV late-night show (in this fictional universe where Joan Rivers is not present), a role that was denied decades ago. Deborah can now seize this moment to reclaim it. Towards her millennial comedy collaborator Ava (portrayed by Hannah Einbinder), she appears harsh and unyielding. But beneath her tough exterior lies intricate and valuable character layers – a fragile sense of fear that Smart skillfully conveys, complemented with sharp humor.

Kyle Chandler as Eric Taylor, “Friday Night Lights” 



NBC, 2006-2008; The 101 Network, 2008-2011

With a clear sense of right and wrong, and a no-nonsense approach with his players, Coach Taylor from the high school football show in small-town Texas embodied a comforting blend of toughness and kindness that resonated deeply with its devoted audience. His on-screen persona was gruff yet fair, but at home, particularly with his counselor wife (Connie Britton), he showed a softer, emotional side. In an era where network dramas were waning in favor of more cynical or revolutionary portrayals of American families on cable, Coach Taylor’s performance became a late yet significant addition to the TV Dad Hall of Fame.

Bridget Everett as Sam Miller, “Somebody Somewhere” 



HBO, 2022-2024

Everett’s cabaret performance is lively, explicit, and full of pizzazz. In contrast, the HBO series “Somebody Somewhere” showcases a completely different side of Everett: calm, understated, and deeply emotional. As the character Sam, a native Kansan struggling to rebuild her life after her sister’s cancer-related death, Everett took on a much more restrained role for an exceptional exploration of self-discovery. Moments of camaraderie with her friend Joel (Jeff Hiller) allowed Sam to find solace in a previously isolating environment. Occasional glimpses of Everett at the height of her abilities were used sparingly and effectively, such as when Sam rekindled her passion for music as an outlet for expression, unleashing a powerful vocal performance. For the most part, however, Sam was portrayed as more reserved — to the point where you barely noticed the growing self-assurance Everett instilled in her character, bit by bit.

Phoebe Waller-Bridge as Fleabag, “Fleabag” 



Amazon Prime Video, 2016, 2019

In the critically acclaimed series “Fleabag,” co-produced by Amazon and the BBC, our unnamed lead character embarked on two simultaneous journeys. The initial season mirrored Fleabag’s personal journey through the stages of grief, drawing heavily from Waller-Bridge’s original Edinburgh Fringe show. In the subsequent season, as she started to heal, Fleabag explored her faith by engaging in a romantic entanglement with a priest (played by Andrew Scott). The first season was remarkably moving, while the second was captivating – evidence of Waller-Bridge’s growing mastery over Fleabag’s emotional landscape. When she eventually connected with Scott’s character on an emotional and possibly spiritual level, it became clear how isolated and longing for connection Fleabag had been before. Her frequent conversations with the audience were revealed to be desperate pleas for understanding and companionship.

Catherine O’Hara as Moira Rose, “Schitt’s Creek” 



Pop TV, 2015-2020

In the hands of someone less skilled, Moira Rose from “Schitt’s Creek” might have been gratingly annoying. However, when partnered with her former “SCTV” collaborator Eugene Levy, Catherine O’Hara breathed life into a deluded ex-soap star struggling in tough times, making her the most captivating aspect of the series. Following the Rose family’s bankruptcy and subsequent move to a motel, Moira had to adapt to her humble new environment — and O’Hara masterfully portrayed this journey of discovering life beyond the glamour. O’Hara effortlessly switched between extravagant wigs and costumes that mirrored the grandiosity of her performance, while continuously finding innovative ways to pronounce certain words and invent new ones. Known for creating one-of-a-kind, eccentric characters, Moira may well be O’Hara’s finest creation yet.

Tatiana Maslany as Sarah Manning/Alison Hendrix/Cosima Nieuhas/many more, “Orphan Black”



BBC America, 2013-2017

On the TV show “Orphan Black,” Tatiana Maslany frequently took on the challenge of portraying a clone pretending to be another clone, requiring her to imagine how one character would awkwardly imitate another’s behaviors. This was quite confusing for viewers trying to figure out who was pretending to be whom, yet Maslany skillfully managed it. The success of “Orphan Black” relied heavily on the talent of its lead actress, Maslany, in crafting authentic, diverse personalities for multiple clone characters that often interacted with each other. When she wasn’t portraying Sarah Manning, the initial clone discoverer, she might be playing intelligent Cosima, villainous Rachel, unstable Helena, suburban mom Alison – or any of the numerous others introduced throughout the series. Each character required unique personalities, appearances, and histories. Maslany delivered the precise nuances needed to make this fantastical sci-fi story feel real.

Alec Baldwin as Jack Donaghy, “30 Rock” 



NBC, 2006-2013

Tina Fey’s comedy backstage on “30 Rock” was marked by her avoidance of reducing Lorne Michaels-like figures, her former boss from “Saturday Night Live,” into mere caricatures. Jack Donaghy, portrayed by Alec Baldwin, was imposing, aloof, and cryptic in his statements. However, he also had hidden class resentments due to his working-class Boston upbringing, which the show later revealed. Instead of being a passive pawn in Liz Lemon’s (Fey’s character) hands, Donaghy became an instigator of chaos. The gleam in Baldwin’s eye hinted at this: Beneath his polished suits and well-groomed hair, Jack Donaghy secretly yearned to be not in the boardroom but as close to the stage as possible.

Laura Dern as Amy Jellicoe, “Enlightened”  



HBO, 2011-2013

In just two seasons, the series ‘Enlightened’ served as a significant turning point for its co-creators. Mike White penned every episode, marking his entry into HBO’s roster of visionary directors, and he showcased his unique, sometimes bitingly honest portrayal of human relationships more than a decade before ‘The White Lotus’. Meanwhile, Laura Dern, who was already an established movie star, used the role of Amy Jellicoe to transcend this image. Amy, a former corporate powerhouse struggling with inner peace after a breakdown, allowed Dern to delve into character acting. Although Amy constantly declared she had unraveled life’s secrets, her underlying anger, insecurity, and desperate need for validation exposed the painful irony that she was just as flawed as everyone else. The series poignantly chronicled Amy’s slow path towards self-acceptance, combining subtle humor with a touch of elegance.

Emma Stone as Whitney Siegel, “The Curse” 



Showtime, 2023-2024

In the beginning of “The Curse”, there was a notable incident involving Whitney Siegel, an aspiring HGTV star. During this scene, her sweater became stuck on her head as she was changing, and she needed her husband, Asher (played by Nathan Fielder), to assist in removing it. Later, she chose to reenact the situation for a social media video, exaggerating her reactions for more impact. Despite Whitney’s cynical view of the world and her failure to acknowledge her own ethical and personal flaws, she aimed to showcase her charitable side on HGTV. Ironically, her project was leading to the displacement of her actual neighbors, a reality that Whitney refused to confront. Remarkably, Stone demonstrated great adaptability: In “Poor Things”, which aired concurrently with “The Curse”, she portrayed a woman experiencing the world for the first time. On the other hand, in “The Curse”, she played a character who had supposedly witnessed everything there was to see and just wanted to gain the fame she believed she deserved.

Peter Dinklage as Tyrion Lannister, “Game of Thrones” 



HBO, 2011-2019

Absolutely! “Game of Thrones” featured dragons, but it was the intricate blend of ego, humor, ambition, and anger portrayed by its extensive cast that truly set the series apart, making it iconic. Peter Dinklage’s portrayal of Tyrion Lannister encapsulated this essence perfectly. In the initial seasons, Dinklage masterfully showcased Tyrion’s sharp wit and insatiable appetites, a coping mechanism amidst being the only somewhat noble member of his poisonous, incestuous family. As the series progressed, Dinklage’s performance evolved, revealing Tyrion’s simmering anger towards being viewed as a monster in society and the torment of being the smartest person in most rooms he entered. The scene in Season 5 where Tyrion first witnessed a dragon, and the mixed emotions reflected on Dinklage’s face, was a powerful reflection of the cultural impact “Game of Thrones” held during the 2010s. It’s no wonder he was nominated for an Emmy for every season of the show and won four times.

Amanda Seyfried as Elizabeth Holmes, “The Dropout” 



Hulu, 2022

The narrative starts with the voice. Controversial tech CEO Elizabeth Holmes gained investor trust, not only through her intense demeanor but also her unusual deep voice, as portrayed by Seyfried. However, it wasn’t just her vocal skills that stood out; in this depiction, Holmes had an uncanny ability to identify and exploit the vulnerabilities of those she met, either creating conflicts between potential business partners or feigning vulnerability to maintain control over her boyfriend and business partner Sunny Balwani (Naveen Andrews). Overall, Seyfried’s performance was a blend of technical mastery and a sharp, calculating understanding of the inner workings of a natural deceiver.

Kate Winslet as Mare Sheehan, “Mare of Easttown” 



HBO, 2021

Without much expectation, it’s understandable that viewers are eager for another season of “Mare of Easttown” following Mare’s journey towards self-forgiveness in the final episode. The character of Mare, portrayed by Kate Winslet, was so intricately layered and authentic that it feels almost painful to say goodbye. A former high school athlete who has struggled since graduation, Mare’s life was a rollercoaster of highs and lows. She persevered through each day as a police detective, until the prospect of solving a challenging case and forming a bond with a county cop (played by Evan Peters) breathed new life into her. “Mare of Easttown” skillfully depicted grief without feeling overly burdensome, thanks in part to Winslet’s resilient portrayal of Mare. You could sense that she was hurting, but you also believed that she would find a way to move on.

Jessica Walter as Lucille Bluth, “Arrested Development”



Fox, 2003-2006; Netflix, 2013-2019 

The TV series “Arrested Development” had one of the strongest casts during its three-season run, and when it returned for Netflix, the quality remained consistent, although some episodes left much to be desired. However, Jessica Walter’s character, Lucille Bluth, was undoubtedly the funniest. As the matriarch of a dysfunctional family, she managed to maintain her power through vodka and frequent criticism of her four adult children. Lucille was often both terrifyingly insightful about her family’s affairs and blissfully detached, living in a dream world. But when she snapped out of it, she would remind everyone that family life is like a never-ending war, and insults are the most effective weapons.

Keri Russell as Elizabeth Jennings, “The Americans” 



FX, 2013-2018

Matthew Rhys and his character’s melancholic ambiguity towards his role as a spy within American society were instrumental in giving “The Americans” its heart, while Keri Russell provided its resilience. The actors (who met on set and are now romantic partners) portrayed Russian spies whose objective was to undermine their adopted homeland during the Cold War. Russell’s Elizabeth, raised in the USSR but so adept at disguise that she could conceal her disdain for playing an American housewife, was relentlessly determined to complete the mission. This resolve involved encouraging her growing skeptical husband, Philip, who was assigned to her in a marriage arranged for covert purposes; it also meant committing to their relationship to such an extent that, so convinced she was of the righteousness of the cause, she sometimes became consumed by the game.

Michael Chiklis as Vic Mackey, “The Shield”  



FX, 2002-2008

As a devoted fan, I can’t help but express how pivotal the character portrayal by “The Shield” pilot’s lead actor was in establishing the show’s distinctive tone. Towards the climax of the episode, Los Angeles Police Department detective Vic Mackey, along with his supposedly elite Strike Team (who were as much a gang as they were investigators), stormed a drug dealer’s residence following a tip-off that one of their team members, Terry Crowley, was scrutinizing them. In an instant, Vic, without any apparent regret, executed the drug dealer and then utilized the deceased man’s weapon to shoot Crowley in cold blood. This chilling act of violence set the stage for the many complexities that would unfold throughout “The Shield,” demonstrating that its creator, Shawn Ryan, meant business right from the start.

FX’s daring foray into scripted programming made a bold statement, asserting itself as a formidable competitor to HBO at this defining moment. The series premiered on basic cable and ushered in what would later be known as its Golden Age. At the heart of “The Shield” was Vic, a morally ambiguous protagonist who could switch from ruthlessness to tender affection in an instant. Michael Chiklis’ electrifying, captivating performance drew viewers into rooting for Vic, especially when he faced adversaries even more reprehensible than himself – a dynamic that Ryan relished exploring.

In one of the most memorable series finales, which I won’t reveal to avoid spoilers, Vic ultimately received his comeuppance – and Chiklis delivered an outstanding performance that left no doubts about it.

Regina King as Angela Abar/Sister Night, “Watchmen” 



HBO, 2019

Regina King has become a pivotal figure in the Peak TV era, earning numerous Emmys for “American Crime” and revitalizing a series with her powerful performance on “The Leftovers.” When Damon Lindelof, the creator of that series, invited her to lead his adaptation of the graphic novel “Watchmen,” he presented her with her most challenging role yet. The comic book series by Alan Moore had previously proven difficult to adapt, with a disastrous 2009 film version as evidence. However, fans can rest easy knowing that Lindelof’s reimagining of the story transformed King into a superheroine for our times. Set in an alternate reality America but grappling with a history of racism that mirrors our own, Angela Abar, King’s character, fought crime under the alias Sister Night. Her determination and resilience amidst comic book chaos provided the necessary anchor for the story. By the end of the series, as Angela took a precarious step into the unknown, both she and the actress who brought her strength and humanity to life seemed capable of achieving anything.

Steve Carell as Michael Scott, “The Office” 



NBC, 2005-2011, 2013

Regardless of Ricky Gervais’ memorable portrayal in the original “The Office,” the show that Steve Carell co-created, Michael Scott’s character played by Carell left such a lasting impression that Zoomers who have watched the series multiple times are unaware that there are other versions. Carell’s Michael was often inappropriate, misunderstood social cues, yearned for acceptance, made poor decisions – yet, unlike the U.K. version with its sharper, more abrasive tone, he was a character you couldn’t help but root for. This is all thanks to Carell, as his performance allowed Michael to say or do something offensive one minute, only to win your loyalty the next when he poignantly expressed his struggle to maintain dignity or extricate himself from a predicament he had caused. Despite his lack of knowledge (although he should have known better), Michael was an oafish yet lovable boss, and fans’ fondness for him was evident in his return during the series finale.

Michaela Coel as Arabella Essiedu, “I May Destroy You” 



HBO, 2020

In a TV series that primarily focused on the traumatic experiences following a rape incident, Coel’s portrayal of a survivor was heart-wrenching and awkwardly uncomfortable. As Arabella rushed to meet a publishing deadline, she started reminiscing about a night out where she was assaulted. The scenes were filled with poignant humor and emotional turmoil as Arabella scrutinized every aspect of her life, from her friendships and self-image, while trying to cope and move ahead. Coel not only created and wrote the series but also brought it to life through her powerful acting performance: Her portrayal, laced with anger and sadness, tackled the struggle and resilience needed to face trauma and endure.

Sandra Oh as Dr. Cristina Yang, “Grey’s Anatomy”



ABC, 2005-2014 

As a devoted movie enthusiast, let me tell you, there’s never been a character quite like Cristina Yang on the silver screen. The “Grey’s Anatomy” character who creator Shonda Rhimes felt the closest connection to, Cristina was an intern ready for cutthroat competition, but what she didn’t anticipate was forming bonds so deep that they morphed into family.

The friendship between Cristina and Meredith (played by Ellen Pompeo) became the backbone of “Grey’s Anatomy” for eight seasons before Oh departed in 2014, marking the end of Season 10. They were each other’s confidantes, their bond a language Rhimes coined that’s now as common as everyday speech.

Cristina, as portrayed by Oh, was witty, exceptionally skilled, reserved, loving, contemplative, aloof, sensual, and humorous – sometimes all in one scene! When Cristina moved on to a new opportunity in Zurich, her farewell dance with Meredith to Tegan and Sara’s “Where Does the Good Go” was a fitting conclusion for a character who added so much depth and intrigue to television for a decade.

Rhea Seehorn as Kim Wexler, “Better Call Saul” 



AMC, 2015-2022

A popular tale from the “Breaking Bad” series is that Jesse was initially intended to be written out in episode 9, but Aaron Paul’s exceptional acting persuaded Vince Gilligan to reconsider. Although it’s uncertain if similar plans were made for Kim Wexler in “Better Call Saul,” Rhea Seehorn’s powerful performance likely played a significant role in keeping her character at the series’ core as it progressed. In fact, she became the emotional core of the “Breaking Bad” prequel. Despite numerous dramatic deaths and characters moving towards their inevitable ends, Wexler’s moral decline (as seen in her emotional breakdown on an airport shuttle) was one of the most impactful moments. Acting alongside Bob Odenkirk, who also delivered a remarkable TV performance this century, Seehorn breathed depth into a character not previously established in “Breaking Bad.

Andre Braugher as Capt. Raymond Holt, “Brooklyn Nine-Nine” 



Fox, 2013-2018; NBC, 2019-2021

Initially, Andre Braugher’s character in “Brooklyn Nine-Nine” might seem like just another authoritative role he’s played before, such as Det. Frank Pembleton in “Homicide.” However, his portrayal of Captain Raymond Holt was far from a mere repetition. While maintaining the seriousness and weight expected from a Juilliard-trained actor, Braugher also injected an unexpected element of humor and biting wit into the character, which often led to some of the show’s most memorable jokes.

In his role as Captain Holt, Braugher humanized and added depth to the character, portraying a gay Black man who achieved a high-ranking position within the NYPD. Yet, he never lost sight of the fact that “Brooklyn Nine-Nine” was a comedy, and often poked fun at Holt’s vanity as well. In an ensemble where each character added richness and depth, Braugher served as the driving force that held it all together.

Carrie Coon as Nora Durst, “The Leftovers” 



HBO, 2014-2017

On “The Leftovers”, each character was deeply affected – the story unfolds post a mysterious global disaster – but Nora Durst endured more than most. The abrupt vanishing of 2% of the world population decimated her family, leaving her as the sole survivor. Throughout the show’s three-season run, Coon skillfully infused Nora’s character with empathy and depth, especially in portraying her relentless grief. In the series finale, Nora’s monologue, which can be summarized as recounting her journey to find solace, is worthy of recognition. This is largely due to the fact that every moment, every word, seemed justified by Coon’s previous efforts in developing Nora’s character thoroughly.

Michael Kenneth Williams as Omar Little, “The Wire” 



HBO, 2002-2008

Omar, here! The character of Omar Little, portrayed by Michael K. Williams, challenged traditional gangster stereotypes and broadened perceptions of Black masculinity. Based on a real-life Baltimore criminal, Omar was both ruthless yet compassionate. Despite his thieving and killing, he adhered to a strict moral code that protected innocent civilians. Often seen in black clothing with a shotgun slung over his shoulder, Williams’ Omar was both intriguing and unsettling, a blend of violence and poverty who always seemed slightly untouchable. Although Williams passed away in 2021, the impact of his creation of such a complex character on one of television’s most influential series endures.

Bryan Cranston as Walter White, “Breaking Bad”  



AMC, 2008-2013

Vince Gilligan originally described “Breaking Bad” as the tale of a man transforming from a mild-mannered, Mr. Chips-like character to a ruthless Scarface figure, making it hard to determine when Walter White turned into a monster thanks to Gilligan’s exceptional writing. Bryan Cranston’s captivating portrayal of the chemistry teacher turned methamphetamine kingpin managed to keep viewers engaged even after he embraced his villainous role. Cranston supplied some of TV’s most renowned and widely-shared dialogues, such as “I am the one who knocks” and “Say my name.” However, it was wordless scenes like Walt’s emotional breakdown in the crawl space – a mix of rage and despair that evolved into an unsettling fit of laughter – that truly solidified Cranston’s performance among the iconic ones during the prestige-cable era.

Lisa Kudrow as Valerie Cherish, “The Comeback” 



HBO, 2005, 2014

People who view “The Comeback” as merely depicting a woman’s public embarrassment are only partially correct. The protagonist, Valerie Cherish, an actress struggling to regain fame who willingly participated in a reality TV show, experienced numerous humiliations that seem unbelievable, such as her ordeals while wearing a giant cupcake costume. However, the true brilliance of “The Comeback” lies in how Valerie manages to rise from these low points. Despite being portrayed as a Hollywood monster, she is a relatable one, and her ambition, which drove her to keep going, was to be genuinely recognized and appreciated. Kudrow skillfully conveyed this longing for recognition through every cringe-worthy moment, every insignificant humiliation, and every forced smile.

Elisabeth Moss as Peggy Olson, “Mad Men” 



AMC, 2007-2015

In “Mad Men,” the dynamic between Peggy and Don, played by Jon Hamm and Elisabeth Moss respectively, became central to the show’s success. While Hamm delivered a compelling performance as the troubled man in the gray flannel suit, it was Moss who truly stole the spotlight. Her character, Peggy, started as an inexperienced secretary with little power, but over time she took control of the series, her rise to stardom in the ad world mirroring Don’s decline. Despite seeming worlds apart from her initial naive and powerless self, Moss portrayed Peggy with a subtle toughness beneath her gentle demeanor, making her transformation believable. It’s challenging to imagine another actor embodying the complex mix of generational struggle and individuality that defined Peggy’s character, especially when portraying her unique journey, such as her decision to hide her pregnancy and quickly move on after giving birth. This role not only represented the experiences of many women in the workplace during that era but also showcased Moss’ exceptional talent.

Jeremy Strong as Kendall Roy, “Succession” 



HBO, 2018-2023

Among our team, the discussion about who from the “Succession” cast deserved special recognition was remarkably intense. If we weren’t constrained to just one actor per series, our Top 10 might have included Sarah Snook, Kieran Culkin, Matthew Macfadyen, Brian Cox, and many others. However, in the end, we chose to highlight the eldest Roy brother. Jeremy Strong’s portrayal on “Succession” transformed it from a chamber drama into something more expansive, bizarre, and deeply human. In Kendall Roy, he captured the paradox of a spoiled yet struggling addict – a character who could deliver an absurd, misguided rap performance at a family gathering one moment, and the next, reveal the raw emotion of realizing you’ve been made a fool. Strong’s approach to his craft has been extensively analyzed (even earning him a profile in The New Yorker) and garnered some playful criticism. Yet, regardless of how he achieved it, Strong accomplished something close to miraculous and stood out as the clear leader among the stellar cast.

Julia Louis-Dreyfus as Selina Meyer, “Veep” 



HBO, 2012-2019

Who could possibly match Louis-Dreyfus’ exceptional comedy performance throughout “Veep”? Spanning over seven seasons, she brought an intensity to her role that made it seem as if “Veep” wasn’t a comedy at all. Selina Meyer, portrayed by Louis-Dreyfus, was a character who constantly felt powerless and lived in constant anticipation of being needed. She experienced small victories and even a brief stint as president, but ultimately her taste of power proved to be nothing more than an illusion. After losing it all, she had to find a way back, both empowered and embittered by the fleeting feeling of victory. Louis-Dreyfus’ skill in delivering profane insults, her knack for portraying a tense person trying to appear relaxed, and her fearless willingness to tackle any aspect of Selina’s desperate thirst for power elevated an occasionally uneven show into a classic. The fact that we never learned Selina’s political beliefs is fitting: she was a product of our political system, capable of adapting to the point of meaninglessness and saying virtually anything to keep herself in the spotlight.

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2025-02-13 19:41